Humbert Humbert
Humbert Humbert in the book Lolita is the type of person who will do anything to satisfy his needs. When Humbert is institutionalized in an insane asylum he toys with the doctors. Once he got to a certain age Humbert felt like he needed to get married to suppress his sexual desires, so he did. Later on Humbert realizes the only way he can be with Lolita is by marrying her mother, Charlotte. After Hubert loses his control on Lolita he gets the need to get revenge on the person who has taken Lolita from him. A person can grow up into being a very needy person or someone who always needs to be in control by how they are raised and their surroundings.
The second instance of Humbert goes into a mental asylum he manipulates the doctors making them believe false diagnoses. He gets a certain joy from tricking the doctors. Humbert describes the joy:
“I discovered there was an endless source of robust enjoyment in trifling with psychiatrists: cunningly leading them on; never letting them see that you know all the tricks of the trade, inventing for them elaborate dreams… teasing them with fake primal scenes… (Nabokov 34)
He goes to certain extremes to satisfy his wants. Humbert goes as far as bribing a nurse so he can see that the doctors were misdiagnosing him. This back and forth with the doctors was nothing more than a game for Humber. This type of control was making him really happy so he decided to stay even longer than he needed to at the insane asylum.
“The sport was so excellent, in results in my case so ruddy that I stayed on for a whole month after I was quite well. And then I added another week just for the pleasure of taking on a powerful newcomer.” (Nabokov 34)
Once he became a young adult Humbert knew that he needed to repress his sexual desires for young nymphets so he married Valeria. When he married Valeria, she was a very young looking polish girl. This way he was able to be with someone that reminded him of nymphets and still able to have a certain sense of security. “…what really attracted me to Valeria was the imitation she gave of a little girl.” (Nabokov 25) Humbert didn’t really love her he was just using her for her young looks.
There can be no question that sport and athletes seem to be considered less than worthy subjects for writers of serious fiction, an odd fact considering how deeply ingrained in North American culture sport is, and how obviously and passionately North Americans care about it as participants and spectators. In this society of diverse peoples of greatly varying interests, tastes, and beliefs, no experience is as universal as playing or watching sports, and so it is simply perplexing how little adult fiction is written on the subject, not to mention how lightly regarded that little which is written seems to be. It should all be quite to the contrary; that our fascination and familiarity with sport makes it a most advantageous subject for the skilled writer of fiction is amply demonstrated by Mark Harris.
Szasz, Thomas. Coercion as Cure: A Critical History of Psychiatry. New Brunswick, New Jersey: Transaction, 2007. Print. Braslow, Joel T. Mental Ills and Bodily Cures: Psychiatric Treatment in the First Half of the Twentieth Century. California: University of California, 1997. Print.
Mental illness can be a virus. It attaches to those with wild thoughts, actions, and comprehensions of a world known and unknown. It hits the soul, pulling at once a kind being into anxiety, pain and loss. In Shakespeare's play Hamlet, his main character, Hamlet, comes down with the illness. It enters him through actions by friends, enemies, and even his own family. The hardest thing to understand is whether Hamlet's insanity is completely real, or an act put on to win revenge. However, no matter what the reality of his psychotic mind is, the real question is what brought this whole thing on. In 1601 when Shakespeares Hamlet was written, Hamlet would be diagnosed with suffering from melancholy, but with today's high technology and knowledge he would of been diagnosed with bipolar I disorder. In Shakespeare’s time there was no concept of depressive illnesses, although melancholy was well known during his time.
Although the title suggests a comical book, Oliver Sacks presents an entirely different look on the mentally challenged/disturbed. The Man Who Mistook His Wife for a Hat is a book that explains why a patient shows signs of losses, excesses, transports, and simplicity. Coincidentally, the book opens with its titling story, letting the reader explore the mind of an accomplish doctor who seems to have lost his true sight on life. In the following context, the seriousness of the stories and their interpretative breakdowns should only cause a better understanding of how the ever-so-questionable human mind truly works from a professional perspective put into simple words.
Wuthering Heights is a classic in which Emily Bronte presents two opposite settings using the country setting. Country settings are often used as a place of virtue and peace or of ignorance and one of primitivism as believed by many city dwellers. But, in the novel Wuthering Heights, Emily Bronte has used Thrushcross Grange and Wuthering Heights to depict isolation and separation. Wuthering Heights setting is wild, passionate, and strong and Thrushcross Grange and its inhabitants are calm, harshly strict, and refined and these two opposite forces struggle throughout the novel.
The human brain is a vast, unexplainable, and unpredictable organ. This is the way that many modern physicians view the mind. Imagine what physicians three hundred years ago understood about the way their patients thought. The treatment of the mentally ill in the eighteenth century was appalling. The understanding of mental illness was very small, but the animalistic treatment of patients was disgusting. William Hogarth depicts Bethlam, the largest mental illness hospital in Britain, in his 1733 painting The Madhouse1. The public’s view of mental illness was very poor and many people underestimated how mentally ill some patients were. The public and the doctors’ view on insanity was changing constantly, making it difficult to treat those who were hospitalized2. “Madhouses” became a dumping ground for people in society that could not be handled by the criminal justice system. People who refused to work, single mothers, and children who refused to follow orders were being sent to mental illness hospitals3. A lack of understanding was the main reason for the ineptness of the health system to deal with the mentally ill, but the treatment of the patients was cruel and inhumane. The British’s handling of mentally ill patients was in disarray.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
After some dabbling in art and traveling through Europe, a friend of Erikson’s suggested that he should go into psychoanalysis. He took that advice and ended up earning his certificate at Vienna P...
Being a professional boxer didn’t do much for his mental health because he says he would feel on top of the world and yet so lonely at the same time after a fight. Therefore, he suffered not only the physical demands, but the mental demands in the professional arena of the sport.
Perhaps it is because he realizes deep down that he is not in control of Lolita even when he is: particularly, upon the act of sex. At one instances he describes, perhaps with sheer passion and without much of the intellect and enlightenment that he uses to deal with the people he lives amongst and the very same that he criticize to be merely commercial, Lolita atop a chair with her leg over its arms: “I would shed all my masculine pride-and literally crawl on my knees…” (192) Humbert, in his love with Lolita, is unconsciously over his head: perhaps it is love, that he has succumbed to Lolita and was giving and assuming (in contrast to his first seeing her); that it was no longer his love, but love. And while it sounds splendid, Humbert’s captious need to belittle everything entails that a part of him is missing, that he no longer feels superior, and has to bring the world down to his plane, becoming at some points a
Hamlet, a Shakespearean character, constantly struggles in a battle with his mind. He leads a very trying life that becomes too much for him to handle. Hamlet experiences hardships so horrible and they affect him so greatly that he is unable escape his dispirited mood. In speaking what he feels, Hamlet reveals his many symptoms of depression, a psychological disorder. While others can move on with life, Hamlet remains in the past. People do not understand his behavior and some just assume he is insane. However, Hamlet is not insane. He only pretends to be mad. Because Hamlet never receives treatment for his disorder, it only gets worse and eventually contributes to his death.
With his 1955 novel Lolita, Vladimir Nabokov invents a narrator by the name of Humbert Humbert who is both an exquisite wordsmith and an obsessive pedophile. The novel serves as the canvas upon which Humbert Humbert will paint a story of love, lust, and death for the reader. His confession is beautiful and worthy of artistic appreciation, so the fact that it centers on the subject of pedophilia leaves the reader conflicted by the close of the novel. Humbert Humbert frequently identifies himself as an artist and with his confession he hopes “to fix once for all the perilous magic of nymphets” (Nabokov, Lolita 134). Immortalizing the fleeting beauty and enchanting qualities of these preteen girls is Humbert Humbert’s artistic mission
In the play Hamlet by William Shakespeare, the main character, Hamlet, is often perceived by the other characters in the play as being mentally unbalanced because he acts in ways that drive them to think he is mad. Hamlet may very well be psychotic; however, there are times when he “feigns insanity” in order to unearth the truth surrounding his father's death. This plan seems to be going well until Hamlet's mental state slowly begins to deteriorate. What began as an act of insanity or antic disposition transitions from an act to a tragic reality. After studying Hamlet's actions, one will notice that as the play progresses, his feigned insanity becomes less and less intentional and devolves into true mental illness.
Mental illness, today we are surround by a broad array of types of mental illnesses and new discoveries in this field every day. Up till the mid 1800’s there was no speak of personality disorder, in fact there was only two type of mental illness recognized. Those two illnesses as defined by Dr. Sam Vaknin (2010), “”delirium” or “manial”- were depression (melancholy), psychoses, and delusions.” It was later in 1835 when J. C. Pritchard the British Physician working at Bristol Infirmary Hospital published his work titled “Treatise on Insanity and Other Disorder of the Mind” this opened the door to the world of personality disorder. There were many story and changes to his theories and mental illness and it was then when Henry Maudsley in 1885 put theses theories to work and applied to a patient. This form of mental illness has since grown into the many different types of personality disorder that we know today. Like the evolution of the illness itself there has been a significant change in the way this illness is diagnosed and treated.