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Arundhati Roy’s The God of Small Things portrays many types of oppression based mainly on the caste system in late 20th century India. The caste has many effects as characters’ qualities of life are compromised, people are turned on each other, and some are treated unjustly. Roy uses the caste system and power roles to portray how people consent to social norms regardless of their morals, because they are more eager to please society and maintain their images than act ethically. Velutha’s self-worth is put at stake because of people’s ethical decisions based solely on his unfairly fixed place in society. When Velutha returned to Ayemenem, Mammachi helps him by rehiring him as a factory carpenter. The other workers were extremely upset by this because “Paravans were not meant to be carpenters” so in order to “keep the others happy, and since she knew that nobody else would hire him as a carpenter” Mammachi had to pay Velutha “less than she would a Touchable carpenter but more than she would a Paravan” (74). The prevalence of the caste system is emphasized when the word “meant” is italicized, showing that it was the expected norm to reject and alienate Paravans. While Mammachi holds somewhat to her ethical values because “she knew that nobody else would hire him” she also shows the priority of her reputation her factory, which forces her to pay him less. This is a less extreme case of classism because Mammachi compromises and pays Velutha in between the two wages. However, if she did not feel the pressure to conform to discrimination to maintain her own reputation, she wouldn’t have lowered his wages at all. Baby Kochamma falsely reports a case to the police where she claims Velutha forced himself on Ammu. She misrepresents the si... ... middle of paper ... ...chamma is described as a “child” with connotations of ignorance and helplessness show by the image of “lowered eyes.” While Baby Kochamma truly did nothing wrong, the inspector causes her to feel “chastised” and punishable simply because she interacted positively with an Untouchable. The caste system in India not only caused people to be oppressed, ignored, and mistreated, but it also changed the mindset of society at large. The separation of classes leads to other separation between people causing some to feel the right to act more powerful than others. This is an issue in The God of Small Things because it causes characters to feel the need to hold to certain images or standards at the cost of those less fortunate to be born into higher classes. Arundhati Roy poses many dilemmas where characters must decide between their own pride and dignity, and helping others.
Before finding out about her biological parents, Asha acts very immaturely and inconsiderately. The first example portraying Asha's unsophisticated behaviour takes place while Asha has a disagreement with her parents because of her poor grades. After her mother offers to helps, she replies, “'I don't need a tutor, and I definitely don't want your help,' Asha says choosing her words to sting her mother'” (Gowda, 150). Here, Asha is deliberately trying to hurt her mother's feelings and is acting very inconsiderately. Also, the fact that she is yelling at her mother, even though her mother is only offering to help, showcases her immaturity.
Arundhati Roy’s The God of Small Things is a novel about how people’s pursuit of their own interests, influenced by the cultural and social contexts in which they live, ultimately determines their behavior. Through utilizing subthemes of self-preservation, the maintenance of social status/the status quo, and power, she portrays Velutha as the only wholly moral character in the story, who, because of his goodness, becomes the target of frequent deception. Roy argues that human nature is such that human beings will do whatever they feel is necessary to serve their own self-interests.
I get tired of Him getting credit for all the things the human race achieves through its own stubborn effort.” (51) This brash statement is immediately followed by some slapping action on the part of the mother, who is naturally horrified at the blasphemous things coming from her offspring’s tender... ... middle of paper ... ... lminates in her relationship with Asagai, who represents to her the embodiment of her perceived identity: intellectual, cultured, and culturally aware.
The society in question is refuses to reciprocate the equality envisioned by the narrator and without any intention of compliance continually uses this man to their own advantage. It is not only this exploitation, b...
The God of Small Things, a novel, by Arundhati Roy unravels the secrets of a family in India. Arundhati Roy uses an intriguing technique to tell the story of Ammu, Rahel, Estha, Sophie Mol, Velutha, Mammachi, Chacko, Margaret Kochamma, and Baby Kochamma. Roy starts the story by in a way paraphrasing all the events that are to occur throughout the story. She then proceeds to tell about the funeral of Sophie Mol and Ammu, Rahel, and Estha’s trip to the police station. She begins the story at the end. The reader does not find out until much later who Sophie Mol is and why Ammu and the twins went to the police station. Roy continues the story by jumping from Rahel and Estha’s childhood to their adulthood. Every chapter jumps from past to present. In every chapter Arundhati Roy answers or creates more questions about her characters lives for the reader. She uses repetition throughout the story to make the reader pay attention, remember, and wonder what she is trying to get across. Roy also uses wonderful metaphors, similes, and figurative language to ...
“Perhaps it’s true that things can change in a day. That a few dozen hours can affect the outcome of whole lifetimes” (Roy 32). Baby Kochamma’s life changed the day she first saw Father Mulligan. She became obsessed with him, and that obsession shaped the way the rest of her life turned out. The lengths Baby Kochamma went to to get the attention of Father Mulligan were insane: she converted to Roman Catholicism, staged charity events, and became a nun just to get closer to him. The reason Baby Kochamma is so hateful towards everyone is because of what happened with Father Mulligan. If Baby Kochamma had never met Father Mulligan, she would not be a grumpy old women who hates most everything, including Rahel and Estha.
This article is for the most part a biography of Arundhati Roy. It contains excerpts from an actual interview with Arundhati Roy
Owing to India’s diversity, these identities are determined by caste, ancestry, socioeconomic class, religion, sexual orientation and geographic location, and play an important role in determining the social position of an individual (Anne, Callahan & Kang, 2011). Within this diversity, certain identities are privileged over others, due to social hierarchies and inequalities, whose roots are more than a thousand years old. These inequalities have marginalized groups and communities which is evident from their meagre participation in politics, access to health and education services and
Susan Bayly. (1999). Caste, Society and Politics in India: from the Eighteenth Century to the Modern Age. Cambridge University Press
Pandey, T.N., 2014. Lecture 1/14/14: Cultures of India: Hierarchy Structure in India. Cultures of India. U.C. Santa Cruz.
When viewed through a social power lens in The Absolutely True Diary of a Part-Time Indian, it will reveal that the generally white people and mostly all the people who don’t live on the rez have the most power. Power depends on a few key things, mainly, money. Throughout the entire book, they claim money is quite scarce on the reservation. Power plays a large role in book, this paper will explain examples of social power in the book.
The significance of betrayal in Arundhati Roy’s The God of Small Things is prevalent throughout the novel. This pertains to the betrayal of the children, Estha and Rahel, by the adult world. This is depicted by how the decisions of the adults in the novel ultimately betray and rob the twins’ chance at childhood innocence. Baby Kochamma, the twins’ great aunt, accuses Velutha of raping Ammua and then pressures Estha to confirm it. This betrayal of Velutha by Estha is depicted in the above passage and is significant as this profound guilt he obtains eventually leads to his mutism. The Orangedrink Lemondrink man molests Estha in a lobby. A series of childhood betrayals results in the twins traumatized childhood and adulthood.
From beginning to end, the novel, “The God of Small Things”, authored by Arundhati Roy, makes you very aware of a class system (caste) that separates people of India in many ways. This separation among each other is surprisingly so indoctrinated in everyone that many who are even disadvantaged by this way of thinking uphold its traditions, perhaps for fear of losing even more than they already have, or simply because they do not know any other way. What’s worse, people seen as the lowest of the low in a caste system are literally called “untouchable”, as described in Roy’s novel, allowing, according to Human Rights Watch:
In the novel A Passage to India, written by Forster, he is bias towards the women in the novel. The society when Forster wrote the novel in the 1920’s had different views on women than it has today a...
The God of Small Things by Arundhati Roy tells the story of the communist state of Kerala and the forbidden love between two castes, which changes the lives of everyone. In the novel an ‘Untouchable’, Velutha is a carpenter and works at Paradise Pickles and Preserves for much less than he deserves because of his status as an Untouchable in the caste system. Velutha falls into a forbidden love with a divorced woman, Ammu who is associated with an upper caste Syrian Christian Ipe family. Marriage was the only way that Ammu could have escaped this life, but she lost the chance when marrying the wrong man, as he was an alcoholic and this resulted in them getting a divorce. Ammu breaks the laws that state ‘who should be loved, and how and how much’, as their affair threatens the ‘caste system’ in India, which is a hierarchal structure and social practice in India in which your position in society is determined and can’t be changed. Arhundati Roy portrays the theme of forbidden love within the caste systems and shows how they are t...