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Recommended: An appreciation of Lolita
Perspective in a work like Lolita is extremely vital and is the defining factor of this novel. Contrary to what the reader might initially expect from a story about a sexual predator, Humbert Humbert presented himself as well-read and comical friend with a minute problem. This idea was shown by the quote from page 93 which stated, “We are unhappy, mild dog-eyed gentlemen, sufficiently well integrated to control our urge in the presence of adults, but ready to give years and years of our life for one chance to touch a nymphet. Emphatically, no killers are we. Poets never kill.” (Nabokov 93) Despite this claim from our narrator, the statement is contradictory to the climax of the novel. When Humbert learned Lolita willingly left the hospital
The idea of enlightenment and the feeling of liberation seem unattainable most of the time. However, once you discover a gateway, such as literature or meditation, it becomes easier to reach your goals of becoming open-minded. Azar Nafisi’s “Selection from Reading Lolita in Tehran” describes the struggles she and her students face and how they use literature to escape from their atrocious life. Similarly, “Wisdom” by Robert Thurman explores the idea of reaching a nirvana-like state where people become aware of their surroundings and the nature of themselves. Nafisi and Thurman state that once people have attained the knowledge to reach an utopian, nirvana like state and have unmasked themselves from a pseudo-self mask put on for society, they must share their knowledge with others. Both Nafisi and Thurman propose that in order to act out selflessly and become an honest, true self, an individual needs bravery and courage to escape from their comfort zone and reach a state of compassion.
In Aldous Huxley’s novel, “Brave New World,” published in 1932, two idiosyncratic, female characters, Lenina and Linda, are revealed. Both personalities, presented in a Freudian relationship (Linda being John’s mother and Lenina being his soon to be lover), depict one another in different stages of life and divulge ‘a character foil’. Lenina and Linda are both ‘Betas,’ who hold a strong relationship with the men in their lives, especially John. It can be stated that John may partially feel attracted towards Lenina, because she is a miniature version of Linda, in her youth. They both support the term of ‘conditioning,’ yet also question it in their own circumstances. Nonetheless, they both are still sexually overactive and criticized for such immoral decisions. Linda espouses it from her heart, while Lenina supports the process partially due to peer pressure and society’s expectations. Both female characters visit the Reservation with Alpha – Plus males, and both find a common feeling of revulsion towards it. Linda and Lenina are similar in many ways, yet they hold their diverse views on the different aspects of life.
Humbert Humbert in the book Lolita is the type of person who will do anything to satisfy his needs. When Humbert is institutionalized in an insane asylum he toys with the doctors. Once he got to a certain age Humbert felt like he needed to get married to suppress his sexual desires, so he did. Later on Humbert realizes the only way he can be with Lolita is by marrying her mother, Charlotte. After Hubert loses his control on Lolita he gets the need to get revenge on the person who has taken Lolita from him. A person can grow up into being a very needy person or someone who always needs to be in control by how they are raised and their surroundings.
According to literary theories and the theories of Fredrich Nietzsche, human beings have an unquenchable urge for power and will use "ethics," and everything else, in order to increase their authority. In Nabokov's Lolita, we see how Humbert controls Lolita in the beginning stages of their relationship but eventually finds himself going mad because of her deceitful ways and the control she has over his sexual desires.
In his suicide note, Lepine rails against feminism and claims that feminists “ruined his life.” He listed the names of 19 area women he intended to kill for the crime of just being feminists.
...s of Lolita and Humbert to show the isolation and loneliness they feel, and to show just how different and immoral the situation is. By stressing the dissonance between one persona to the next, he portrays a view of his characters that is sad and shocking, for the public seen is also the reader; the unaware, innocent, “moral” group. By letting us into the different faces of Lolita and Humbert, Nabokov reveals the tragedy in the novel, and allows the reader to vividly feel what is morally right and wrong with Humbert, Lolita, and ourselves.
In Vladimir Nabokov's Lolita, the overruling drive of the narrator, Humbert Humbert, is his want to attest himself master of all, whether man or woman, his prime cravings, all-powerful destiny, or even something as broad as language. Through the novel the reader begins to see Humbert’s most extreme engagements and feelings, from his marriage to his imprisonment, not as a consequence of his sensual, raw desires but rather his mental want to triumph, to own, and to control. To Humbert, human interaction becomes, or is, very unassuming for him: his reality is that females are to be possessed, and men ought to contest for the ownership of them. They, the women, become the very definition of superiority and dominance. But it isn’t so barbaric of Humbert, for he designates his sexuality as of exceptionally polished taste, a penchant loftier than the typical man’s. His relationship with Valerie and Charlotte; his infatuation with Lolita; and his murdering of Quilty are all definite examples of his yearning for power. It is so that throughout the novel, and especially by its conclusion, the reader sees that Humbert’s desire for superiority subjugates the odd particularities of his wants and is the actual reason of his anguish.
With his 1955 novel Lolita, Vladimir Nabokov invents a narrator by the name of Humbert Humbert who is both an exquisite wordsmith and an obsessive pedophile. The novel serves as the canvas upon which Humbert Humbert will paint a story of love, lust, and death for the reader. His confession is beautiful and worthy of artistic appreciation, so the fact that it centers on the subject of pedophilia leaves the reader conflicted by the close of the novel. Humbert Humbert frequently identifies himself as an artist and with his confession he hopes “to fix once for all the perilous magic of nymphets” (Nabokov, Lolita 134). Immortalizing the fleeting beauty and enchanting qualities of these preteen girls is Humbert Humbert’s artistic mission
In the dystopia that is Connie's present life, sex is a painful and often a violent experience. Rape, prostitution, and other sexual abuse are a dominant part of the characters lives. In the opening scene of the book, the reader is immediately introduced to this issue. Connie has to open her door to her only close relative, Dolly, only to see that she has been beaten by her fiancé who is also her pimp. Connie has had to live her entire life with the thought that sex is violent rather than an act of love. Piercy uses the feminist ideals that men are the cause of the pain for women in a very explicit manner. For example, Geraldo, Dolly's fiancé, sho...
In the short story, “Sugar,” Sharon Leach demonstrates the parallel between the protagonist’s sexual desires and her need to provide for her impoverished family. From the very first line the main character, Sugar, reveals her innermost erotic cravings as she describes “the girl in the leopard-print bikini” (170). Sugar’s subsequent actions were self-rendered rational to “keep [her] mother and sisters and brothers fed and clothed for a while” (178). Vivid imagery, the pattern of dismissal, and first person narration facilitate Leach to emphasize human tendencies of sexual behavior while observing the importance of earning a living to provide for ones family and eventually afford the commodities that make Sugar envious of the hotel guests.
Clarice Lispector, a Brazilian female writer of Jewish descent, tied her writing with her very life, for her writing reflects her viewpoint on many aspects of her life. She was well-known for her existentialist writing involving themes revolving around women’s roles. Through the characters and their interactions in her works, Lispector explores the societal status of women. The male subjugation of women influences many of the themes found in her works and a better understanding of women’s social status ultimately leads to a better understanding of the relationship between the characters in her works and actions by those characters. Thus, the evaluation of women in the society contemporary to the era Lispector lived in influences the overall existentialist ideas and the motif of women’s roles in her work.
Furthermore, gaining a broader and deeper understanding through personal narrative allows for the improvement of feminist issues. Feminist literature, such as Margaret Atwood’s story, “Rape Fantasies,” explorers the manner in which woman have a different way of experiencing the world than men do. This first-person creative piece illustrates the emotion and experiences of Estelle, a woman who is scared that she might get raped by the man who she is talking to. Towards the end of the story, Estelle begins rushing her words and rambling, a clear indication of her unease with the situation. She repeatedly states that she doesn’t understand “how they could go ahead with it…I know it happens but I just don’t understand it, that’s the part I really don’t understand” (Atwood 170). There is also recognition that individuals that have not experienced sexual vulnerability may not understand the situation, as Atwood states “but maybe it’s different for a guy” (Atwood 169). Traditional analyses of these situations would not be able to encompass the emotional and psychological elements of Estelle’s
Solipsism is the theory that oneself is the only known entity to exist and thus has various moral implications that allow one to justify their maltreatments of others. Vladimir Nabokov’s controversial novel Lolita delves into the outlandish mind of Humbert Humbert, an aging and obsessive man with a very peculiar taste in romantic partners. He is a self-proclaimed lover of nymphets, specifically girls between the ages of nine and fourteen. Along with this, Humbert also demonstrates a solipsistic worldview which in turn makes him view everything that happens around him solely from his point of view, as he is sure that his mind is the only thing that exists. This tendency from Humbert marks everyday happenings as acts of fate and the people he
Lolita by Vladimir Nabokov and Waiting to Exhale by Terry McMillan thoroughly demonstrate that the fallacy of romance is enhanced by dominant possession, sexual obsession, and societal standards of the previous century. What one can learn from the themes of Lolita is to increase the protection of children under the care of parents or social workers to prevent pedophilia, because whether or not Humbert was in love with Lolita or not, it was still morally wrong. Generally, a lesson can be taken from both novels to be careful in all aspects when it comes to acting upon feelings for a significant other because it can result negatively as it did for the some of the main characters in the second novel discussed.
The ability to observe different varieties of things on a daily basis is a huge part of everyone’s lives. The power of the individual mind comes from its capacity to apply these observations, which may sometimes incorporate some misconceptions that result in dire repercussions. In “The Devil,” Leo Tolstoy tells the story of Evgeny Irtenev, a young man who finds himself in a position of relentless lust after inheriting his father’s country estate. Before finding the right woman to marry as well as being accustomed to readily available sexual services, Evgeny arranges numerous encounters with a married peasant woman, who he continues to see until he meets his prospective wife. After being in a perceivably happy marriage for more than a year,