Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Symbolism within macbeth
Symbolism within macbeth
Similarities in macbeth and the tempest
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Symbolism within macbeth
Shakespeare was the absolute man of his time during the medieval ages in which he lived. Actually, his plays began to be famous far after his death, which has resulted in a lasting legacy for his writings. He has composed an incredible amount of plays that have almost all continued on to be performed. Two more commonly known plays of his are The Tempest, and Macbeth. These are two very diverse plays that have a completely separate plot, characters, and meaning. In both plays, an unfortunate event occurred. Bill Delaney states about the perspective of King Duncan, “Obviously there would have been no knocking at the gate if Macduff had slept inside the castle or if Duncan had simply asked Macbeth himself or his most kind hostess Lady Macbeth to see that he was awakened in the morning.” Like Duncan, Prospero in The Tempest, he was not expecting at all to be stranded on an island. Also, there were many people that helped throughout these situations in the two plays. In Macbeth, Lady Macbeth played a huge role in helping with the murder of King Duncan. In The Tempest, Ferdinand fell in love with Miranda and helped Prospero with all that he needed to help get on his good side. In The Tempest and Macbeth, Ferdinand and Lady Macbeth can be compared with their willingness to help someone who needed it, their intentions to help someone they loved, and they can be contrasted with the end result of their objectives.
To start off, in the plays Tempest and Macbeth, Ferdinand and Lady Macbeth can be compared with the willingness they both have to help someone who was struggling and needed their help. Lady Macbeth wanted so badly for Macbeth to kill King Duncan, and was quite forceful that he should. Vicki Reutter showed how cruel Lady Macbeth c...
... middle of paper ...
...ings are about pursuing what you want to accomplish and not let anyone else persuade you differently. Kevin Pask refrences Tempest when he talks about struggles people go through when he mentions, “The alliance in which the happy lovers are engaged is simply diplomacy: war by other means.” No matter what the challenge, always push for what you think is best for you and those around you.
Works Cited
Delaney, Bill. "Shakespeare's MACBETH." Explicator 1(2004):6. eLibrary. Web.
Jericho, Jeremy.. The Tempest. Barron's, 2004. eLibrary. Web.
Nesbit, E.. "The Tempest." The Best of Shakespeare: Retellings of 10 Classic Plays. Oxford University Press, 1997. n.pag. eLibrary. Web.
Pask, Kevin. "Prospero's counter-pastoral." Criticism 4(2002):389. eLibrary. Web.
Reutter, Vicki. "A Taste of Shakespeare: Macbeth." School Library Journal. 01 Jun. 2004: 66. eLibrary. Web.
Shakespeare, William. The Tragedy of Macbeth. Elements of Literature. Sixth ed. Austin: Holt, Rinehart and Winston, 1997.
Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press New Folger Edition, 1992
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
Evans, G. Blackemore. "Macbeth." In The Riverside Shakespeare. Ed. G. Blackemore Evans. Boston: Houghton Mufflin Company. 1974: 1307- 1311
Shakespeare, William. The Tempest. The Norton Shakespeare. Ed. Greenblatt, Stephen. New York: W.W. Norton & Co. Inc., 1997.
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square, 1992. Print. The New Folger Library Shakespeare.
Throughout the play of "Macbeth" written by William Shakespeare there is an on-going relationship between Macbeth and Lady Macbeth. This relationship is one of the functions of the play that creates most of the actions, reactions, moods, feelings and attitudes.
William Shakespeare had tragedy in Macbeth. Macbeth had been a Thane, which is a noble. Lady Macbeth wants to be Queen of Scotland in Macbeth wants to be king no matter what it takes Macbeth was going be king and Lady Macbeth was going to be queen. Lady Macbeth was a very strong mind person. Lady Macbeth suffered from the effect of bipolar and schizophrenia.
Shakespeare, William. Macbeth. The Norton Shakespeare. Ed. Stephen Greenblatt. New York: W.W. Norton and Company, 1997
Solomon, Andrew. “A Reading of the Tempest.” In Shakespeare’s Late Plays. Ed. Richard C. Tobias and Paul G. Zolbrod. Athens: Ohio UP, 1974. 232.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Shakespeare, William. Macbeth. Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999.
Shakespeare, William. The Tempest. Second Revised Ed. United States of America: First Signet Classics Print, 1998. 1-87. Print.
The Tempest. Arden Shakespeare, 1997. Print. Third Series Smith, Hallet Darius. Twentieth Century Interpretations of The Tempest; A Collection of Critical Essays, Englewood Cliffs, NJ: Prentice-Hall, 1969.
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997