Revolution Girl-Style Now!
Riot Grrrls were originally born out of the “Punk” scene where rebellion was expressed in attitude, appearance, style, and music. Defining Riot Grrrl is much like defining Punk. There is no central organization, no authoritive definition, just an attitude concerned with pointing out social hypocrisy and empowering people to “do it yourself”, creating a culture of their own when they see that the mainstream media does not reflect their concerns or provide outlets for their efforts. Riot Grrrl is a supportive environment for girls and young women which is concerned with feminist issues such as rape, abortion rights, bulimia/anorexia, sexism, sexuality, double standards, self-defense, fat oppression, classism, and racism. Riot Grrrl is a network of fanzines that are produced by the angry “girl revolutionaries” who identify with the music that is associated with Riot Grrrl. The fanzines, self-designed and self-written, uncensored and uninhibited photocopied publications, are often intensely personal. That personal outlet is translated to larger political action when the fanzines are available to the public, bringing people together for conventions and other consciousness-raising activities. The ethos is about supporting each other and empowering each other. In actuality, Riot Grrrl is a frame of mind.
It's a way for them to come together in a common cause: “Revolution Girl-Style
Now!”. Since no specific person or people claim they created it, Riot Grrrl has meant many things to many people. Most girls do not attempt to define it anymore.
“EVERY GRRRL IS A RIOT GRRRL. All you need is a healthy dose of pissed-of-ness at the treatment of womyn in our society. We are NOT all punk, all white, all lesbians, all musicians, all fanzine editors, all vegetarians, all victims of abuse, all straight edge. There is no ‘stereotypical' Riot Grrrl.” (Knight 9)
The early Riot Grrrl scene was a “loose-knit” affiliation of feminist Punks, formed circa 1991 in Olympia, Washington and Washington D.C. The philosophy of “ do it yourself” and “you can do anything” seemed to apply mostly to boys, who were the ones making the music and dictating the styles. By the early ‘90s, more and more girl bands started springing up, but ironically they found themselves battling sexism and discrimination within a movement originally based in a consciousness about youth ...
... middle of paper ...
...ther in a common cause: “Revolution Girl-Style Now!”.
Bibliography
Carlip, Hillary. Girl Power: Young women speak out. New York: Warner Books, Inc.,
1995
"Grrrls kick ass!". Online. Available HTTP: http://www. Micoks.net:80/~ tiffani/girl.html Hanok, Emily. The Girl Within. New York:Fawcett Books, 1989
Knight, Zain. Luster fanzine. San Fransisco. Madhu.. "Riot Grrrl". Online.
Available HTTP: http://www.angelfire.com/nj/alienshe/grrrl.html
Orviro, Rachel. "I Am a Girl". Online. Available HTTP: http://www. voiceofwomen.com/sac/girl.html. Pipher, Mary, Ph.D. Reviving
Ophelia: Saving the Selves of Adolescent Girls. New York: Ballantine Books,
1995 "REVOLUTION GIRL STYLE NOW!". Online. Available HTTP: http://www. Smu.edu/~hnovales/girl.html Sam.
"I AM XL & PROUD". Kingfish fanzine. SanDiego. Spirit. "What is a Riot
Grrrl anyway?". Online. Available HTTP: http://www. columbia.edu:80/~ril 3/music-html/bikini kill/girl.html "So
What the heck is Riot Grrrl?". Online. Available HTTP: http://www. indieweb.com/riotgrrrl/rg-perplexed.html Wilson, Jodi.
Crisco fanzine. San Fransisco.
Berry Gordy played a significant role in the 1960’s African American shift into the American Music Industry through the establishment of the highly recognised company and genre “Motown”. As the Founder of Motown Records Berry Gordy introduced to the American Music Industry some of the biggest artists of all time take the stage and within a decade created the “Black Pop” genre, which was listened to and purchased from a segregated audience. The business changed the way record labels would polish, nurture and distribute their artist, having an impact on the number of jobs that were introduced into the Music Industry, dealing and consulting with marketing, artist development, choreography, stylists and costume designers. With Berry Gordy’s all
We should accept everyone no matter the race, religion, culture or anything down to how they dress. Since we do, though, I want to give a few examples on how that is the case in the word more than how it is not. For example, the “The lonely death of Chanie Wenjack” story is about a boy who ran away from school but didn't make it home and died alone. Within that text, one part of a paragraph stated, “Even before Charlie ran away he was already running hard just to keep pace with the bewildering white world he had suddenly been thrust into.” This shows that culture has a huge impact on how people judge each other because for the boy to run away from school and have it at the time be a very racial environment was hard for him. People still judge now, but nothing where kids run away because of enforcement into a school like that. Another example would be, “And perhaps because they are Indians, no one seems to care very much. So this, then, is the story of how a little boy met a terrible and lonely death, of the handful of people who became involved, and of a town that hardly noticed.” This shows that culture has a huge impact on how people judge each other because white people disliked the Natives just because of their traditions and what they do. They wanted all activities to be American and American only. Even now do people not like something because of it being
A number of other genres, throughout the decade, maintained a significant following. One genre that was slow to start was Hip-Hop, while it emerged in the 1970’s it didn’t become significant until the late 1980’s. Although Classical music began to lose impetus, it gave way to a new generation of composers through invention and theoretical development. The decade was also distinguished for its assistance to electronic music, which rose in reco...
Young children are typically raised around specific sex-types objects and activities. This includes the toys that that are given, activities that they are encouraged to participate in, and the gender-based roles that they are subjected to from a young age. Parents are more likely to introduce their daughters into the world of femininity through an abundance of pink colored clothes and objects, Barbie dolls, and domestic chores such as cooking and doing laundry (Witt par. 9). Contrarily, boys are typically exposed to the male world through action figures, sports, the color blue, and maintenance-based chores such as mowing the lawn and repairing various things around the house (Witt par. 9). As a result, young children begin to link different occupations with a certain gender thus narrowing their decisions relating to their career goals in the future. This separation of options also creates a suppresses the child from doing something that is viewed as ‘different’ from what they were exposed to. Gender socialization stemming from early childhood shapes the child and progressively shoves them into a small box of opportunities and choices relating to how they should live their
They were making music at the same time as other extremely successful musicians like the Rolling Stones, the Beatles, and Pink Floyd.
Although its initial peak of success occurred in 1956, rock and roll had been developing since 1951. The introduction of the 45 rpm disc, transistor radio, and television; and finally, its lively, upbeat sound all contributed to the success of rock and roll(Peterson, 102- 104). The “baby boomer” generation after the Second World War, was a major influence on the success of rock and roll. Unlike their parents, this g...
Black people were disenfranchised and to make it in the industry, they turned to music.
“Music doesn’t lie. If there is something to be changed in this world, then it can only happen through music,” said legendary American musician, singer, and songwriter Jimi Hendrix (“Jimi Hendrix Quote”). In the mid 1960’s Jimi Hendrix and many other musical artists extremely influenced this decade. In the 1980’s, there were also many influential musicians, singers, and songwriters that captivated the thoughts and movements of many people. Music influenced fashion and behavior in the 1960’s and 1980’s and these properties have been recognized throughout the years. Music went through an immense evolution in both of these decades. The fashion and behavior that derived from music inspirations defined these two decades as individuals. The 1960’s and 1980’s have differences that distinguish the two decades apart. These differences include the change in music, fashion, and behavior which has helped individual creativity. For instance, behavior is one of these variances that has made the two decades unique from each other.
Society is filled with outcasts. Everywhere one looks, there is someone who is different and has been labeled as an outcast by the others around them. People fear disturbance of their regular lives, so they do their best to keep them free of people who could do just that. An example of this in our society is shown in people of color. Whites label people who do not look the same as them as and treat them as if they are less important as they are. The white people in our society, many times unconsciously, degrade people of color because they fear the intuition that they could cause in their everyday lives. Society creates outcasts when people are different from the “norm.”
Jazz and “boogie-woogie” of the Thirties moved popular music away from the light entertainment of the publishing houses toward a more exciting and dance oriented style that made the swing era a golden age. As the bigger bands died out and the star singers again grabbed the spot light the songwriters again found their services in demand. Without jazz driving it and Americans rebuilding their lives and starting baby booms people were too busy to waste time dancing. Popular music turned back to light sentimental songs and cute novelty music song by polished voices and backed by sweetly generic instrumentals.
Victor, Paramount and Golden Age jumped on the boat and began looking into the business of race music, which would attract African-American consumers and later on, would attract the white race as well. This is the rise of race music. As we progress to the latter day, we find that there was a heavy influence of African-American sound that contributed to the airs of rock music from many different artists.
His work also sheds light on why different gender roles are hard for people to accept, due to the way they were brought up, and the culture they are surrounded by (Devor 8). With the belief that gender role behaviors are concrete, teenage boys believe that they must act according to their gender.
and 1960s. The characteristics in the big band genre that tie in with traditional pop are unique in
Boys are influenced by many of their coaches in life; brothers and fathers telling them they must be tough and show no pain, teachers who expect them to work hard at everything they do, and in the back of their minds are their mothers who worry about them over extending and getting hurt. Kimmel asked a few men in their 20’s, “where do young men get these ideas” (the Guy Code), they all gave the same answers: their brothers, fathers, and coaches. One mentioned that his father would always be riding him, telling him that he must be tough to make it in this world, another said his brothers were always ragging on him, calling him a “pussy” because he didn’t want to go outside and play football with them. He just wanted to stay in and play Xbox. Yet another said that whenever he got hurt his coach would mock and make fun of him because he was showing his feelings. The world is a very competitive for men, they believe they must always prove themselves to other men. Men get pressured into doing things they don’t want to do. Men shouldn’t be pressured they should be able to do what they want to
Although contemporary society is not as patriarchal as it was in the past, that male dominance still exists today. Young’s description of a self-imposed “I cannot” can be supported with common real life examples today. The “I cannot” comes from a woman’s insecurities, fear of getting hurt, and underestimating their bodily capacities. In a sexist society, these factors of the self-imposed “I cannot” would lead to