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Psychology of architecture
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Magical Illusions Do you believe in magic? No? What if you had traveled the entire world in a day? What if you had been to Mars and back? What if you had been inside an extraordinary castle? There is a place that will truly make you believe in magic: Disney World. In this famous tourist destination, you can travel the world and space in Epcot and visit beautifully breathtaking Castles in Magic Kingdom. Disney’s amusement parks are known to be magical places. I hate to spoil the reason but they create their magic through their architecture and design. From Pandora, the world of Avatar, to Cinderella’s iconic Castle, these parks’ architecture aims to give their clients an unforgettable experience. You may be wondering how does this happen. Well, truth is... if architects are good enough, they can determine how we experience a place and the state of mind we are in. For that reason, when people travel all the way to Florida, Shangai, California or Paris to go to Disney World, they feel young at heart and …show more content…
For instance, highly populous and famous cities such as Oslo, New York, Alexandria, and San Francisco hold some of the important architecture projects that have shaped individuals’ lives. Reporter David Owen, in his New Yorker article “Psychology of Space”, argues how the architecture firm Snøhetta utilizes their magic through their projects to build people’s moods, shape their relationships with cities, buildings and other individuals, and create illusions with exhilarating effects. The author’s argument is rhetorically compelling because his arrangement of ideas, selection of words, and supporting evidence maintain his public engaged in the magic of architecture and persuade anyone reading his article that architecture plays a critical role in their lives in numerous
New York City has been called “the greatest city in the world” numerous times by its own people and visitors to the city. New York is civilization’s greatest world within a city. It gives the overpowering impression of being a magnet and mirror for all of humanity and all that humanity does. For a city so young, New York is home to number of architectural classics. Two of these masterpieces of architecture are the Metropolitan Museum of Art and the Guggenheim Museum. Both continue the metaphor of New York being a world within a world and possess the latent fusion of form and function, one dependent on the other. The Metropolitan Museum is the epitome of neo-Classical style while the Guggenheim is a modernist powerhouse. Each museum serves the same purpose: displaying humanity’s greatest achievements. By comparing and contrasting their history, location, façade and interior, I will investigate how they arrive at this goal in contrasting styles
Walt Disney has brought two theme parks to life because of his imagination. He never stopped chasing his dreams, even if they seemed impossible. Walt Disney World came after Disneyland and it is located in Florida. Disney World is known to be the "most magical place on earth" and the place "where dreams come true". Many people haven't been to the park, so they might be skeptical of the "magic" that is held within. Walt Disney World is the "most magical place on earth" because of the rides, characters, shows, the electrical parade, Wishes Nighttime Spectacular, and the infinitely growing attractions.
Many people know about or have heard about a magical place called Disney World. Children dream about this wonderful world filled with their favorite movie characters and dream of going to meet them in person. Disney World is a place where kids can be kids, and adults can feel like kids again. What people do not think about most often, when they think about this magical place, is the people behind the magic, or the person who made the dream alive for us to experience.
Architectural complexes expresses certain meanings that help construct relationships of power and inequality. The expressing of elite identities and power relations through the use o...
The architects that I am comparing came from two different parts of the world and yet, in some ways the message(s) behind their work and the incorporation of engineering, geometrical and sculptural elements into their designs and their new identity as “Americans” brings them closer together.
On a positive note, there are designers who have accomplished what seems like the impossible and created spaces that stand timeless in their place. The Eiffel Tower, Grand Central Station, Sydney Opera House are just a few examples of spaces that provide a unique experience for the people and contribute to the identity of the city.
The author explains architecture as an identification of place. Architecture starts with establishing a place. We define ‘place’ as a layout of architectural elements that seem to accommodate, or offer the possibility of accommodation to, a person, an activity, a mood, etc. We identify a sofa as a place to sit and relax, and a kitchen as a place to cook food. Architecture is about identifying and organizing ‘places’ for human use.
“ Architecture organizes and structures space for us, and its interiors and the objects enclosing and inhabiting its rooms can facilitate or inhibit our activities by the way they use this language”(Lawson pg.6).
Remarkably, unlike in the description of art or music, the notion of atmosphere remains largely unaddressed in architecture. Atmosphere, can be argued, is the very initial and immediate experience of space and can be understood as a notion that addresses architectural quality, but the discussion of atmosphere in architecture will always entail, by definition, a certain ambiguity. After all, atmosphere is something personal, vague, ephemeral and difficult to capture in text or design, impossible to define or analyse. Atmosphere, Mark Wigley says, “evades analysis, it’s not easily defined, constructed or controlled”.
Renzo stated in an interview, “Architecture is about exploring. Culturally, historically, psychologically, anthropologically, and topographically, every job is different.” Renzo is particularly well known for adapting designs to their location. He later went on to say “(architecture) should make a contribution to the contex. … you must employ a homeopathic process, ... you can easily destroy their (cities) subtle dynamics” (Archinect, 2006).
Seeing every detail that was put into the making of this structure is just incredible. Throughout the day, we visited each land within the Magic Kingdom. With the different lands of the park, comes different themes and rides to match with the themes. First, we explored Tomorrowland. This part of the park has Space Mountain, Buzz Lightyear's Space Ranger Spin, Carousel of Progress, and also the Lilo and Stich: Stich's Great Escape. Standing in amusement park lines, takes up a lot of time of your day. With each ride comes a new line, with new people. Being with others in a tight space throughout the day is sometimes strange, but my friend and I usually ended up talking to half the line. After we completed enjoying all of the rides and the people in Tomorrowland, of course we moved onto the next, Fantasyland. In Fantasyland there are the most iconic Disney rides, “it's a small world”, Peter Pan's Flight, Mad Tea Party (spinning teacups) and Mickey's Philharmagic. When we got on “it's a small world” we couldn't help but sing the most annoying song. After that, we strolled to Liberty Square, the location of the Hall of Presidents only to find the best turkey legs in the entire
of their buildings. One of the basic questions that this paper will be seeking to answer is whether architects and critics accepted ...
Architecture is described as the design of a structure able to house people or objects. The visual appeal, the colors, the building materials, and the dimensions contribute either negatively or positively to human behavior. The most elementary and basic architectural tools may be adeptly manipulated to promote a positive and humane environment even under severe constrictions. Architecture operates as an essential tool in the restoration of positive and healthy human consciousness. Therefore, environmentally conscious architecture is a critical step toward a more progressive understanding of human health (Ouroussoff, 1999).
Behind every architectural work there is an architect, whether the architect is one man or woman, a small group, or an entire people. The structure created by any of these architects conveys a message about the architect: their culture, their identity, their struggles. Because of the human element architects offer to their work not just a building is made, but a work of art, a symbol of a people, a representation, is also created.
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.