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Godzilla, a new movie that is coming out this May, is a new adaption of an older story. The Twilight series puts a new spin on creatures like vampires having them sparkle when in sunlight. Even Little Red Riding Hood was re-made into a book and a movie where the Big Bad Wolf is not just a wolf but a werewolf. These are all examples of people’s creative re-telling of mythological creatures that originated from older sources.
Books and movies, however, are not the only place that these creatures can find a new life but also in manga. Manga artists are also re-inventing these mythical creatures like the kitsune which is a creature of Japanese folklore. These creatures are no longer bound strictly to their original story. In this essay I will be discussing how the kitsune is being re-invented in manga and the cultural ambiguity present in all of them. In Zilia Papp’s work called Traditional Imagery in Manga, Anime, and Japanese Cinema, Papp mentions that there are “ways the supernatural and otherworldly have been rendered visually during different historical periods.”1 The re-inventing of old stories, is important because it allows us to compare the past representations of these creatures to the modern and explore what these changes reflect. In this essay the focus will be on the original and modern depiction of the kitsune. Today people are less confined to writing stories that match every aspect of the original story or creature leading to many new adaptations.
Manga
First, we must briefly discuss what manga is. This is extremely hard to do, due to the fact that manga isn’t black or white but a nice shade of gray. Manga is a type of media that is dependent on the relationship of verbal and visual aspects. The words and t...
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...ity, Historicity." Japanese Visual Culture: Explorations in the World of Manga and Anime. Armonk, NY: M.E. Sharpe, 2008. Print.
3. "Kitsune - Mythical Creatures Guide." Kitsune - Mythical Creatures Guide. Web. 16 May 2014.
4. Wong, Wendy Siuyi. "Globalizing Manga: From Japan to Hong Kong and Beyond." Mechademia 1.1 (2006): 23-45. Web. 16 May 2014.
5. Levi, Antonia. "The Americanization of Anime and Manga: Negotiating Popular Culture." Cinema Anime. 43-63. Print.
6. Kishimoto, Masashi, and Jo Duffy. Naruto. San Francisco, CA: Viz, 1999. Print.
7. Takahashi, Rumiko, Gerard Jones, and Mari Morimoto. Inuyasha. San Francisco, CA: Viz Communications, 2004. Print.
8. Suzuki, Julietta, and Tomo Kimura. Kamisama Kiss. San Francisco, CA: Viz Media, 2010. Print.
*All pictures were taken from their corresponding manga or from the Mythical Creatures Guide website.
The realm of myths and magic have captivated the attention of masses for decades. Most of the myths and creatures originated from folklore from diverse cultures around the world. The mythological world usually contains myths and stories about fantastic beasts, immortal gods and goddesses, unearthly beings, and bizarre creatures that rule or roam the depths of the earth. Since the rise of the internet, classic myths like mermaids, vampires, dragons, werewolves, zombies, and unicorns continue to have a certain appeal to the public. Due to this advancement of technology, myths like vampires and zombies can tap into people’s needs or yearnings. Either by filling a psychological need, symbolizing the rejected and inexpungable or by creating an
Epstein, Dan. 20th Century Pop Culture: The Early Years to 1949. Philadelphia: Chelsea House Publishers, 2001. Print.
Mishima, Yukio. The Sound of Waves. Trans. Meredith Weatherby and Yoshinori Kinoshita. New York: Vintage, 1994. Print.
Interviews // Nausicaa.net. Trans. Ryoko Toyama. Ed. Team Ghiblink. N.p., n.d. Web. 27 Apr. 2014.
The medieval times were filled with many events that have helped to shape our society today such as the rise of the bubonic plague, the birth of feudalism, the growth of the Catholic Church, and among these is the beginning tales of mythical monsters. The stories of mythical monsters were spurred by the imagination of men who saw an unusual creature or something unexplainable. A world renown German physicist by the name of Albert Einstein claimed, “The true sign of intelligence is not knowledge but imagination.” (brainyquote.com) Mythical creatures were founded by the creativity of very bright individuals who wanted to entertain people by telling elaborate stories that contained a strong antagonist. Mythical creatures also allowed society to have heroes because with every evil monster there must be a savior to slay the hideous beast. Although many different monsters have been mentioned the Dragon, the Kraken, the Basilisk, and the Griffin were among some of the most popular and well known creatures.
Brazell, Karen. Traditional Japanese Theater: An Anthology of Plays. New York: Columbia UP, 1998. Print.
Throughout several myths, monsters are described as many diverse creatures. At first glance, they all seem very distinctive. However, each monster is like a combination of several qualities and characteristics that are matched in different ways to form the monsters that appear in myths such as Hercules, Bellerophon, and Perseus. All monsters have very distinct looks that make them inferior to humans. Generally, they are a mixture of two or more different animals such as snakes, lions, or humans and they may have multiple heads. For example, Cerberus was a horrific three-headed dog that had the tail of a dragon and his back was covered with snakes. Several monsters have some part of them from a snake. Snakes symbolize an evil quality and that is why many monsters are forms of them. Cerberus had his whole back covered in snakes and a dragon tail. Both of these are snake-like parts that contribute to Cerberus looking terrifying. His tail is from a dragon which is very similar to a snake and his back is filled with snakes like fur. The Hydra of Lerna is also an im...
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.
Lawrence, John Shelton. "The Stan Lee Universe." Journal Of American Culture 36.1 (2013): 64-65. Academic Search Elite. Web. 30 Mar. 2014.
In the early 1900’s technology began to boom. Many tales of science fantasy were created. The imagination of many was stirred violently as America and the U.S.S.R. were neck and neck in the “Space Race�. Magical tales of aliens and Martians were shaped by the twisted and horrifically minds of authors such as Isaac Asimov. Many remember the comical almost, ridiculous movies of the early nineteen fifties. At that time though, many believed them to be real and were frightened beyond normal convention. Many authors in this era began to evolve, much how the earlier ancient writers evolved themselves.
Pendergast, Sara, and Tom Pendergast. St. James Encyclopedia of Pop Culture . Vol. 3. Detroit: Gale, 2000. Print. 5 vols.
In comparison, tone of medieval age Japanese literature becomes more intense, realistic, and darker in scope as focus shifts more to the lives and interests of people outside of court. In particular, the warrior class contributed a lot to Japanese literature during the Kamakura and Muromachi periods, because of the increase in civil wars and shift in political power. This is clearly evident in the works of gunki monogatari, especially “Heike Monogatari,” because the tales depict inelegant things that were not to be mentioned in Heian period literature, such as blood and gore.
The classic comic book is a polar opposite of the complex nature of poetry. The comic book is designed for the younger reader and possesses a simplistic nature that allows the creator to use visual media combined with short written dialog to tell a story. The pictures in a comic book are an integral part of the makeup of a comic book. The pictures allow the creator to portray the protagonist and antagonist in a way that is common to all readers. This however inhibits the use of imagination by the reader. The pictures are all an artist's interpretations of the actions and settings that make up each scene. When a person reads descriptive text with no pictures, it allows the reader to build a mental picture of each scene that is unique to his/her own personality. The comic book does not allow for this expressiveness in its prefabricated structure.
In literature, genres are often ambiguous because they are independent in creating their own conventions, as well as dependent on borrowing from others. According to author J.R.R Tolkien, fairy stories act in the same regard, functioning to create conventions like escape and recovery through eucatastrophe, as well as borrowing ideas of sub-creation from other literary styles like mythology (“On Fairy Stories” 8). In his works of fiction, including the Silmarillion and The Lord Of The Rings, the idea of genre ambiguity stays consistent, with Tolkien using conventions of horror in his creation of a second world. Thus, an analysis of the horrific imagery in The Lord Of The Rings will show that horror acts as a device in the creation of his second world, shown through monsters like Shelob and the Uruk-hai, who provide a source of interactive villainy and create a comparison between the fearful and fantastic to enchant the reader.
Most people believe that graphic novels are just an art book with minimal text. They believe it is just for entertainment for kids or young adults. They think that graphic novels are just like comics. But to get to the point, graphic novels are just like all the other novels. They are a piece of literature that tells a story and pulls out the reader’s imagination, so that they feel that they are a part of the story or can even relate to the story. Graphic novels have changed and developed into such remarkable pieces of literature and should be accepted by all scholars to be placed in that category. According to John Ridley, “There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are-at their best-an amazing blend of art, literature and the theater of the mind”.