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Recommended: Racism in the media
In Jonathan Markovitz’s Racial Spectacles: Explorations in Media, Race, and Justice he defines and argues the existence of racial spectacled in our society today. Through the reading and the general understanding of racial spectacle, I define it as the events that take place in massive media that virtually touches every realm of communication and popular culture in society. Interpretations may vary based on the event. The concept of racial spectacle is related to how Michael Omi and Howard Winant define racial project in their article Racial Formation. From my understanding of the reading, a racial project is a task, action, or law that is set in place in order to shorten or widen the racial divide in society. Racial projects are both positive and negative and in …show more content…
order to be interpreted as positive or negative an understanding of racial spectacled is needed once the images or project is projected out to the mass in society. An example of a racial project that is discussed in Markovitz’s article is the idea of lynchings.
The racial project in this is, of course, a lynching. The racial spectacles are how lynchings are surfaced throughout the people. A lynching may be televised on television for people to watch. In addition, a lynching may be written in a local town’s newspaper for the people to read. Due to the fact that the lynching is carried out by so many people for this becomes a spectacle. The racial project of a lynching works towards the side of white supremacists because white people use it as a tactic to inflict their power over black people. MAny Klu Klux Klan members that lynched black people use religion as manner of justifying their actions. Former President Barack Obama reminded the nation back in February of 2015 when he was asked about Muslim intervention and the terrors that were used to justify religion. The president had this to say “Lest we get on our high horse and think this is unique to some other place, remember that during the Crusades and the Inquisition, people committed terrible deeds in the name of Christ. In our home country, slavery and Jim Crow all too often was justified in the name of
Christ.” An example of a racial project today is the Black Lives Matter movement. This is a racial project it is a platform to speak out against the injustices of police brutality on black people as well as the social inequities that black people face in today’s society. The marches that Black Lives Matter are viewed through racial spectacles through media outlets such as television, newspapers, social media, there are talk show hosts that interview Patrisse Cullors, of the women who coined the term on social media and others. Several others would also argue that the Black Lives Matter movement is a racial project that falls on the negative side of the spectrum. Anti Black Lives Matter would argue that Blue Lives Matter and the Black Lives Matter movement is a disturbing racial group of people that terrorize police officers and cause and disturb the peace in communities. Many argue that is a more problematic violence between blacks on black, but the reason why this argument is false I will save for another day. For the context of this paper, Black Lives Matter is a racial project and the media outlets that showcase and argue for or against the moment is the racial spectacle.
Media such as movies, video games and television, in general, are all created to support some form of social context. This helps with generating popularity because people are able to relate to the form of media. In Greg Smith’s book What Media Classes Really Want to Discuss, he describes 6 different representational strategies that justifies people’s way of thinking. The trope that I will be amplifying is the white savior tactic. In addition, I will connect this strategy to the movie The Blind Side. There are clear examples throughout the film where racism and low-income cultures exist in which the white family is there to help. The Tuohy family from the movie “The Blind Side” serves as the white savior for the progression of Michael
Franklin Zimring (2003) examines the relationship between the history of lynching and current capital punishment in the United States argueing that the link between them is a vigilante tradition. He adequately shows an association between historical lynchings and modern executions, though this paper will show additional evidence that would help strengthen this argument, but other areas of Zimring’s argument are not as well supported. His attitudinal and behavioral measures of modern vigilantism are insufficient and could easily be interpreted as measuring other concepts. Also missing from Zimring’s analysis is an explanation for the transition of executions from representing government control in the past to executions as representing community control in the present. Finally, I argue that Zimring leaves out any meaningful discussion of the role of race in both past lynchings and modern executions. To support my argument, using recent research, I will show how race has played an important role in both past lynchings and modern executions and how the changing form of racial relations may explain the transition from lynchings to legal executions.
The racially targeted lynchings were rare before the civil war since killing the black slaves would have resulted in a loss of property and profit. From 1880 to 1940 more than five thousand African Americans were killed by the US white vigilante mobs that also included Christians (page, 3). Christians were on the forefront in participation in lynching where black persons were killed without any cause or chance to face a justified death. The Christians that did not participate directly in any lynchings were silent on the issue. The act of lynching was identified as the symbolic re-enactment of the fructification in the twentieth century . This exposes the Christian hypocrisy and wilful blindness of white Americans Christians who had a reconciliation
Since 1945, in what is defined by literary scholars as the Contemporary Period, it appears that the "refracted public image"(xx) whites hold of blacks continues to necessitate ...
The mass media being one of the greatest influencers of public perceptions, their false portrayal of black males significantly impacts how the public perceives and behaves toward them, how black males see themselves as well as their the opportunities and achievements. But the mass media canbe part of the solution. Of course, the responsibility is not the media’s alone. But the media, as the public looking glass, can and should show the full spectrum of the lives of black men and boys.
concerns racial equality in America. The myth of the “Melting Pot” is a farce within American society, which hinders Americans from facing societal equality issues at hand. Only when America decides to face the truth, that society is not equal, and delve into the reasons why such equality is a dream instead of reality. Will society be able to tackle suc...
Part of the aftermath of lynching in the South was the psychological consequences on the rabbles involved. The entire culture of African Americans is marked by lynching because the root reason of why white mobs lynched Southern African Americans was skin pigmentation. This means the blacks were lynched based on ignorant intolerance; however, the supposed basis for the white southerners’ hatred is internalized by every black person in their skin color. In the words of Lee H. Butler, Jr., “Unlike a single traumatic event that has been experienced by one person, lynching is a trauma that has marked an entire culture and several generations because it spanned more than eight decades.”
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
One of the most appalling practices in history, lynching — the extrajudicial hanging of a person accused of a crime — was commonplace in American society less than 100 years ago. The word often conjures up horrifying images of African Americans hanging from lampposts or trees. However, what many do not know is that while African Americans certainly suffered enormously at the hands of a white majority, they were not the only victims of this practice. In fact, the victims of the largest mass lynching in American history were Chinese (Johnson). On October 24th, 1871, a white mob stormed into the Chinatown of Los Angeles.
At Krannert Art Museum this year Social Studies put out their third exhibit featuring eight artists? works that provoke viewers to reflect on issues of identity, tolerance, equal rights, and integration as they apply to education now. When I walked in to the exhibit I noticed a very interesting portrait to begin with. It was five separate portraits of two women, one white, one black, both attempting to sit in the same chair. The title of the work was Plessy vs. Ferguson, in memory of the Supreme Court decision that made segregation legal. The separate part seemed to hold true but the equal part was far more than lacking. Most cases seemed to be that there wasn?t enough to separate hence the reason for the two women struggling over the same chair. This art took me awhile to understand because my brain had not been geared to what I was actually witnessing. It wasn?t until I sat down on a retro style couch resting on a beige shag carpet rug facing a silent movie projection. The obvious use of perspective in this art form helped me understand the side by side projection of two different family videos. One was footage from a Jewish family and the other was an African American family?s footage. Both of the videos depicted family gatherings for celebrations such as barbeques, birthday parties, trips to Disney World and religious holidays.
Center for Study of Race, Politics, and Culture, prod. Angela Y. Davis at the University of Chicago- May 2013. YoutTube. YouTube, 1 May. 2014. Web. 10, May 2013.
Throughout the text, Markovitz defines a racial spectacle as an act or number of acts motivated by race, violence and the law that seek to shape the popular culture of the social world. When racial spectacles are carried out, they are can be interpreted in many ways, and that’s what makes them so effective. Social spectacles aim to affect the way people interact in their daily lives. Similarly, Omi & Winant describe the idea of racial project as, “simultaneously an interpretation, representation, or explanation of racial dynamics, and an effort to reorganize and redistribute resources along particular racial lines.” There are many times when racial spectacles can work as part of racial projects.
Racism and discrimination continue to be a prevalent problem in American society. Although minorities have made significant strides toward autonomy and equality, the images in media, specifically television, continue to misrepresent and manipulate the public opinion of blacks. It is no longer a blatant practice upheld by the law and celebrated with hangings and beatings, but instead it is a subtle practice that is perceived in the entertainment and media industries. Whether it’s appearing in disparaging roles or being negatively portrayed in newscasts, blacks continue to be the victims of an industry that relies on old ideas to appeal to the majority. The viscous cycle that is the unconscious racism of the media continues to not only be detrimental to the white consumers, who base what they know about blacks on what is represented on television, but also the black consumers, who grow up with a false sense of identity.
How people imagine themselves and are imagined by the larger society in relation to the nation is mediated through the representations of immigrants’ lives in the media. Media spectacles transform immigrants’ lives into virtual lives, which are typically devoid of nuances and subtleties of real lived lives. It is in this case that the media spectacle transforms a “worldview,” or a taken-for-granted understanding of the world, into an objective idea taken as “truth.” In their coverage of immigration events, the media give voice to commentators and spectators who often invoke one or more of the many truths in the Latino threat narrative to support arguments and justify actions. In this way, media spectacles objectify and dehumanize Latinos, thus making it empathize for them and easier to pass policies and laws to limit their social integration and obstruct their economic mobility. Through its coverage of events, the media help constr...
Presently racism in the U.S. is presented through the media’s portrayal of the shooting of African Americans by police officers. This racism can be found in the racial bias that is obvious in media in the present day. In the video “Terence Crutcher’s Police Shooting & Racial Bias in America” by The Daily Show, Trevor Noah mentions that we are “ living in a society where racial divisions are so deeply baked into every part of society that we don’t even notice them anymore” (The Daily Show). By stating this Noah is showing that the racial bias that is shown in many news interviews and media forms is often overlooked and quite often already present. Another example of the racial bias that is set in most Americans can be found in the video “A White Audience is Left Speechless Racism in America” when a lady asks the audience to stand up if they would want to be treated the way African Americans are treated in society. The lady responds to her audiences lack of standing by stating the obvious fact they they are aware of the situation and they do not want that to happen to them, then she asks why they “are so willing to accept it or allow it to happen to others” (YouTube). This shows the fact that people are aware of the way that African Americans are being treated because of racial bias however because the way they are treated is so normalized people aren’t