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“White Privilege: essay
White privilege and whiteness
“Strange Fruit: An Overview of Lynching in America,” essay
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White Privilege in Poetry
INTRO PARAGRAPH Topic sentence: the idea that governs the entire paragraph then expand on that idea. The overall argument of paper should show the argument from the thesis/topic sentence.
Martha Collins uses the story her father tells in order to talk about race in her poem “Blue Front.” Collins writes about race from the perspective of a white person, her father. She talks about his childhood and the horrible events that he witnessed. Race is discussed in the context of being black, and being white, at this time. Collins doesn’t take a stance, one way or another, in whether the black or white side is correct. She tells the truth, puts it out there, without an opinion. White people are painted in a horrible light.
baskets napkins white
bread ribs and chicken
deviled eggs cakes for these
occasions celebrations often food (Collins 12)
…show more content…
Picnic baskets were packed and brought to lynchings.
For the white people, lynching was a form of entertainment. A lynching was an occasion to be celebrated, a community event that brought people together. “Children were often there they were being taught” (Collins 59). White children were brought to see lynchings, which taught them what it meant to be a white person during this time. They witnessed and were desensitized, to this violence against black people- usually black men. Race gave white people the privilege to sit on the sidelines of a lynching, and watch for entertainment’s sake. Black people did not have the same privilege. Instead of watching lynchings, black people locked themselves in their homes and hoped that the white mobs didn’t come for them
next. White people were also given an advantage with segregation. “Water came from the same // source but couldn’t be drunk // from the same fountains” (Collins 5). “White’s Only” and “Colored Only” signs appeared above bathrooms, drinking fountains, laundry machines and more. White students and black students couldn’t go to the same school until May 17th, 1954 when the Supreme Court declared that the segregation of public schools was unconstitutional (McBride). Segregation forced people of color to use different things than white people. They “couldn’t look out the same // window couldn’t read // the same books” (Collins 5) as white people. Segregation gave favoritism and power to white people that they had had for a very long time. The separation of people creates differences, an “us” versus “them” mentality. Differences can drive people apart and turn the “in” and “out” groups against one another. Nikky Finney writes about privilege in her book “Head Off & Split” as well. Finney uses the story of Rosa Parks to show white privilege in her poem “Red Velvet.” She had grown up in a place: where only white people had power, where only white people passed good jobs on to other white people, where only white people loaned money to other white people, where only white people were considered human by other white people, (Finney 8) White privilege shows the differences between how white people and black people are treated. In this section, Finney shows how Rosa Parks and other black people grew up where they weren’t even considered human by white people. White people considered each other human, but not black people. White people had access to good jobs (passed on to them by other white people), they had power, and were able to take out loans (given to them by other white people). These examples and more show what white people were given that black people were not. Black people didn’t have power, or good jobs, or loaned money. Black people weren’t considered human.
Southern Horror s: Lynch Law in All Its Phases by Ida B. Wells took me on a journey through our nations violent past. This book voices how strong the practice of lynching is sewn into the fabric of America and expresses the elevated severity of this issue; she also includes pages of graphic stories detailing lynching in the South. Wells examined the many cases of lynching based on “rape of white women” and concluded that rape was just an excuse to shadow white’s real reasons for this type of execution. It was black’s economic progress that threatened white’s ideas about black inferiority. In the South Reconstruction laws often conflicted with real Southern racism. Before I give it to you straight, let me take you on a journey through Ida’s
The racial project in this is, of course, a lynching. The racial spectacles are how lynchings are surfaced throughout the people. A lynching may be televised on television for people to watch. In addition, a lynching may be written in a local town’s newspaper for the people to read. Due to the fact that the lynching is carried out by so many people for this becomes a spectacle. The racial project of a lynching works towards the side of white supremacists because white people use it as a tactic to inflict their power over black people. MAny Klu Klux Klan members that lynched black people use religion as manner of justifying their actions. Former President Barack Obama reminded the nation back in February of 2015 when he was asked about Muslim intervention and the terrors that were used to justify religion. The president had this to say “Lest we get on our high horse and think this is unique to some other place, remember that during the Crusades and the Inquisition, people committed terrible deeds in the name of Christ. In our home country, slavery and Jim Crow all too often was justified in the name of
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
Wells challenged this notion as a concealed racist agenda that functioned to keep white men in power over blacks as well as white women. Jacqueline Jones Royster documents the stereotypes of this popular white belief in an analysis of Wells’ reports.... ... middle of paper ... ...]” http://www.english.uiuc.edu/maps/poets/g_l/lynching/lynching.htm>. [3] Tabulating the statistics for lynchings in 1893, [in A Red Record] Wells demonstrated that less than a third of the victims were even accused of rape or attempted a rape.. http://www.alexanderstreet6.com/wasm/wasmrestricted/aswpl/doc4.htm> 4 Royster.
In the case of a lynching, the violence affects both the lynchman and the lynched. Other times the violence is psychological in nature and it is often indirect. No matter what, it poisons and corrodes everything and everyone, from the environment itself to the very self; the “i” within the environment. And it still does to this day. Jean Toomer’s short story, “Blood Burning Moon” and other works featured in Cane, visualizes depictions of violence through lynching and reveal the innermost madness of the psyche that is the product of racialized violence in the South.
I feel that the white people felt that the blacks were getting to close to be like an equal. With that on mind, the whites felt that they need to show the blacks that they still run things. For instance, on page 107, it clearly states, "There are friends of humanity who feel their souls shrink from any compromise with murder, but whose deep and abiding reverence for womanhood causes them to hesitate in giving their support to this crusade against Lynch Law, out of fear that they may encourage the miscreants whose deeds are worse than murder." It goes on to explain blacks were lynched because the whites had the power to kill and get away with it and they prefer to kill, than taking it to court.
Part of the aftermath of lynching in the South was the psychological consequences on the rabbles involved. The entire culture of African Americans is marked by lynching because the root reason of why white mobs lynched Southern African Americans was skin pigmentation. This means the blacks were lynched based on ignorant intolerance; however, the supposed basis for the white southerners’ hatred is internalized by every black person in their skin color. In the words of Lee H. Butler, Jr., “Unlike a single traumatic event that has been experienced by one person, lynching is a trauma that has marked an entire culture and several generations because it spanned more than eight decades.”
One of the most appalling practices in history, lynching — the extrajudicial hanging of a person accused of a crime — was commonplace in American society less than 100 years ago. The word often conjures up horrifying images of African Americans hanging from lampposts or trees. However, what many do not know is that while African Americans certainly suffered enormously at the hands of a white majority, they were not the only victims of this practice. In fact, the victims of the largest mass lynching in American history were Chinese (Johnson). On October 24th, 1871, a white mob stormed into the Chinatown of Los Angeles.
As defined by encyclopedia.com, lynching is “violent punishment or execution, without due process, for real or alleged crimes” (Lynching). Although this is somewhat vague, it is quite accurate. Basically, the illegal act of intentional harm, usually performed in front of a vigilante audience, falls into this definition. It is commonly believed that the word “lynching” or “lynch law” was derived from the name of Charles Lynch (Simkin). This Virginian landowner consistently practiced illegal “trials” of local lawbreakers in his very own front yard. Once found guilty, not exactly a difficult finding, Lynch would then proceed to heartlessly whip and beat the accused (Simkin). Thus, “lynching” was born, and not explicitly to colored folks alone.
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
After looking back on previous paragraphs I have determined that one of the stronger areas of my writing is the topic sentences. My topic sentences are clear and argumentative while setting up the main idea of the paragraph. In the fifth paragraph assigned this term the topic sentence,“In the novel True Grit by Charles Portis…Rooster Cogburn is at heart a man of stronger character than his...acquaintance, Labeouf.” is a topic sentence that sets up the main topic and the foundation of the argumentative paragraph.
White men had three reasons for executing these acts. The first reason was a claim that Blacks were having a rebellion, so they had to use the force of killings to overpower Blacks from following through with the plans. Since these rebellions were false predictions, they had to find a better reason to eliminate the Black population. Blacks were now being given the right to vote, which placed fear in the White men that Blacks would take over so groups such as the Ku Klux Klan formed to attack Blacks and kill Blacks. The government deserted Blacks because they thought since Blacks were given freedom then they were fine, but in actuality, they needed to be secured too. The third reason, Whites claimed that they needed to protect White women from Black men because Black men were “alleged” raping White women. White men did not believe that a consensual relationship could occur between a white woman and a black man and always assumed of rape. Many other lynchings occurred and might not have been recorded. The Whites had no good reason for these unjust acts and just did them because they knew they could and were just vicious
The poem “Negro” was written by Langston Hughes in 1958 where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “ Black as the night is black, /Black like the depths of my Africa.” He identifies Africa as being his and is proud to be as dark as night, and as black as the depths of the heart of his country. Being proud of him self, heritage and culture is clearly shown in this first stanza.
1. The introduction starts with a fairly general opening statement which introduces readers to your topic (or