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Aestheticism is a philosophy in which its followers practice complete self-indulgence. Aesthetic principles teach that the arts, beauty, and youth are absolute over anything else. People who follow this philosophy are very egotistical, and are extremely concerned with appearances. It is often associated with jewelry, painting, music, and perfumes. (insert quote to prove) All followers of Aestheticism put activities pertaining to beauty above anything else. Their priorities hold beauty above attributes such as kindness, morality, and intelligence. Hedonism is a practice that is very similar. Followers of the philosophy of Hedonism conclude that pleasure is the most important aspect of life. In the picture of Dorian Gray, Aestheticism and Hedonism are very active philosophies used by the novel’s characters. Lord Henry influences Dorian to follow these teachings, and as a result Dorian becomes intensely vain and selfish. The portrait is in direct correlation with the immoral influence and the intense vanity. In The Picture of Dorian Gray, Oscar Wilde effectively uses the portrait of Dorian Gray as a symbol to satirize the adverse effects that social pressures and excessive vanity have on a person’s morality.
This idea of Aestheticism transformed the people of 19th century Europe. The Picture of Dorian Gray was written in 1890, during the height of the Aesthetic movement. This practice and lifestyle demonstrates the values of English society at the time. They were very concerned with self-image, and self-gratification. This lifestyle corrupted many people’s attitudes towards themselves and others. The values of European Society during the late 19th century were very focused on vanity. PROVE THIS WITH QUOTE. This explains the vain an...
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...010. Print. Bloom's Modern Critical Views.
Craft, Christopher. "Come See About Me: Enchantment of the Double in The Picture of Dorian Gray." Representations 91.1 (2005): 109-36. JSTOR. Web. 13 Feb. 2014.
Duggan, Patrick. "The Conflict between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray." Journal of the CAS Writing Program (2008): 61-68. Print.
Gillespie, Michael, ed. The Picture of Dorian Gray. Second ed. New York: W.W. Norton & Company, Inc., 2006. Print. Norton Critical Editions.
Keefe, Robert. "Artist and Model in 'The Picture of Dorian Gray.'" Studies in the Novel 5.1 (1973): 63-70. JSTOR. Web. 13 Feb. 2014.
Liebman, Sheldon. "Character Design in The Picture of Dorian Gray." Studies in the Novel 31.3 (1999): 296-316. ProQuest. Web. 16 Feb. 2014.
Wilde, Oscar. The Picture of Dorian Gray. New York: Barnes & Nobles Classics, 2003. Print.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
Ruddick, Nicholas. "'The Peculiar Quality of My Genius': Degeneration, Decadence, and Dorian Gray in 1890-91." Oscar Wilde: The Man, His Writings, and His World. New York: AMS, 2003. 125-37. Rpt. in Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 164. Detroit: Gale, 2006. Artemis Literary Sources. Web. 27 Apr. 2014.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
"The Picture of Dorian Gray." Novels for Students. Ed. Ira Mark Milne and Timothy Sisler. Vol. 20. Detroit: Gale, 2005. 146-165. Gale Virtual Reference Library. Web. 5 Sep. 2013.
Wilde, Oscar. The Picture of Dorian Gray; For Love of the King. London: Routledge/Thoemmes Press, 1993.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Wilde, Oscar, and Michael Patrick. Gillespie. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. New York: W. W. Norton &, 2007. Print.
Historically, Wilde was a staunch—even notorious—advocate of Aestheticism: a doctrine popular throughout Europe in the late nineteenth century which held that “art exists for the sake of its beauty alone, and that it need serve no political, didactic, or other purpose” (Britannica). Indeed, David Cooper in his Companion to Aesthetics argues that the doctrine “asserts not merely that a work of art should be judged only on ...
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
In The Picture of Dorian Gray by Oscar Wilde, Dorian Gray slowly becomes more influenced by things and people around him. Eventually, Lord Henry gifts him with a book describing a wealthy man’s pursuit of aesthetically and sensually pleasing items. “The yellow book” has a much stronger effect on Dorian Gray’s perception of beauty than Lord Henry Wotton does. Although it can be argued that Lord Henry introduced Dorian to the idea of aestheticism, the “yellow book” drives Dorian to live a life full of it, and changes his focus. Dorian shows the fact that he is not strongly influenced by Lord Henry through his interactions with Sibyl. Contrary to this, Oscar Wilde illustrates the substantial influence the yellow book has on Dorian by one, the
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama. " Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corruption. Before we examine the quality of the error that Dorian Gray commits, we should first examine his friends and their relation to him, because Dorian falls into this error with a little help from his friends. 1. What is the difference between a. and a The relationship between Dorian Gray and Basil Hallward.