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Literature essay of the picture of dorian gray
Literature essay of the picture of dorian gray
A literary criticism of a picture of dorian gray
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The Picture of Dorian Gray: Dorian as Tragic Hero
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
At the beginning, the general mood looks like pure and innocent expressed by the descriptions as follows: "the rich odours of roses...the light summer wind...the heavy scent of lilac"(Wilde 5). This opening scene precisely symbolizes the world in which Dorian is situated at present. Just like the beautiful setting, Dorian is a "beautiful creature"(7) and the portrait Basil draws shows Dorian's "extraordinary personal beauty"(5). In other words, Dorian is in front of the mysterious gate of life that has immense possibilities. At this point, Dorian is ignorant about both the world of idealistic art and the world of mundane, earthly values. Dorian merely possesses "all youth's passionate purity"(17).
With the fateful encounter with Lord Henry, Dorian is ushered into a world of idealistic art and beauty. Lord Henry plays a key role in introducing a new world in which beauty, youth and sensations dominate. First, Lord Henry employs a powerful strategy of developing Dorian's self-consciousness of his ow...
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...t in order to “kill the past” and “monstrous soul-life”(192).
Works Cited
Bloom, Harold. Oscar Wilde. New York: Chelsea House Publishers, 1985.
Cohen, Ed. Talk on the Wilde Side. Great Britain: Routledge, 1993.
Ellman, Richard. Oscar Wilde. New york: Alfred A. Knopf Inc., 1987.
Eriksen, Donald. Oscar Wilde. Boston: Twayne Publishers, 1977.
Freidman, Jonathan (edited). Oscar Wilde: A Collection of Critical Essays. New Jersey: Prentice-Hall, 1996.
Hart-Davis, Rupert. The Letters of Oscar Wilde. New York: Harcourt, Brace and World, 1962.
Juan, Efifanio. The Art of Oscar Wilde. New Jersey: Princetown University Press, 1991.
Weintraub, Stanley (edited). Literary Criticism of Oscar Wilde. Nebraska: University of Nebraska Press, 1968.
Wilde, Oscar. The Picture of Dorian Gray. New York: Random House, Inc., 1992.
In "A Good Man Is Hard to Find," Flannery O'Connor represents her style of writing very accurately. She includes her "themes and methods - comedy, violence, theological concern - and thus makes them quickly and unmistakably available" (Asals 177). In the beginning of the story O'Connor represents the theme of comedy by describing the typical grandmother. Then O'Connor moves on to include the violent aspect by bringing the Misfit into the story. At the end of the story the theme changes to theological concern as the attention is directed towards the grandmother's witnessing. As the themes change throughout the story, the reader's perception of the grandmother also changes.
The Grandmother’s deviousness and immorality is evident in the beginning of the story. While reading the newspaper article about the Misfit, the Grandmother brings it to Bailey’s attention. In Short Story Criticism, Mary Jane Schenck writes “For Bailey, the newspaper story is not important or meaningful, and for the Grandmother it does not represent a real threat but is part of a ploy to get her own way” (Schenck 220). “A Good Man is Hard to Find” begins with an innocent road trip, however, due to coercion by the Grandmother; it soon turns into a fatal nightmare. In Short Story Criticism, Martha Stephens writes “… it is true that in a trivial sense everything that happens is the Grandmother’s fault…” She continues with “It is in the conscious of the Grandmother that we continue to experience the action of the story…” (Stephens 196).
In “A Good Man is Hard to Find” you are led to believe that the grandmother is a good, moral person while The Misfit is the opposite, bad and evil. These assumptions are soon torn down when you compare The Grandmother and The Misfit side by side. We see that the grandmother is self-centered, dishonest, and racist yet The Misfit is honest and nonjudgmental, he also sees himself as some sort of savior. Although both characters can be seen as evil, in “A Good Man is Hard to Find” the grandmother causes more damage than The Misfit.
Grandmothers are known to be loving, sweet and caring old women, not this grandma. In “A Good Man Is Hard to Find” the grandmother is a very manipulative old woman. Her cynical ways of manipulation caused her family to go through a lot of torture within only a few hours. Throughout the story she manipulates her own son, Bailey, her grandchildren, John Wesley and June Star, and even a criminal who escaped from the penitentiary. Not all old women are nice; it just so happens that this one was cynical.
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Chaucer gave the first pieces of his definition of refined love within the story of the King Seys and his wife Alcione. This first idea that Chaucer gives of refined love is of what one should feel when his or her love is gone longer than he or she should be. Seys had gone on a sea voyage, but instead of returning unharmed, a storm blew up and the ship sank, and Seys drowned. Alcione, obviously, did not take this well.
William Blake was born in London on November 28, 1757 to James and Catherine Blake. His father, James was a hosier (seller of legwear) in London. Blake had four brothers, James, John, Richard and Robert; and a sister named Catherine (Harris 5). Blake got along best with his younger brother, Robert as they shared an interest in art (Clarke 1). As a young boy, Blake claimed to have had visions of God, spirits, prophets and angels. When he was four he is claimed to have seen God’s head in his window. In his most famous vision, he saw the prophet Ezekiel under a tree and a tree of angels when he was nine (“Early Years”). Though his parents believed he was lying, they took into consideration that their son was “different” and did not believe he would succeed in a traditional school setting (“Poets”). So Blake was home schooled by his mother until he was ten years old. Blake was constantly by himself as a boy “…to seek a world of the imagination without fear of recrimination by others” (Harris 21).
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Mars-2005, the planet has been occupied for several years now and Mr. Stendhal has commissioned a complete and stunningly accurate replica of the House of Usher to be built for him. Upon the completion he talks with his architect and we learn in 1975 all of Edgar Allen Poe's books along with many other masterpieces were burnt in the great fire. Any story about horror, fantasy, or the future was burned and by now all of those stories and authors are forgotten by most people. The architect didn't even know the story "The Fall of the House of Usher" and had no idea who Poe was. Stendhal continued to explain: Oh, it started very small. In 1950 and '60 it was a grain of sand. They began by controlling books of cartoons and then detective books and, of course, films, one way or another one group or another, political bias, religious pr...
Innocence may be easily corrupted by a malignant outside influence. The novel The Picture of Dorian Gray shows that corruption and bad influence may be easy to pursue. Author Oscar Wilde attempts to highlight that corruption may not come in the form of materials, but also in the forms of friends, society, etc. Dorian’s youth is easily corrupted by the influence of not only Lord Henry but also by the society and the substances which he chooses to use and abuse now and then. The corruption takes a toll on Dorian’s behavior significantly, and the readers notice that it ultimately leads to his demise. In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
A grandmother’s love is often presumed to be unconditional, innocent and altruistic for her family. For this reason, it comes unexpected when Flannery O’Connor begins his story A Good Man Is Hard To Find with a grandmother attempting to manipulate her family into going on a family vacation to a destination she wants rather than the desire of the whole family. Throughout the story, her manipulative and vainglorious nature is revealed to the reader through the interactions between the grandmother and the people around her as the family journeys to Florida. The grandmother constantly acts in accordance to herself even though she knowingly is betraying her family’s trust, even towards the end when she puts them in harms way. The other characters in the story remain quite static compared to the more dynamic grandmother and serve as reference points to the reader, which clearly demonstrate her selfish intentions. However, to grasp the reason for her manipulative nature, one must have a deep understanding of how the grandmother views the world around her.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.