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Racism perspectives
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Throughout history, United States’ beauty standards have been challenged and changing. Some examples of American beauty standards include having fair/light skin, colored eyes and being thin. These standards have been influence by Anglo-Saxons and were quickly adapted in the social hierarchy of the United States. However, these standards fail to acknowledge women of color and their diversity in beauty and the media. It is apparent how racial inequality and white supremacy oppress and stereotype women of color by looking at the beauty standards in America.
In Margaret Hunter’s article “The Persistent Problem of Colorism: Skin Tone, Status and Inequality,” racial inequality is evident in housing, job opportunities, marriage/dating, and other
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Beauty often oppresses women of color and cause them to compete to fit American standards of beauty. This form of oppression, invalidates individuals experiences and cause them to feel like the outsider for not looking like the women they see in the media. In American society, there is a “…relationship between skin color and perceptions of attractiveness may be particularly important for women on the job” which is critical because beauty is an important aspect that women’s jobs and employment depend on it (Hunter, 241). Women of color are caught in a double bind where they are oppressed not only because of their gender and their race, but they must consider beauty as another reason to why they did or did not get the job. Women of color are often discriminated against for the color of their skin and subjected to racial …show more content…
The problem with cultural appropriation is that it ignores or minimizes people of color’s oppression and praises white people for these creative trends. White people are also able to make a profit on these accessories and clothes, while people of color were criticized for wearing these before it became popular. There seems to be a double standard when it comes to deciding on whether something is “beautiful.” For example, things that white women wear is beautiful and often “set a trend” while the same thing that is being worn by women of color is seen as deviant. This shows Americans that there is a racial hierarchy and white people are in positions of power that they can steal stuff from people of color and benefit from
Cultural appropriation has been a controversial subject of debate for decades; hence it is not something “new” as society likes to think. The issue of cultural appropriation seems to have recently emerged in the 21st century because technology has allowed information to be more widespread and easily accessed. The borrowing of cultural elements of minority cultures, particularly black culture and indigenous culture, (hairstyles, music, fashion, art, etc.) by fashion labels and designers, celebrities, and the dominant culture often elicits unforgiving backlash from liberals. For example, Kylie Jenner has frequently been called out by the black community for continuously
It’s not as apparent as it was in the twentieth century, but it’s still surfaced. For example, in the journal The Persistent Problem of Colorism: Skin Tone, Status, and Inequality by Margaret Hunter, she really analyzed what colorism means in difference ethnicities. With Africans Americans Hunter says “lighter-skinned people of color enjoy substantial privileges that are still unattainable to their darker-skinned brothers and sisters. In fact, light-skinned people earn more money, complete more years of schooling, live in better neighborhoods, and marry higher-status people than darker-skinned people of the same race or ethnicity (Hunter 237). Hunter goes on to explain more in depth about how colorism works and what it is as well as the stereotypes that go with it. For example many people think that colorism is only a ‘black or Latino problem’ when it all started with whites and people with similar color (Hunter 238). As an African American myself and being a part of the “darker skinned” category I have always had struggles since I was a young age. I have always noticed other girls were like me, but of a lighter tone, but it’s never changed the way I think about them or was never really apparent when I was young. Things started to change when was in middle and high school. I noticed a difference in the way males looked at African American women of darker tone. There was already an issue with
Oppression disguises itself in various spheres, including Black womanhood. This classification includes societal pressures of Black women to conform to Eurocentric values, such as in beauty, gender, and families. The standard of European beauty is imposed on Black women, in which they feel subjected
Beauty is often described as being in the eye of the beholder. However in modern western culture, the old adage really should be beauty is in the eye of the white makeup artist, hair stylist, photographer, photo shop editor, and advertiser. Beauty and body ideals are packaged and sold to the average American so that we can achieve vocational, financial, social, and recreational successes. Mass media and advertising has affected the way that women perceive and treat their own bodies as well as their self-concept. Women are constantly bombarded with unrealistic images and hold themselves to the impossible beauty standards. First, we will explore the role of media in the lives of women and then the biggest body image issue from a diversity stand point, media whitewashing.
Wolf, Naomi. The Beauty Myth. How Images of Beauty are Used Against Women. New York: William Morrow, 1991.
Colorism in the United States is a result of the history of people being discriminated based upon one’s skin tone. For many years, the European standard of beauty has been set forth and pushed upon mainly young men and women of many backgrounds
Have you ever taken offense when you saw someone dressed in traditional garments from your culture? In America, this happens quite often. Some people may not recognize it and some refuse to acknowledge that it even exists. Cultural appropriation is a situation in which a dominant culture steals aspects of a minority culture’s, such as hair, clothing styles, and music.
The Association of Black Psychologist (ABP) (2013) defines colorism as skin-color stratification. Colorism is described as “internalized racism” that is perceived to be a way of life for the group that it is accepted by (ABP 2013). Moreover, colorism is classified as a persistent problem within Black American. Colorism in the process of discriminatory privileges given to lighter-skinned individuals of color over their darker- skinned counterparts (Margret Hunter 2007). From a historical standpoint, colorism was a white constructed policy in order to create dissention among their slaves as to maintain order or obedience. Over the centuries, it seems that the original purpose of colorism remains. Why has this issue persisted? Blacks have been able to dismantle the barriers faced within the larger society of the United States. Yet, Blacks have failed to properly address the sins of the past within the ethnic group. As a consequence of this failure, colorism prevails. Through my research, I developed many questions: Is it right that this view remain? How does valuing an individual over another cause distribution to the mental health of the victims of colorism? More importantly, what are the solutions for colorism? Colorism, unfortunately, has had a persisted effect on the lives of Black Americans. It has become so internalized that one cannot differentiate between the view of ourselves that Black Americans adopted from slavery or a more personalized view developed from within the ethnicity. The consequences of this internalized view heightens the already exorbitant mental health concerns within the Black community, but the most unfortunate aspect of colorism is that there is contention on how the issue should be solved.
Once said by Gerald Sider,“We can have no significant understanding of any culture unless we also know the silences that were intentionally created and guaranteed along with it. " Cultural appropriation is act of a dominant culture fetishizing a minority culture without consequences. Simply, cultural appropriation is stealing another cultures ideals and costumes without living with the repercussions that could come from that culture. This leads to cultures being misrepresented and then stereotyped. The practice of cultural appropriation is racist and dangerous because it allows dominant cultures to distort the reality of a minority culture.
For this term paper I will be analyzing the social problem colorism within the African American community. I chose colorism because it’s a problem that is not addressed often and has consequences outside the community. Colorism is important because as a society we need to break away from status being determined by characteristics. Colorism can be observed in the media, when it comes to employment, law enforcement, self-concepts, and social interactions with non-African Americans. Skin tone discrimination creates division within the community and affects the quality of life for darker skinned individuals.
This is not just because beauty standards are Eurocentric and created without regard to other races or ethnicities, but also because beauty would give them a degree of power and autonomy that historically no one has desired to grant them. For example, the fat black female body is never in control of its own sexuality. It is either erased, as is the case of the asexual Mammy, or it is fetishized and exploited by others, as with the Jezebel. In each case it is neither in the fat black woman’s power nor is it a source of their power. By excluding them from the Eurocentric beauty standards they exclude them from the social, political, and economic power that beauty would grant them, as exemplified in the earlier employment example.
The female body tends to be judged and mostly seen as a problem in work organizations, while female bodies are also sexualized to qualify for particular kinds of work such as receptionists, secretaries and nurses (Jackson and Scott, 2002; 150). In Naomi Wolf’s (1990) novel The Beauty Myth, she discusses the belief that is beauty, which is real and universal so that women, as result of biological, sexual, and evolutionary factors should want to be embodied. The Beauty Myth, however, set out to demonstrate that beauty is in fact a myth because there isn’t any true universal and real measure of what beauty is, in result to different cultures and historical time periods having completely changed and often contradicting ideas about what makes something or someone beautiful, and the beauty myth is nearly an unreachable cultural ideal of feminine beauty that “uses images of female beauty as a political women against women’s advancement” (Wolf, 1990; 259). Ultimately, sexual standards of beauty often vary depending on the status of
This helps in understanding how so few women of color have won the coveted Miss America beauty contest. This along with awareness among women in the Africa-diaspora that the women who have been seen by society as sex symbols have in fact been light skinned (Lena Horne, Vanessa Willias, Halle Berry) only adds to pressures women of African descent face to bleach their skin. These outside pressures do not seem to stir men at all. In large part because bleaching products were pitched as beauty items women
White people are the main race that uses cultural appropriation to benefit only themselves and for many other reasons. Cultural appropriation occurs in music, how people dress, and etc. Doing this gives people the question whether or not they just like the culture or if they’re using it for the wrong reason. While some people believe cultural appropriation allows people to celebrate cultures, it also offends other races;
Cultural Appropriation, a controversial topic that has been swirling around the fashion industry for almost three decades. Appropriation is when members of a dominant culture incorporates elements of an oppressed minority culture into that dominant culture. This becomes an issue when minority groups do not have a say or are not recognized for the designs created based off of those cultures. These elements used by the dominant culture often become distorted or used to mock or to attribute to the negative stereotypes already misportrayed by society. A line is drawn where cultural assimilation meets appropriation when cultural elements are portrayed out of original context and the meaning is lost.