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Life and death literature
Essay death literature
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In Amy Hempels’ Short Story “Going,” our journey with the narrator travels through loss, coping, memory, experience, and the duality of life. Throughout the story is the narrator’s struggle to cope with the passing of his mother, and how he transitions from a mixture of depression, denial, and anger, into a kind of acceptance and revelation. The narrator has lost his mother in a fire three states away, and proceeds on a reckless journey through the desert, when he crashes his car and finds himself hospitalized. Only his thoughts and the occasional nurse to keep him company. The narrator soon gains a level of discovery and realizations that lead to a higher understanding of the duality of life and death, and all of the experiences that come with being alive. …show more content…
In the beginning the narrator concentrates on a typo on the hospital menu saying “…They mean, I think, that the pot roast tonight will be served with buttered noodles. But what it says…is that the pot roast will be severed…not a word you want to see after flipping your car twice…” (Hempel 53) as if he’s trying to keep his mind off of everything. Nevertheless, the narrator continues on to speak regarding his memory, the realization of eventual death, and the duality of experience. Although from time to time, as a coping mechanism, he restrains himself from getting too serious—by means of making jokes on the surface—he finds himself plunging into deeper meaning.
Memory is one of the overarching themes of this narrative, and within that we identify one of the first examples of dual experience. On one side of the coin lies what indeed happened—Being in distress, becoming intoxicated, driving away while gazing through binoculars in a truly reckless manner, and all while coping with a devastating loss. Now exploring the other side of it, as in what we wish to remember—the narrator says this in regards to what he
Ida Fink’s work, “The Table”, is an example of how old or disturbing memories may not contain the factual details required for legal documentation. The purpose of her writing is to show us that people remember traumatic events not through images, sounds, and details, but through feelings and emotions. To break that down into two parts, Fink uses vague characters to speak aloud about their experiences to prove their inconsistencies, while using their actions and manners to show their emotions as they dig through their memories in search of answers in order to show that though their spoken stories may differ, they each feel the same pain and fear.
When Lee first introduced his readers, he started off with a beautiful metaphor to summarize how every human’s life goes as he wrote, “We are circuit boards swallowing the electricity of life upon birth,” (Lines 2 to 3, Lee). To clarify, Lee is explaining the beauty of life when we are alive and how we essentially use this electricity to create unforgettable memories along with emphasizing the importance of existing. However, not long into the poem, a sudden change in the emotion occurs as Lee depicted Stephen’s death with, “…as though his chest were an auditorium his life an audience leaving single file,” (Lines 24 to 25, Lee). In consideration with how the main lesson Lee was applying on his poem, it is easily visible that this sudden change in mood was done purposefully. With this dark simile, readers will be captured and feel that sudden shock in mixed emotion when someone’s death occurs. In effect, not only will readers who have seen death understand, but Lee also taught readers who have not seen a similar event what will happen, allowing any reader to understand the topic even without any past experiences. Quickly after though, Lee re-introduces a cheerful environment with similes to describe the people he has found as he visualized, “…his lungs flapping like sails,” and, “…teeth shinning like
“Car Crash While Hitchhiking” and “Work” both follow the stream of consciousness of the narrator, which shows the influence of drug on people’s mentality. Both stories are confusing with the narrator moving around the time and place; it seems as if the narrator is talking about whatever comes into his mind without specific plot or message. In “Car Crash While Hitchhiking,” the narrator talks about the family that picked him up, and suddenly switches to the story of him and salesman by saying “…But before any of this, that afternoon, the salesman and I …” (4) In “Work,” narrator says “And then came one of those moments,” (52) when he recalls a memory about his wife while talking about Wayne. Both stories shift abruptly without proper conjunction. In everyday lives, people think of numerous things. However, what they say are limited, as they talk consistently with a specific purpose, considering factors such as time, place, and appropriateness before they speak. On the other ha...
In life, everyone experiences a time of hardship, and for the most part, those affected find methods of overcoming the adversity. The idea of getting through hardship is best reflected in; Sherman J. Alexie’s story “This Is What It Means to Say Phoenix, Arizona” (274). In the story, victor whose father had recently died from a heart attack has to travel to phoenix Arizona to reclaim his father’s ashes and his truck. Victor is joined by his former childhood friend “Thomas Builds-the-fire”, who finances the trip to phoenix since Victor did not have the means. They drove back truck from phoenix to the reservation. Throughout the trip, Thomas is always telling stories mostly reminiscing about their childhood. It is through Thomas stories that we learn much about Victor’s father. Through the use of symbolism, and character development, Alexie conveys the idea that, when someone is experiencing an adversity, reconnecting and embracing the past may lead to a discovery of a brighter future.
... loss of loved ones like Junior in The Absolutely True Diary of a Part-Time Indian and Andi in Revolution or faced your own inevitable passing like Hazel Grace in The Fault in Our Stars, you are not alone. In confronting and facing death, these characters learn that death is merely a small part of living. It is an element of the human experience. To return to the wise words of the late Steve Jobs, “Almost everything – all external expectations, all pride, all fear of embarrassment or failure- these things just fall away in the face of death, leaving only what is truly important…There is no reason not to follow your heart.” Living is the adventure. In facing their fears and sadness, these characters learn how to be courageous, how to hope, how to love, and how to live. Join them on their journeys by checking out one of the spotlighted books at your local library.
Death and Reality in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates
In the commencement of the story, the narrator is shocked and in disbelief about the news of his brother’s incarceration, “It was not to be believed” (83). It had been over a year since he had seen his brother, but all he had was memories of him, “This would always be at a moment when I was remembering some specific thing Sonny had once said or done” (83). The narrator’s thoughts about Sonny triggered his anxiety that very day. It was difficult to bear the news of what his brother had become, yet at some point he could relate to Sonny on a personal level, “I hear my brother. And myself” (84). After the news had spurred, the narrator experienced extreme anxiety to the point of sweating. Jus...
In “Out of the Dust,” a story told by 14-year-old Billie Jo, she describes her grief and feelings of lost hope including guilt from the accidental death of her mother and her mother’s unborn child. The accident crushed Billie Jo’s hope and her spirit, as well her father’s. It is a story of remarkable struggle where Billie Jo tries to find inner strength. She seeks the light through the Oklahoma “dust”. The “dust” is symbolic as it signifies a lack of life, dreams, and hope. Billie Jo takes the reader through her emotional of the journey that evokes compassion and empathy. The reader becomes part of the story and part of Billie Jo’s persona. Her journey embraces whom we are in the most profound sense of sadness and loss of her beloved mother. The story also guides us through the powerful enlightenment that defines the clearest explanation of the human spirit. In “Out of the Dust” Billie Jo demonstrates the power of forgiveness in herself and her father. These acts of forgiveness allowed her to move past the darkness and into the light. Her story gives the reader details on how the human spirit is philanthropic by nature and a lifelong process. “Out of the Dust” captures the essence of forgiveness including the transformations that occur during the process.
The mind is a very powerful tool when it is exploited to think about situations out of the ordinary. Describing in vivid detail the conditions of one after his, her, or its death associates the mind to a world that is filled with horrific elements of a dark nature.
In Amy Hempel’s Short Story “Going,” we take part in a journey with the narrator through loss, coping, memory, experience, and the duality of life. Throughout the story we see the narrator’s struggle through coping with the loss of his mother, and how he moves from a mixture of depression, denial, and anger, to a form of acceptance and revelation. The narrator has lost his mother to a fire three states away, and goes on a reckless journey through the desert, when he crashes his car and ends up hospitalized. Only his thoughts and the occasional nurse to keep him company. He then reaches a point of discovery and realizations that lead to a higher understanding of mortality, and all of the experiences that come with being alive.
... immensity of its horror finally makes him drop the pretense of knowing detachment he has held for so long. As he drunkenly sobs, “What’s funny? What’s so goddamned funny? I don’t get it” (Ch. 2, 23) his lurking humanity becomes evident. The subtly of interplay between The Comedian’s persona, his humanity, and even his hypocrisy strongly support his status as a living person alongside Dr. Manhattan.
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
Most people are very convinced that they have memories of past experiences because of the event itself or the bigger picture of the experience. According to Ulric Neisser, memories focus on the fact that the events outlined at one level of analysis may be components of other, larger events (Rubin 1). For instance, one will only remember receiving the letter of admission as their memory of being accepted into the University of Virginia. However, people do not realize that it is actually the small details that make up their memories. What make up the memory of being accepted into the University of Virginia are the hours spent on writing essays, the anxiety faced due to fear of not making into the university and the happiness upon hearing your admission into the school; these small details are very important in creating memories of this experience. If people’s minds are preset on merely thinking that memories are the general idea of their experiences, memories become very superficial and people will miss out on what matters most in life. Therefore, in “The Amityville Horror”, Jay Anson deliberately includes small details that are unnecessary in the story to prove that only memory can give meaning to life.
In the one-act play Death Knocks, Woody Allen constructs a humorous allegory revolving around an ordinary man, Nat Ackerman, and his unanticipated encounter with death. In the story, death is personified as an actual character and resembles his victim’s overall appearance. However, Death is not simply portrayed as a typical frightening character but more as an uncoordinated klutz. With the intention of preventing Death from accomplishing his mission, Nat challenges Death to a game of gin rummy and wins one more day of life. In Woody Allen’s Death Knocks, the ironic dramatization of death enables Nat to utilize humor as a coping mechanism to alleviate the common fears associated with dying.
Death is a natural and inevitable part of life. Everyone will experience death, whether it is of a loved one or oneself. In W.H. Auden’s poem “Funeral Blues” (1003), he describes such a catastrophic event and the drastic effect that it has on his life. It is interesting how people choose to accept this permanent and expected event, death. Similarly, Emily Dickinson has written many poems about death, such as “The last Night that She lived” (843), which describes a family waiting for a woman or girl to die and the dreary and depressed mood that exists within the household. Mourning is considered a perfectly healthy reaction when someone who is deeply loved and cared about passes on, and this is illustrated in “The Memory of Elena” (1070-71) by Carolyn Forche. She writes about the events following a funeral and also flashes back to the actual moment that a wife has watched her husband die. W.H Auden’s “Funeral Blues,” Carolyn Forche’s “The Memory of Elena,” and Emily Dickinson’s “The last Night that She lived” are all poems which share death as their subject matter, but differ in the fact that they discuss death in a unique style with a variety of literary devices to make them more effective.