It is common to hear that writers usually have a knack for reading, especially from a young age. Francine Prose is no different from them. This lifelong love of reading has contributed to Francine Prose's need to write (Bolick). Francine Prose has written just about thirty books and other literary works, yet she is by no means done yet (Hodara). The childhood of Francine Prose has greatly contributed to her success as a writer, not just from her love of reading, but by the gift of using her greatest sense; Her hearing. (Bolick; Carrigan). On April 1, 1947, Francine Prose made her entrance into the world (Carrigan). Born to Phillip and Jessie Prose, both of whom were physicians, Prose grew up developing her ear for narrative storytelling (Carrigan). From a young age, Prose frequently listened to her father discuss his cases with his coworkers(Carrigan). Her avid listening skills were also strengthened by her close attention to the people close to her. Prose also had a love of reading, one developed at the age of four, and that caused her to realize the one thing she most wanted to do with her life (Bolick). Though her childhood was not the only thing that helped her to figure out what career she wanted to go into, her education played a crucial role(Bolick; Carrigan). In 1968, Francine Prose graduated from Radcliffe college. She graduated with summa cum laude honors with a Bachelors degree in English. Soon after she graduated in 1969, Prose went on to begin a masters degree program at Harvard University(Carrigan). Prose soon realized that she was not cut out for grad school(Bolicks). Francine Prose left the Harvard program not that long after she joined in the year 1971 (Carrigan). She soon embarked on a trip to Mumbai, India ... ... middle of paper ... ... Jan. 2011. . “Francine Prose.” Meet the Writers. Barnes and Noble, n.d. Web. 27 Jan. 2011. . Hodara, Susan. “A Garden of Prose.” Harvard Magazine Sept.-Oct. 2010: n. pag. Web. 25 Jan. 2011. . Myers, D.G. “In Praise of Prose.” Commentary Magazine May 2010: n. pag. Web. 27 Jan. 2011. . Prose, Francine. Interview by Katie Bolick. The Atlantic Online. N.p., 11 Mar. 1998. Web. 13 Feb. 2011. . - - -. “Other Lives.” We Are the Stories We Tell. Comp. Wendy Martin. New York: Pantheon, 1990. 274-288. Print.
Sharon Creech’s childhood memories, college experiences, and creative brain significantly affected her writings. She rarely thought of being an author growing up, but as time progressed, she began to really think about it. Creech first became interested when she entered college and something sparked her career. She wrote multiple books with her much thought and creativeness leading her to an outstanding writing career.
Charters, Ann. The Story and Its Writer – An Introduction to Short Fiction. Boston: Bedford/St. Martin’s, 2011. Print.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Updike, John. "A & P." Literature and the Writing Process. Ed. Elizabeth McMahan, Susan X Day, and Robert Funk. 7th ed. Upper Saddle River: Prentice, 2005. 333-337.
Hesse attended college at Towson State and later transferred to the University of Maryland, from which she graduated in 1975. She majored in theater, anthropology, psychology, and even English (Wilson 1,2). She earned a BA in English with double minors in psychology and anthropology. During college, Hesse found herself to be quite “good with words” and began writing a lot more (Scholastic 1). After graduating, Hesse took a trip across country with her future husband on which she visited many national parks and became very in touch with nature and learned how much she loved life and loved meeting people (Wilson 1).
___________. "The Essentials of Spontaneous Prose." Casebook on the Beat. Thomas Parkinson, ed. New York: Thomas Y. Cromwell Company, 1961. 65-67.
Updike, John. “A&P.” Literature Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw, 2013. 141-145. Print.
Updike, John. "A&P." Thinking and Writing About Literature. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 2001. 981-86. Print.
Cooper, Bernard. “Labyrinthine.” Occasions for Writing . Ed. Robert DiYanni and Pat C. Hoy II. Boston: Thomson, 2007. 345- 47. Print.
I have chosen to write about Virginia Woolf, a British novelist who wrote A Room of One’s Own, To the Lighthouse and Orlando, to name a few of her pieces of work. Virginia Woolf was my first introduction to feminist type books. I chose Woolf because she is a fantastic writer and one of my favorites as well. Her unique style of writing, which came to be known as stream-of-consciousness, was influenced by the symptoms she experienced through her bipolar disorder. Many people have heard the word "bipolar," but do not realize its full implications. People who know someone with this disorder might understand their irregular behavior as a character flaw, not realizing that people with bipolar mental illness do not have control over their moods. Virginia Woolf’s illness was not understood in her lifetime. She committed suicide in 1941.
Roberts, Edgar V., Literature: An Introduction to Reading and Writing, 4th Compact Edition, Upper Saddle River: Prentice Hall, 2008, print
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Dorothy West worked hard to achieve her goal of becoming a writer. West wrote her first story when she was 7 years old. West started school at the age of four. She was put in the second grade at Farragut School in Boston. West attended the Boston’s Girls’ latin school at age 10. It was one of the best school at the time. Not to mention, Boston’s Girl’s Latin school was a school that chose their students carefully. West graduated in the year n 1923. West also got a diploma for that school.
Head, Bessie. “Life.” Literature and the Writing Process. Ed. Elizabeth McMahn, et al. 6th ed. New Jersey: Prentice Hall, 2002. 349-355.
I was able to see what kind of literature she enjoyed writing. The source will be useful from my presentation because it is important to know what kind of stories a novelist writes if you intend to inform others about them.