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The drug trade in Latin America
The drug trade in Latin America
Structure of drug cartels
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The 2012 movie, Maria Full of Grace, produced by Joshua Marston, is about drug trafficking in Colombia where marijuana crops are grown and are extremely valuable to cartels and businessmen. It is related to the Reaction and Neoliberalism chapters of Chasteen’s Born In Blood and Fire where great power comes from increased wealth. Maria is the main character who flies to New York with illegal drugs, serving as an example of the danger and risk that people are willing to take to make money to make a living through the drug trafficking ring.
The movie begins horticulturists working tirelessly in a warehouse in Colombia. The main protagonist, Maria, played by Carolina Sandino Morena, quit her job in the warehouse because she felt her boss, who
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refused to let her use the bathroom, treated her horribly. Independence is one of the central themes in the movie where Maria desires to leave her family. She experiences many problems with her family, such as her boyfriend getting her pregnant with no desire for commitment and an inability to help out. Because she was the only one working in her family, she was forced by her mother to pay for supplies for the care of the sister’s baby. Maria had enough and left to look for a new job. The theme of struggle also is brought up throughout the film.
When the protagonist, Maria, understands first-hand the struggle that she must endure when her family forces her to pay for her sister’s baby’s care without being able to enjoy any of the money she worked hard for. Maria starts to work for Javier, a representative of the cartel that attempts to smuggle drugs into the United States for money. She needed to swallow pellets of heroin that were to be well wrapped. It was a struggle for Maria to consume sixty-two pellets at first and it was difficult for her to endure her trip with the pellets inside of her belly, knowing that there was a risk that the pellets could open up and kill her quickly and painfully. Lucy, one of the women on board the flight that Maria was on, had a pellet rupture inside of her upon her arrival to New York. She died shortly after meeting with the drug …show more content…
traffickers. Director Paul Mezey’s film also has immigration as another theme that the movie covers. It serves as the transition that Maria has to experience and mature. She sets up her papers for the trip to the US through Javier, who teaches her about the importance of taking opportunities, regardless of the risk, for those she loves. By traveling to New York, Maria enters a new city filled of opportunity. A woman that Maria meets upon her arrival to New York, Carla, who is also Lucy’s sister, described desiring to return back home to Colombia to meet her mother and sister, but decided to remain to raise her baby and provide her baby opportunities that she never had during her youth in Columbia. Carla becomes devastated when Maria tells her about her Lucy’s death and Maria helps to pay for the burial arrangements with the money she got from the drug traffickers. The themes in the film and Chasteen’s Born in Blood and Fire are related.
Both show the undergoing of the struggle to survive in poverty and promote the desire to make lives better financially as well as socially. The drug trafficking theme is used in both the movie and Chasteen’s book. During the 1970’s, Pablo Escobar pioneered the Colombian drug trade. He became wealthy off of the business with US consumers, selling marijuana and cocaine to them (Chasteen 314). Since those times, many people have looked to drug trafficking as a profitable business, hiring people to smuggle their merchandise into other countries, especially the United States. They worked behind the scenes like mafia hit men, selling their drugs and transporting them through messengers who were local
citizens. Maria Full of Grace is a great movie that shows an example of the struggle that many people went through and are still going through today. People are willing to risk their lives for a better opportunity. Just as in Chasteen’s Born in Blood & Fire, people desired to become more wealthy and powerful through dangerous methods of drug trafficking. The protagonist, Maria, inspired to look for a better life, left Colombia while working as a drug mule. However, she refused to return back to Colombia, seeing an opportunity to leave the drug business by staying in the US. I learned that if one were successful in performing a smuggling job, they could get forced to remain on the job by the drug cartels upon returning back to their country through threats on family members. Paul Mezey’s film truly catches the suspense of the drug smugglers’ transport risking their own lives for a better opportunity.
In the excerpt from the novel Under the Feet of Jesus by Helena Viramontes, the story of a girl named Estrella is described. Throughout the story, Estrella learns a valuable lesson from a box of tools. Viramontes’s use of the literary elements such as selection of detail, figurative language, and tone are implicated to display the development of Estrella’s character. Estrella, a very timid girl at first, eventually becomes confident and capable of succeeding in school after she learns a lesson from a box of tools.
The Cocaine Kids and Dorm Room Dealers are two very different, but yet similar books. Cocaine Kids are about a group of kids, primarily of Hispanic race, with one kid of the Black race. The kids were raised in the inner city of New York. Dorm Room Dealers are about White, middle to upper-middle class college students, who was selling drugs for their status. The purpose of this paper is to prove that there are racial disparities among drug users. There will be examples from the texts that show the different takes on the drug markets and how race plays a factor. There also will be how these experiences shape the kids drug dealing and using. The paper will conclude how all the kids either remained in the drug career or left the drug career.
Giovanna is a very determined and fearless woman who stopped at nothing to get what she wanted. When she sent the money to the kidnappers for what was promised to be the last payment, she included a letter saying, “This is it. Here’s my final payment. I want my daughter returned immediately. If you delay, next is your coglioni. They’ll start to itch, blister, and fall off” (351). Giovanna has been through and seen terrible events, such as having her husband venture off across the world and be crushed by a giant ball of metal, but nothing has changed her life more than having her daughter stolen from her. Every day from the moment she woke up to the moment she had to sleep was filled with her wandering the city ravenously searching her environment for any clues on the disappearance of her daughter. She even went out of her way to go to chinatown and pickup herbs that she created into
In the United States, the hierarchical system that dominates the social landscape has created a pool of power for those who sit at the top of the social ladder. This system has power trickling down from the top to those at the bottom: those who work hard and get recognized the least. This creates a conflict between the oppressed and the oppressor, and eventually those who are oppressed use those drops of power to fight for their basic human rights. In an excerpt from Gloria Anzaldúa’s book Borderlands/La Frontera: The New Mestiza, Anzaldúa explains the complications of oppressed people developing counterstances with their oppressors. In Helena Maria Viramontes novel Under the Feet of Jesus, Viramontes develops a female character named Estrella
Sanchez voices her fictional narrator with precipitous diction. As her tone fluctuates, she guides listeners into the narrator’s mind, granting them a second hand experience of the occurrence and aftermath of trauma. As the characters are humanized, they are recognized as victims of systemic violence rather than condemned and typified as weak or criminal. Finally, the consequences of addiction culminate when the child is sold, raped, and stripped of her sense of security. Surely, it would be absurd to hold her accountable for these acts.
In “Confetti Girl”, the narrator disagrees with her father and questions how much he cares about her and in “Tortilla Girl”, the narrator questions if her mother was taking her into account of her new plans. Tension is shown to be caused in the stories “Confetti Girl” and “Tortilla Sun” due to the parent and narrator not having the same point of view. In this story, a young girl named Izzy lives alone with her mother. One day, the mother surprises her by explaining that she is going to Costa Rica to do some research, and that Izzy is going to her grandmother’s house while she is away.
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
Failing to find a positive opportunity for work, Maria’s next job is seemingly much worse in multiple ways. Maria gets offered enough money to hold her over for a long time in Colombia, by becoming a international narcotrafficker, even though it still “yields ve...
The film opens up with Judy Bernly (Jane Fonda) showing up for her first day of work. It is quickly shown that this is her first job and she comes off as very naïve and scared. She was married and never had to have a job until her husband left her for his secretary. She seems to want to win him back so she decides to enter the workforce and also become a secretary. Judy meets Violet Newstead (Lily Tomlin). She has worked for the company for over 12 years and made it to the supervisor of her department. However, she can’t
All through their lives Pharoah and LaFayette are surrounded by violence and poverty. Their neighborhood had no banks, no public libraries no movie theatres, no skating rinks or bowling allies. Drug abuse was so rampant that the drug lords literally kept shop in an abondoned building in the progjects, and shooting was everywhere. Also, there were no drug rehabilitation programs or centers to help combat the problem. Police feared going into the ghetto out of a fear for their own safety. The book follows Pharoah and LaFayette over a two year period in which they struggle with school, attempt to resist the lure of gangs, mourn the death of close friends, and still find the courage to search for a quiet inner peace, that most people take for granted.
The main characters in the film include Sebastian and Costa, who happen to be lifelong friends. Sebastian is a compulsive visionary who strives to direct controversial a film about one of history’s most influential figures, Christopher Columbus. He is determined to escalate the “myth” that western civilization's arrival in the Americas was a force for good. Instead, his story is about what Columbus set in motion; the hunt for gold, captivity of, and penal violence to those Indians who fought back. His story is counteracted by the radical priests Bartolome de las Casas and Antonio de Montesinos, the first people to ra...
When the American man comes to save her is when it gets important. The awareness has risen, and the forced prostitutes are liberated. Ultimately, the novel acts as a learning tool. It exposes topics unknown to many in our privileged Western world. Not everyone knows about the system of sexual slavery and how pervasive it still is in other countries. The reader quickly learns everything there is to know about how scary and dangerous the trafficking can be, and how it impacts those sold into its dark ways.
Beli’s impulses allow her to ignore the fact that falling atomically in love with the Gangster, a man she meets in a luxurious nightclub, is wrong. In a world where no one gives her such feeling, the Gangster makes Beli feel beautiful. But, the Gangster is a pimp and exploits women, which shows the degradation of women such as Beli. The Trujillo system in the Dominican Republic, under which the Cabaral’s are associated with, exploits women and the Gangster, just like Trujillo did exactly that. This path of life that Beli embarks on is the wrong choice because it is plagued with the fukú. She sees the Gangster as an escape out of her current life because he is extremely rich. The Gangster promises her a house in Miami with as many bedrooms as she wants. Beli is naïve and does not realize that the Gangster cannot help her escape her life that she is unhappy with. Instead all the Gangster can bring to Beli is bad luck. The Gangster ends up being married to Trujillo’s sister, who is extremely cruel and lives up to the name of Trujillo. The Gangster’s wife has Beli beaten until she almost dies. Beli is vulnerable because the Gangster has power over her; she truly believes that he is an escape from her Dominican world. All along La Inca sees otherwise and tells Beli that she is crazy. La Inca also implies that a man cannot save her, but Beli continues to make
Each part contains short stories within them. These all consist of a heartwarming girl, Esperanza,who matures into a woman and how she faces these gender roles through love and violence. Cisneros alters the name Esperanza with Chayo, Rachel, Lupe, Ines, and Clemenica, to explain differences between them along with to give the story more lewd effectiveness. Sandra Cisnero's main focus throughout the novel was identity. Cisneros starts off in the first section (“My Lucy Friend Who Smells Like Corn), narrating as a young child and further matures into the final section (There was a Man, There was a Woman)....
Throughout our history, we have always witnessed a dissection in society, whether it being between the poor and rich, working class and high class bourgeoisie, or just a nobleman and his apprentice. There was always someone if a lower class engulfing his or her help for a person of a higher class. Social class was established clearly in this book when we meet the narrator and the heroin of this story, as she is a companion of a wealthy American woman. Obviously this woman comes from a higher social level than her companion and you can see how that affects her behavior and material privilege. This woman takes it up...