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The literary theme of loss
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Norman Cousins once said, “Death is not the greatest loss in life. The greatest loss is what dies inside us while we live.” Although this statement has immense truth, any loss can bring grief and hurt to a person. Whether a loss of a loved one or a possession, losses are challenging to deal with. Three short stories in particular highlight the theme of loss and a moral lesson on overcoming it. In the short stories “Gwilan’s Harp” by Ursula K. LeGuin, “The Washwoman” by Isaac Singer, and “The Last Leaf” by O. Henry, the characters experience great loss.
In “Gwilan’s Harp” by Leguin, Gwilan, a talented harpist, experiences a life full of loss. At the beginning of the story, the author describes Gwilan’s prized harp, and the love she had for it. While traveling to a music competition, Gwilan gets in an accident and unfortunately, her harp is destroyed. The author writes, “She got the case out from under the wheel and opened it, she did not take out a harp, but a piece of wood, and another piece, and a tangle of strings.”(Leguin). This crushed her; she had lost her most prized possession, which she could not replace. Moreover, Gwilan broke her wrist and she temporarily lost the ability to play the harp. The
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tragic accident changed her life forever. Clearly, the theme of loss presents itself throughout this short story. Secondly, the short story “The Washwoman” by Isaac Singer displays tragedy.
This story is about a loss of a character instead of a character’s loss. In the story, an old gentile washwoman enters the life of a Jewish family and shows perseverance through difficult times. After the washwoman drops off the load of laundry, the author writes, “She never came back” (Singer). Through the tearful eyes of a Jewish boy, the reader can see how the loss of the old washwoman affected the family. The family not only lost the dedicated service of a hard worker, but also of a loving and gentle friend. As the Jewish boy makes clear, the mother and children seem deeply hurt by the loss of their dedicated washwoman. Thus, the theme of loss presents itself in this short
story. Lastly, the theme of loss presents itself in the “The Last Leaf” by O. Henry. Johnsy, a young painter, grows ill with pneumonia. The doctor says in regards of Johnsy, “Your little lady has made up her mind that she’s not going to get well” (Henry). Because she thinks her last days draw near, Johnsy begins to count the leaves on a vine outside her window. Sadly, the young artist lost the will to live: she tells her best friend and fellow painter, Sue, that when the last leaf falls, she will die. Furthermore, at the end of the story, Old Behrman, the man who indirectly saved Johnsy’s life, dies of pneumonia. Old Behrman helps Johnsy to regain the will to live. Once again, this short story displays the theme of loss continuously. In conclusion, the theme of loss presents itself throughout these three short stories. Each character experiences a form of loss throughout his or her life. Though some losses seem harder to deal with than others do, each tragedy affects the characters deeply. Of course, every person deals with loss differently. Looking to a Heavenly Father for guidance during a loss will help. Matthew 5:4 says, “Blessed are those who mourn, for they will be comforted.” No matter the loss, God always has his hands outstretched to receive his grieving child.
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
In her article, Quindlen delivers her position to the massive mixed audience of the New York Times, drawing in readers with an emotional and humanizing lure; opening up about her family life and the deaths she endured. Later presenting the loss of her brother's wife and motherless children, Quindlen use this moment to start the engine of her position. Quindlen uses her experiences coupled with other authority figures, such as, the poet Emily Dickenson, Sherwin Nuland, doctor and professor from Yale, author Hope Edelman, and the President. These testimonies all connect to the lasting effects of death on the living, grief. She comes full circle, returning to her recently deceased sister-in-law; begging t...
“Pass On” written by Michael Lee is a free verse poem informing readers on grief, which is one of the most difficult obstacles to overcome not only when losing a loved one, but also in life itself. “Pass On” successfully developed this topic through the setting of an unknown character who explains his or her experience of grief. Despite Lee never introducing this character, readers are given enough information to know how they are overcoming this difficult obstacle. In fact, this unknown character is most likely the writer himself, indirectly explaining his moments of grief. One important piece of information Lee provides is the fact that he has experienced loss twice, one with his grandfather and the other a friend who was murdered by the
Marie Howe’s book, “What the living Do” is a book about death, loss, grief, and life. Howe expresses these deep emotional issues using plain language, simple line breaks, and imagery that reminds the reader of an ordinary home. The poem, “Faulkner”, is an exemplary example of how effective Howe’s methods are for conveying a moody and mournful tone.
Grief played a large role in the lives of the Boatwright sisters and Lily Owens. They each encountered death, injustice, and sadness. Grief impacted and left an imprint on each of them. Grief proved fatal for May. August knew that grief was just another aspect of life; that it had to be accepted and then left in the past. June and Lily learned to not let grief rule their lives. Life is not inherently good or bad – events not solely joyful or grievous – it is glorious in its perfect imperfection.
The harp had come to Gwilan from her mother, and so had her mastery of it, people said. “Ah,” they said when Gwilan played, “you can tell, that’s Diera’s touch,” just as their parents had said when Diera played, “Ah, that’s the true Penlin touch!” Gwilan’s mother had had the harp from Penlin, a musician’s dying gift to the worthiest of pupils. From a musician’s hands Penlin too had received it; never had it been sold or bartered for, nor any value put upon it that can be said in numbers. A princely and most incredible instrument it was for a poor harper to own. The shape of it was perfection, and every part was strong and fine: the wood as hard and smooth as bronze, the fittings of ivory and silver. The
In Amy Hempels’ Short Story “Going,” our journey with the narrator travels through loss, coping, memory, experience, and the duality of life. Throughout the story is the narrator’s struggle to cope with the passing of his mother, and how he transitions from a mixture of depression, denial, and anger, into a kind of acceptance and revelation. The narrator has lost his mother in a fire three states away, and proceeds on a reckless journey through the desert, when he crashes his car and finds himself hospitalized. Only his thoughts and the occasional nurse to keep him company. The narrator soon gains a level of discovery and realizations that lead to a higher understanding of the duality of life and death, and all of the experiences that come with being alive.
Imagine that the person you love most in the world dies. How would you cope with the loss? Death and grieving is an agonizing and inevitable part of life. No one is immune from death’s insidious and frigid grip. Individuals vary in their emotional reactions to loss. There is no right or wrong way to grieve (Huffman, 2012, p.183), it is a melancholy ordeal, but a necessary one (Johnson, 2007). In the following: the five stages of grief, the symptoms of grief, coping with grief, and unusual customs of mourning with particular emphasis on mourning at its most extravagant, during the Victorian era, will all be discussed in this essay (Smith, 2014).
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
early poets such as William Shakespeare who portrays loss in many of his tragedies including the loss of sanity in ‘King Lear’ and the loss of his life. of reputation in ‘Othello’, through to Keats’s ‘Odes’ and into the. twentieth and twenty-first century. Loss is an important aspect of life and many modern poets find it to be an interesting theme to deal with. with in their work,. The poems chosen for the anthology show a range of responses to different types of loss, from death to material.
“The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...
The concept of loss is a notable theme in poetry, whether its about love, beauty or even life, many poets tend to render it. Such a theme is illuminated upon by Elizabeth Bishop, a. distinguished 20th century American poet, who, unlike other poets of her time, usually did not write about personal details of her life in her poems. However the poem One Art can arguably be a contradiction to this fact; for Bishop expressed emotions of losing her dear friend in the voice. of the speaker throughout the poem. One Art is a poem about inevitable loss and the incognizant of the difficulty in acceptance.
Le Guin there is an unsuspecting character that is added into the story. In the story the main character, Gwillan, is a harpist with no player being her equal, playing a harp that was passed down from her mother. This harp is the pinnacle of craftsmanship created in every way perfect, with no other harp playing as smoothly or as easily as Gwillans harp. One day traveling down a bumpy road the carriage she is riding in ends up falling over breaking both Gwillans wrist and her harp. Once the harp shatters it is portrayed the last connection to her mother also shatters.
Losing a loved one is one of the hardest experiences every person must go through. The experience does not end with the loss though, but begins with it. The loss of a dear person leads those left behind into a downward spiral of emotions and memories. A poem entitled “Lucy Gray” by William Wordsworth focuses on that loss and the emotions that follow it. By reading the poem one can objectively experience both the grief that Lucy Gray’s death brings on but also her parents’ acceptance of her death.