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Macbeth's mental deterioration
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Macbeth's Obsession with Power
"I'll fight till from my bones my flesh be hacked." (Act 5, Scene 3). Phrases as forceful as Macbeth's quote are not common day language, in fact, it is used except in times of intense emotion. Although the diction of Macbeth's words are from the Elizabethan Age, it's message rings true and clear. Macbeth clearly will oppose anything standing in the way of his passion. Critics often debate over the what tragic flaw of Macbeth lead to his downfall. Was it ambition or Lady Macbeth's influence? Hardly so. It was an obsession of power that Macbeth desired so much that led to his compulsive fixation and preoccupation of obtaining his desire by any and all means necessary. Thus, he inevitably lost touch with reality and became irrational, unreasonable, and myopic which is clearly shown through his decisions. Macbeth had a downfall because of what he did and what he desired, and he could blame no one but himself.
Macbeth is first introduced as a war hero, slayer of the Norweyans. He is then introduced to prophesy by three witches. They prophesize how he will become first Thane of Cawdor and then king. "All hail, Macbeth! hail to thee, thane of Cawdor!...Macbeth, that shalt be king hereafter." (Act 1 Scene 3). Macbeth becomes thane and starts to believe in the prophesies if the witches. What first started as inquisitiveness and doubt, soon became fate and truth as the Bible is to Christians. Macbeth began to believe the next prophesy. In fact, not only would he become king, he made it his personal obligation and responsibility to see that it became so. With a little bit of nagging (that is the best term to use) from Lady Macbeth, Macbeth chooses to fulfill his de...
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...ted and Consulted:
Chute, Lily B. "Macbeth : A Study in Power." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 126-35.
Foakes, Francis. "A New Perspective of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 58-64.
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Shakespeare, William. The Tragedy of Macbeth. Elements of Literature. Sixth ed. Austin: Holt, Rinehart and Winston, 1997.
Wills, Gary. "The Historical Context of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 30-37.
2000, 3/8/2005. Phillips, Brian and Douthat, Ross. SparkNote on Macbeth. 9 Mar. 2005. Review: Scotland, PA. 2002, 3/8/2005.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Dostoevsky’s Crime and Punishment incorporates the significance of murder into the novel through a multitude of levels. The act of killing is not only used to further the plot point of the novel, but also offers insight to the reader of Raskolnikov’s ideology and psyche. This is portrayed through both his initial logic and reasoning behind the plotting of the crime, as well as through his immediate and long term reactions after killing Alyona Ivanovna. The emotional and physical responses instilled in Raskolnikov after killing Alyona Ivanovna as well as his justification for doing so helps illustrate his utilitarianism by offering accurate insight into the character’s moral values. These reactions also serve to show the instability of Raskolnikov’s character due to his changing emotions from being completely justified as the ubermensch to showing a sense of great regret. By including the act of killing, Dostoevsky further develops Raskolnikov’s character, and provides another level of detail to readers concerning his ideology and beliefs prior to his actions.
Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press New Folger Edition, 1992
Evans, G. Blackemore. "Macbeth." In The Riverside Shakespeare. Ed. G. Blackemore Evans. Boston: Houghton Mufflin Company. 1974: 1307- 1311
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square, 1992. Print. The New Folger Library Shakespeare.
Firstly, he defeats his enemies. Next he is praised by the other soldiers and King Duncan appoints him as the Thane. For example, if a person desires for a manager title, the person will work hard to earn it, and it is possible that other workers will see this and boost the chief individual’s desire. It is from here that the person might think they deserve the title and look for more power. Similarly, Macbeth must have thought somewhere in his mind to be king. In the book Witches’ Caldron: a study of motive in Shakespeare’s Macbeth Dr. K.C. Mathur says that although the witches did prophesy he would be king and even boosted his desire “They did not create the thought of murder of King Duncan. It was Macbeth’s own latent ambition embodying his power drive and seeking affirmation that invites the witches.” (Witches Caldron, 6) Dr. Mathur also says “Macbeth had acquired this status and it is not surprising that he thinks of achieving higher status by being aggressive and domineering. It is this psychological impulse that is projected in his ambition for the crown and not any criminal instinct or latent evil.” (6) There was a negative environment of witches and the association of Lady Macbeth around Macbeth which influenced him to murder. The environment creates a huge part in the play and if he had a good environment it is possible that he would have remained loyal to King
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Shakespeare, William. Macbeth. Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999.
Shakespeare, William. “The Tragedy of Macbeth”.The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton Mifflin Company (1974). 1312-1342. Print
Reutter, Vicki. "A Taste of Shakespeare: Macbeth." School Library Journal. 01 Jun. 2004: 66. eLibrary. Web.
Bradley, A.C. Lecture IX: Macbeth . Shakespearean Tragedies: Lectures on Hamlet, Othello, King Lear, Macbeth. Macmllan & Co., 1904.
they did but as Dahl states at the end of the tale, " Mrs Maloney
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997
We see the character of Macbeth go through a personality transformation after a powerful predicament from Three witches. Starting as the highly thought of thane of Glamis, Macbeth is told he shall become thane of Cawdor and then king. The witches, quickly portrayed as evil, could have predicted these events, or simply planted the idea in Macbeth’s head, to exploit his fatal flaw.