Longinus And Sublime

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Longinus is a Greek critic of literature, he is refer to as Pseudo-Longinus or Dionysius-Longinus because his real name unknown. His important work is on the sublime; it is consist of 17 chapters talk about the effect of good writing and the figures of speech first published in 1554.

Longinus takes a pragmatic position. His main question is what is good writing and how may it be achieved?. His answer to this question is that good writing is what he calls sublime – it is apart of the good.
According to Longinus, sublime is a certain distinction and excellence in expression. Elevated language of the sublime aims to cast a spell over the audience in a delightful manner to the end desired by the writer. So good writing partakes of the sublime is consisted of elevated language, which takes the audience out of itself, and into someplace the writer has in mind.

Longmire's identifies three pitfalls to avoid on the search for sublimity.
1.Timidity, 2. Puerility and3. Parenthyrsus. Timidity tries to transcend the limits of sublime through false elevation and overbold. Language. Puerility is comprised of learning trifle parenthyrsys is the expression of false and empty, which is taken from the ugly growths in Literature. Longinus identifies three elements of sublime, which are 1.The power of forming great conceptions. 2.vehement and inspired passion. 3.the due formation of figures. 4. Noble diction and 5. The elevated composition.
He recognizes great art by ht presence of great ideas. Great idea in turn is conceived of great men. These great men will also be capable of deep and sincere feeling which transcends the mawkish emotion. The due of figures concern the ways, which elevated thought, and feelings may be best expressed. Noble l...

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...hows of the stage. The audience will be staying to the end of the play if he shows the customs of each age. He gives of super natural help and the importance of the chorus is a play. The play should have also five acts.

Finally, Horace considered the iambic meters for tragedy and comedy as the most suitable. He selected it because it is neared the spoken speech than any anther metro. In addition to this, Horace takes the progress of drama in Greece from the uncultivated days to the times of great masters. Horace give a comment on arc poetica on different aspects of the dramatic composition, his ideas in the theme, language, characters and the style of the drama have been taken from Aristotle. His views in the role of chorus, length of the play and the number of the speakers in a scene, guided a large number of writers for several generations in Europe.

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