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Introduction of Singapore
Introduction of Singapore
Introduction of Singapore
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II Marina Bay, our Photogenic city.
1 Marina Bay Sands, the ‘Image of Our City’
In the book by Kevin Lynch, “The Image of the City”, he argued that the idea of imageability is an important character in the construction of the identity of a place. Subsequently, the creation of the mental image of the viewer. He pointed out that elements such as shapes, colours and arrangements play a crucial role in the legibility and visibility of a city which would aid facilitating in the making of the powerful structure and identifiable mental image of the place.
Figure 3 Screenshot of the Result from Searching Singapore on Google.com
Indeed, Marina Bay Sands has successfully done just that. By placing a heavy reliance on the use of architectural landmarks,
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Her presence could be experience everywhere.
Everyone, in or out of Singapore, have seen and heard of her. With simply a click, she shall emerge. With simply a click, she shall surface, carefully revealing herself, overshadowing her peers while exposing her impressive beauty. As the background slowly darkens, she eloquently takes the center stage, demanding your attention.
The Singapore’s image has been around even before the construction of Marina Bay Sands. In fact, her very first representative image was in the early 1980s. An image showcasing Singapore’s modernist skyscrapers found along the CBD, overlooking the newly readapted Singapore River together with the rows of carefully preserved shophouses which hope to hint on Singapore’s attempt in welcoming the new while preserving the old. This representative image was, however, being replaced in 2002 with the emergence of Esplanade theatre, to suggest Singapore as a regional performing arts centre. Soon after the completion of Marina Bay, its city skyline was included into the visual representation to reposition Singapore into a global tourist huh while displaying Singapore’s vision of progressiveness and the embracement of the
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Hence, allowing it to be recognisable as a separate entity. However, this distinctive characteristic has to be more than its surface appearance. It needed to be able to engage its users with authentic experiences. Experiences that are not distorted and mediated due to a series of arbitrary social constructs, but rather an experiential product as a result of being able to have a full sense of awareness and attachment to the place. Attachment in a way that one would feel as though he belongs part of the space. Thus allowing one to easily identify himself with. Therefore, the more profound the sense of attachment one has to the place, the stronger is the identity of the place.
1 Marina Bay Sands, are you a place of ‘Placelessness’?
“We don’t want Singapore to be just like any other city. We want it to be distinctive, to be different. And Marina Bay will personify this difference.” -Mr Mah Bow Tan, National Development Minister
Figure 6 Image Depicting Marina Bay as a place for Possible
Lehrer, U. and Laidley, J. (2008) analyze how the expensive urban projects close to waterfront Toronto are used as an expression and indication of urban renewal. The article explains that diversity of forms and uses are employed in these new mega-projects which initiates urban inequality compared to the old mega project...
The TD Centre is a landmark of Toronto. It is one of the most recognizable elements of the downtown core. It has gained this status for two main reasons. The first one concerns its historical significance: the complex was one of the first of many skyscrapers built in the international style. The second reason is personified by the individual behind the planning and realization of the project: Mies van der Rohe. The building was the last high-rise the world-famous modernist created and therefore it embodied all of his concepts and beliefs on the international style. The complex as a whole stands out in the multitude of high-rises of the downtown core because of its typical, recognizable and repeated style. The original three point configuration by Mies has been expanded during the years with three new buildings by architectural firm Bregman and Hammond. Those new additions are different in the relationship they create and extend to the original buildings. In approaching the complex a distinct feature becomes clear. The complex itself is an urban extension of the international style. When entering the area both by car and as a pedestrian an individual is not only witness to a number of remarkable buildings but finds himself immersed in a modernist urban space. In this short analysis it is important to pay specific attention both to the type of construction and to the materials used. All of those elements are important in recognizing how the development of the TD Centre in the 60s shaped the architecture of downtown Toronto and became a widely imitated example of managing the public space surrounding a building.
In the capital of financial services, two insurance buildings dominate Boston’s skyline. The Hancock Tower and the Prudential Center are structures that display the uneven change and the urban development that has occurred in this city over the course 19th century. Located in back bay these edifices work with the directionalities of their adjacent streets and the cultural history of the structures that surround them. Boston’s foundation was composed in a manner that designated and organized space. This creates the tension and contrast present in that between the two structures. The iconography that these structures have over the city is important. It represents a sense of the past as well as the purpose that the built environment has with a changing society. Even though these structures dominate so much of the skyline, they interact differently with the public. There is a physical boundary that separates the functionalities and interaction in which society can actively have with them. This essay will focus on the structural purpose in regard to the form following function of these skyscrapers and how they each demonstrate a design aspect that characterizes Boston through a visual perspective.
image in the mind of the reader, the image of a typical town on a normal summer
Every culture left a mark of its quality on New York’s buildings that change over time: some are old, some are new, some are tall, and some are small. They might have a lot in common, but not one building is like the other. Diversity is what makes New York.
For instance, highly populous and famous cities such as Oslo, New York, Alexandria, and San Francisco hold some of the important architecture projects that have shaped individuals’ lives. Reporter David Owen, in his New Yorker article “Psychology of Space”, argues how the architecture firm Snøhetta utilizes their magic through their projects to build people’s moods, shape their relationships with cities, buildings and other individuals, and create illusions with exhilarating effects. The author’s argument is rhetorically compelling because his arrangement of ideas, selection of words, and supporting evidence maintain his public engaged in the magic of architecture and persuade anyone reading his article that architecture plays a critical role in their lives in numerous
... the sense of sight has been incorporated into depicting the story behind what is denoted between the traditions, social orders and situations during the period the images were produced.
Sense of place is the “development of level of comfort and feelings of safety that are associated with a place” (Kopec, p. 62). These associations often translate into that desired sense of belonging, and allow individuals the ability to “develop feelings of attachment to particular settings based on combinations of use, attractiveness, and emotion” (Stokowski, 2002). Developing these psychological connections with certain places lends itself to the concept of place attachment, or, “a person’s bond with the social and physical environments of a place” (Kopec, p. 62). These places often hold deep meaning for people because their identities were established among their surroundings. This affiliation between a person and their place is often seen through personal connection, comfort, and security (Kopec, p. 131). Many people feel as though the place they are in should have its own “special character”, or an identity that defines it, and distinguishes it from other places (Kopec, p.1). Kopec states, “An environment’s distinct spatial features, how it compares with others, its connections to personal life paths, and its potential for change combine to affect the meanings places have for people”. An establishment of this sense of place identity ...
Technology allows us to construct structures that we would never have been able to make in the past. Some of the creations are impressive based on what they accomplish but others are masterpieces in themselves. Man’s capability to build such tall buildings, as the skyscrapers we are familiar with covering our cities today, is a major expression of the advancements we have made as a culture. The power necessary to build such tall structures inspired competition between architects to see who could build the tallest one. One skyscraper that has inspired many and served as a model, for high rise buildings that were created after, is the Chrysler Building. The Chrysler Building serves as an identifying mark to anyone that views the New York City
Comprehensive urban planning needs to be sustainable, economic and consider the prevalence of historical buildings within the scope of the design plans. When community leaders and planners convene to discuss and review designs for refurbishing a neighborhood all aspects of potential new construction and how it will fit into existing buildings. Ghasemzadeh states “A good urban planner and/or designer will know the principles to adhere to and steps to take to maintain or improve the conditions of an urban area through effective planning and desi...
With its mishmash of old pre-war conservation flats, artisan cafes and fashion boutiques, today’s Tiong Bahru is Singapore’s capital of quirk. In contrast to the bustling streets of downtown Singapore, Tiong Bahru stands out
... architectures would led to a more organic organization beneficial to the people that choose to make their lives in this city. Although this model of a sustainable city is not a perfectly closed loop, it lays the foundation for one that is. Over time, with constantly evolving and improving technology and new methods of design from the scale of products to buildings, the gaps in the loop could be closed, and a “true” sustainable city could be fully realized.
A city has to be beautiful, though the definition of “beauty” is so vague. The beauty can be physical, such as enjoyable parks, streetscapes, architectural facades, the sky fragment through freeways and trees; or it can be the beauty of livelihood, people, and history. As landscape architects, we are creating beautiful things or turning the unpleasant memorial.
It became the first large building to grow the modern movement’s new conception of form and space. The building is not only famous by the use of modern materials in it but also for its representational quality, as it connects w...
If there are more people, more, density, and a good mixture of uses, it will be a safer city... You cannot find a single city that does not wish to make the city center more vibrant or livelier.” This quote from Jan Gehl, the principal of Gehl Architects, illustrates the importance of having a sustainable city. The Central Park project has showcased to the world on how the landscape we design or occupy, can affect our daily activities and surrounding neighborhood. It sets an example of how design must be appreciated as a crucial factor in sustainability and emphasized on the fact the connection of people and nature should not be ignored. All in all, landscape architects are the ones to determine the physical characteristics of the public realm environment, to decide whether a city is attractive to people and whether people will choose to live in the city in the long