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Macbeth compared to a modern macbeth movie
Macbeth tragedy Analysis
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Macbeth: The thin line between tragedy and dark humor. William Shakespeare’s Macbeth has always been considered one of the literary worlds most celebrated tragedies. It is arguably the darkest and most gruesome of his plays. The protagonist, Macbeth, is the poster child for tragic hero, “a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy” (www.dictionary.com). And until recently we were satisfied with that… At the Cannes Film Festival in 2001, a low budget comedy was unveiled. It was called Scotland, PA. This film was written by a first-time director, Billy Morrissette, and depicts the familiar story in a surprisingly different form. The premise of the plot is held in tact but the setting is shifted several hundred years, to the 1970s. The characters’ names even remain familiar. The dialogue is contemporary English yet you can still recognize the similarities in conversation. Major themes from the original work – revenge, guilt, self doubt, fate, and prophecy still exist in this manipulated adaptation. “He (Morrissette) is able to make an interesting point about how the difference between tragedy and comedy is often how the material is viewed by the audience”.(Berardinelli) Prior to Morrissette’s Scotland, PA, Roman Polanski brought his adaptation of Macbeth (1971) to the silver screen. This more traditional adaptation follows the plays blueprint. The setting remains unchanged, as well as the plot and dialogue. This movie was made soon after a horrifically traumatic events in Polanski’s life, the heinous murder of his pregnant wife by members of the ‘Charlie Manson family’. The film may have been a therapeutic outlet for him. The extremely gory murder scenes may have been a result of his attempts to deal with his pain and show give insight into the horror that filled his life at the time. Polanski’s adaptation definitely added a horror flick tone with the gruesome portrayal of despicable violence. The most notable difference in the portrayal of Mac and Pat, in Scotland, PA versus the portrayal of Macbeth and Lady Macbeth, in Macbeth, is the atrociousness, or lack of, with which we view them and their crimes. Mac and Pat seem to be less despicable than Macbeth and Lady Macbeth for several reasons. One key reason is the omission of the ordered murder of Macduff’s family ... ... middle of paper ... ...ind their evil deed. Lady Macbeth is aware of her position as motivator, and even states in the play that she wishes she were a man so that she could carry out their plan herself. Even in Scotland, PA, Pat is continuously directing and instructing Mac in all of their actions pertaining to the murder and cover up. She tells Macbeth to get the safe combination, to stop him from escaping, and talks him through virtually the entire process. The major difference in the two works is presentation and context. This relates directly to the representation of the main characters. By keeping the premise but altering the way the course of events occurs gives the audience a different insight into the development and representation of the characters, particularly Macbeth and Lady Macbeth. Both adaptations were very well done, particularly Scotland, PA. It shows that, with a little tweaking, comedy can be found in even the most bloody and tragic of stories. Works Cited: Dictionary.com. 2005, Lexico Publishing Group, LLC. 3/8/2005 . Macbeth [1971] – Review @ EOFFTV. 2000, 3/8/2005 . Phillips, Brian and Douthat, Ross. SparkNote on Macbeth. 9 Mar. 2005 . Review: Scotland, PA. 2002, 3/8/2005 .
Often times, directors take timeless works of literature and make them more relatable to modern audiences. Creating a good adaptation is very difficult, the new product must be different from the original to make it relatable, however still be similar enough to recognize as the first edition. Due to changing times, many of Shakespeare’s plays have been adapted into movies. One of the most adapted plays by Shakespeare is Macbeth. This classic sets a high standard to live up to, however the film Scotland, PA comes close.
William Shakespeare, one of the greatest English play writers, has had a profound influence upon different societies globally since the fifteenth century, for his plays inspire many contemporary artists to present new scopes reflecting their societies. Considered as one of Shakespeare’s greatest tragedies, Macbeth has a completely disparate interpretation of the movie Scotland, PA, which translates the original play into a black comedy. A Scottish royal and general, Macbeth the protagonist undergoes a demonic transformation in personality, in which he unethically takes the crown by murdering numerous characters. The director of the movie alters the plot while maintaining the basic semblance of power, ambition, and masculinity from Shakespeare’s work. In the movie, the alteration of the process Macbeth usurps the power of Duncan, including his internal and external incentives, gives the audience a fresh perspective on one of the English classical plays.
The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being understood, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable considerably supported by textual evidence from the novel. One issue which, like the rest, can be answered in more than one ways is why Mrs. Grose believes the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equals even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants we...
In restless sleep and longing for contact with those outside of Bly-- particularly her employer-- the governess placed hope in chance meetings of random individuals. In her walk in the yard, the governess began to wish for the sight of her employer who she was still madly in love with. The governess's desire to see him and receive his reassuring approval conceived the ghost of what was later revealed to be Peter Quint she believed she had seen. Later in her climax of interaction with her ghosts, the governess is afraid that the master will come home, for she is fearful of what he will think of her.
Not unlike Shakespeare’s Macbeth, the character of Macbeth in Rupert Goold’s film is a savage, power-hungry politician. In Goold’s film, however, Macbeth finds humor in the tumultuous events leading to his downfall. His chilling laughter upon the announcement of his wife’s suicide and his demeaning attitude towards his fellow rege...
Through its historical settings it captivates the audience more than the play, which is understandable due to the play having a different goal. Slightly, the film boasts better characterization than the play, albeit only because its approach is more natural, which appeals to today’s audience more. But, the play is superior in tone due to its theatrical nature, When comparing the two adaptations of Macbeth, one must realize that the two have different audiences and goals. For example, the setting plays a significant role in both adaptations and appears to be more prominent in the film, but this is due to the fact that the play is placing more emphasis on the actors rather than the setting. Similarly, the film is often nuanced while the play is theatrical, with the latter frequently being outlandish to most audiences because the approach is not aimed at them. All in all, the film proves to be superior to the play, but the play has aspects such as its tone that should not be
Wills, Gary. "The Historical Context of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 30-37.
When a person thinks about the Renaissance, the first thing that comes to mind is more than likely knights in shining armor fighting off dragons and saving the princess. However, lets look at a more realistic approach towards the Renaissance and talk about what really brings out the brilliance and the beauty of this time period, which is nonetheless the art that was informed and inspired by classical antiquity from the Greeks and the Roman civilizations. The artist during the Renaissance was pure genius and masters of draftsmanship and distinguished techniques in displaying a command of lighting, flawless perspectives of image, accurate portrayals of flora and fauna, and the complexities and intricacies of human anatomy and physiology. This period was heavily influenced by religious relic and concepts and these artists expanded beyond the ideas of religious intuitive. Renaissance art was a movement of rediscovering people as individuals as a person and not just another being and this proven through the faces on paintings that have profound and very distinctive displays and expression of emotion. Artwork during the Renaissance became the it thing to do spreading into the households of wealthy merchants, bankers, popes, and princes spending large amounts of money on portraits, miniatures, and still life photographs.
Macbeth’s heroic deeds at the beginning of the play soon seem insignificant next to the primary event in the Act: the revelation of the witches’ prophecy. Their insightful proclamation that he will be king someday is both shocking and pleasing to Macbeth. Without this occurrence, this play might not have traveled a road of ambition and death, but instead one of calm acceptance and enjoyment of an already-elegant lifestyle. The seeds of desire were here planted, however, eliciting what became a bloody ordeal. The spark ignited, and a plan began to take shape.
...etely and utterly insane, then that same quote can suggest that Miles might be calling her a devil. This would then mean that the Governess accidentally murders Miles through her hug, squeezing the life out of him because of her own fears of the supposed ghosts. Miles response is so ambiguous it leaves the reader with only theories with no way of knowing for a fact what really happened.
Columbia University, Press. "Macbeth." Columbia Electronic Encyclopedia, 6Th Edition (2011): 1. History Reference Center. Web. 6 Nov. 2011.
Renaissance art is a component of the Renaissance, it was a period of literary, artistic, and scientific revival occurred in Europe in the sixteenth century. The key aspect of the Renaissance period as is the renewal of themes and art in Europe after the middle ages. For the first time, art enters the private sphere; the works are no longer just driven by religious or secular power, but enter houses. The renewal of philosophical reflection provides artists with new ideas. Painters and sculptors do not hesitate to represent the beauty of the naked human body. The four great masters of art create art forms that are still references for many artists from the renaissance till today.
Lady Macbeth is the one who led Macbeth to kill, by convincing him that he will be a king by murdering King Duncan. He chooses treachery and crime, knows them for what they are and is totally aware he is doing evil. Lady Macbeth is the one who is really tempted.
Shakespeare’s Macbeth is definitely a tragedy in the sense that it arouses feelings of pity and fear in the audience. Macbeth is a weak minded man who, if sees an opportunity for power follows his ambitions and takes it, even if this is not the rightful thing to do. He is easily persuaded and suffers great guilt. Macbeth the character on his own creates the feeling of pity and fear in the audience. This added to the abundance of other developed characters creates a great tragedy.
Campbell, Lily B. "Macbeth : A Study in Fear." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 126-35.