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Essay on the picture of Dorian Gray by Oscar Wilde
Essay on the picture of Dorian Gray by Oscar Wilde
Critical review on the picture of dorian gray
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Manipulation in Oscar Wilde's The Picture of Dorian Gray
"I do not think that one person influences another, nor do I think there is any bad influence in the world," Oscar Wilde uttered when under trial (Hyde 353). Although this statement may be true, one of Wilde's most famous works shows a great deal of the effects of people shaping one another, causing one to wonder about Wilde's sincerity in that statement. The Picture of Dorian Gray shows variations on the existence and purposes of influence, displaying two types of personal influence: obvious manipulations such as that of Lord Henry upon Dorian and that of Dorian over Sybil Vane, and those that are more often overlooked such as the more subtle manipulation of Dorian over Basil, of Dorian over Lord Henry, and in the interaction between Dorian and his portrait. Wilde demonstrates the many possible impacts made in these two categories, proving that there is more to a relationship than an outside viewer may perceive, and eventually leading the reader to the unavoidable morbid ending of the book, in which the characters meet their own pathetic ends, with Dorian Gray committing what could be considered a ghastly suicide. Taking into account Wilde?s own life of controversial relationships, this book is especially poignant in its autobiographical suggestions.
Dorian Gray is first described as a naïve and attractive young boy, with a striking resemblance to Adonis, having the physical description of a Greek god. The beauty and innocence of youth cause him to be quite attractive, and the fact that he is unaware of the power of this beauty is even more appealing. Dorian?s beauty is the source of Basil Hallward?s obsession, which peaks in the act of Hallward painting Do...
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...rinceton University Press, 1967. Twentieth Century Criticism, Volume 41. Pages 353-60.
Shewan, Rodney. Oscar Wilde: Art and Egotism. The Macmillan Press Ltd, 1977.
Excerpted in Twentieth Century Criticism, Volume 41. Pages 374-84.
Spivey, Ted. R. "Oscar Wilde and the Tragedy of Symbolism," The Journey Beyond Tragedy: A Study of Myth and Modern Fiction. Copyright 1980, Board of Regents of the State of Florida, University Presses of Florida, 1980. Twentieth Century Criticism, Volume 41. Pages 501-2.
Summers, Claude J. "In Such Surrender There May Be Gain: Oscar Wilde and the Beginnings of Gay Fiction, " Gay Fiction: Wilde to Stonewall, Studies in Male Homosexual Literacy Tradition, Continuum, 1990. Excerpted in Twentieth Century Criticism, Volume 41. Pages 398-401.
Wilde, Oscar. The Picture of Dorian Gray. Oxford University Press, New York. 1994
Taxes were a hard part of every day life in the colonies. Many of the taxes Britain placed on the colonies seemed to be very unreasonable to the colonists. One such example of the unreasonable taxes is the Stamp Act. The Stamp Act was put in place to help pay for some of the cost from the French and Indian War. Everything from newspapers to playing cards was taxed. This infuriated the colonists greatly, because the tax from the Stamp Act affected every one in the colonies in some way or another.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
meant many things to many people. Most girls do not attempt to define it anymore.
The Sugar Act of 1764, which lowered tax on imported molasses in hopes that the colonists would pay it, made them feel that their Englishmen rights were violated. The second act was the Stamp Act of 1765 that placed taxes on printing material, which had infuriated the colonists enough to unite and boycott British goods. Another important act was the 1773 Tea Act that threatened to drive colonial tea merchants out of business by removing the taxes that the British East India Company had to pay, which led to the Boston Tea Party. All of these acts encouraged the colonies to unite and revolt against the British, and one example of this rebellious attitude is the 1770 Boston
Britain realized the colonist, let alone had nothing to lose and was not paying tribute or taxes to England; so Parliament created the Stamp Act. The Stamp Act demanded colonist to buy a stamp for every good purchased and every single sheet of paper. The colonists were frustrated that they have to pay taxes without a representative at England and they were willing to show their feelings, even to great lengths. Colonist burned down tax collectors homes; physically harm them and even burying them alive. The defeated Britain decided to repeal the Stamp Act, but did not give up on striking the colonies.
Rewards can have a positive influence on work motivation and performance. They contribute to fundamental human needs such as esteem or self-actualization, create a basis for communication amongst co-workers, and push employees to complete work related tasks. Rewards such as recognition, monetary payments, and privileges have many advantages and uses but also have some drawbacks. An example of a drawback of rewards is when the rewards reduces intrinsic motivation, this relates to the overjustification effect.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Performance related pay is a financial reward given to employees whose work is considered to have reached a required standard or is above average. “PRP criteria can relate to the individual employee, to work groups or to the organization as a whole” (Armstrong, 2002). It is fair to provide people with financial rewards as a means of paying them according to their contribution (Armstrong 1993:86). The primary purpose of performance related pay in any organization is to recruit, retain and motivate the workforce. It also helps in focusing employees’ minds on particular goals (Protsik, 1966); communicate to employees an organization’s core values, and change the culture of that organization (Kessler and Purcell, 1991).
Woodcock, George. The Paradox of Oscar Wilde. London-New York: T.V. Boardman and Co., Ltd., 1950.
Wilde, Oscar, and Michael Patrick. Gillespie. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. New York: W. W. Norton &, 2007. Print.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.