Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Lolita vladimir navokov lolita description
Description of humbert in lolita
Description of humbert in lolita
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Lolita vladimir navokov lolita description
A Love Story: Or Is It?
“Lolita, light of my life, fire of my loins, my sin, my soul” (Nabokov 9). Quoted from Vladimir Nabokov’s novel Lolita, Humbert Humbert briefly describes his sensibilities towards his love Lolita. I’ve italicized love for the reason that this book is perceived often as not a true American love story but as a pedophile’s lust. The reasoning for the italicization is because I wanted to emphasis on the point that this book offers more than that of a pedophile’s love. Nabokov’s novel does a very good job of creating an interesting yet unorthodoxed plot. What Nabokov might find acceptable in today’s society, some people might find very offensive and disrupting. He does this to grab the reader’s attention; therefore, building their interests by having them see the other side of things. Why many readers may find this book to be associated with pornography or just another literary piece surrounded around pedophilia, Nabokov hits you with textual evidence, which may sway reader’s minds. As a reader of this novel, I am compelled to show you how this book is a true American “Love Story.”
Before I move on, I’d like to actually show you that Humbert is indeed considered a pedophile and let’s not forget this. Gunter Schmidt, once wrote that:
Pedophiles are men whose sexual wishes and desires for relationship bonds and love are focused either primarily or exclusively on children who have not reached puberty, whereby the relative importance of each of these three areas—sexuality, relationship, and love— may vary, as it does with other people as well. (Schmidt 473)
As you can see, Schmidt has laid out a very narrow and precise definition of a pedophile. With only reading the first line, I noticed that auto...
... middle of paper ...
...articles written by knowledgeable researches that help back up my argument. I agree that one may say that Humbert was a pedophile but people can change in flash and I feel that the evidence I have provide you with is substantial. Humbert isn’t a bad guy in the least bit, he’s just confused but then soon finds reality. Lolita was the best medicine for him. Lolita’s actions towards Humbert somewhat pushed him away from the pedophile stage because Humbert felt that he was the one being used. She was very mature than the other prospected nymphets, which had a great impact on him. Humbert has feared love his entire life until Lo enters his life. This novel may have some disturbing and gruesome parts but this just leads to the ultimate goal and that’s love. With evidence provided, Nabokov’s stylish, high-toned story is the greatest love story every published.
Throughout the history of literature, love has always played a large role in plot because it is a feeling that is universally shared by all humans and has been throughout human history. Spanish culture specifically, tends to be a culture more associated with romance and love than others. It is no surprise that because of this high importance placed on love and romance in Spanish culture that many Spanish authors and playwrights incorporate some form of love into all of their works. Lope De Vega was no exception and was one of the most famous playwrights of his time during the Spanish Golden Age. Something that makes Lope’s plays, specifically some of his unpublished ones such as Fuenteovejuna and Punishment Without Revenge so interesting is not the presence of perfect, harmonious love but rather of corrupt and distorted love within the characters’ relationships in his plays. By writing plays involving imperfect love, Lope comments on the culture around love and marriage of his time and even criticizes it, something Spanish audiences during this time were not ready to handle, which is the reason why some of these plays were never published until recently.
“...an individual with [pedophilia] has the same ingrained attraction that a heterosexual female may feel towards a male, or a homosexual feels towards their same gender.” (Johnston, Pg. 1). Pedophilia - “the fantasy or act of sexual activity with children who are generally age 13 years or younger” (American Psychiatric Association, p.1) - a word that holds multiple negative connotations, is often seen as aberrant thought process or behavior, and is under debate as to whether or not it’s a sexual orientation. But can it be considered a sexual orientation? As a member of the LGBT community, this issue has surfaced among us and shocked the majority.
The effects of Humbert growing up “in a bright world of illustrated books” is evident in his approach to life and the ways in which he mythifies his own. When Humbert first sees Lolita, he describes the incident in storied and fanciful terminology, imagining himself in his own whirlwind fantasy, as a “fairy-tale nurse of some little princess.” Magic is also a theme that occurs consistently throughout the novel – from the “magic of nymphets” to “magic potions” – further indicating Humbert’s tendency to meld fictional symbolisms into his own
The story of Lolita is one of the most controversial tales ever written in the 1950’s. Classified as an erotic novel, Lolita portrays the relationship between a middle aged professor, Humbert Humbert and a young adolescent, Dolores Haze. This story has a strong sense of allusions in reference to what is considered right and wrong in sexuality and psychiatry. As summarized through Spark Notes, it is said that, “Humbert’s passion for Lolita defies easy psychological analysis, and throughout Lolita, Humbert mocks psychiatry’s tendency toward simplistic, logical explanations,” (Spark Notes, 2015). Humbert is a character who is very intelligent but has a psychological vulnerability to Lolita. His desire for her is described as love but is also portrayed
At first glance, one might find it difficult to draw comparisons between the two protagonists: James Gatsby, from The Great Gatsby, and Humbert Humbert, from Lolita. Gatsby’s is the tragic story of a self-made man who built himself an empire for a woman who would never love him. Humbert Humbert, on the other hand, is a manipulative and witty pervert who lusts after the vulgar nymphet, Lolita. Both men are extremely similar in one key aspect, however. Both Gatsby and Humbert have idealized an encounter from their youth and that idealization has become a driving obsession in each of their lives.
The most obvious feature of Lolita, and the main reason for its staying power, is Humbert Humbert's striking, complex, and enchanting prose. Humbert diverts the reader from his ugly actions, as a pedophile, with his pretty words. He goes beyond ordinary prettiness; his constant wordplay and verbal games force the reader to concentrate on language rather than on him. With his ability of enchanting words and wordplay, he develops the ability to freeze time and in turn freeze Lolita in her “nymphet” state. When Humbert describes Lolita playing tennis in minute detail, he succeeds in locking her into endless nymphet state. Every time he revisits her through prose, he is able to maintain that nymphet state his memory. Humbert writes Lolita in a prison cell as evidence in his defense; on trial for the murder of Clare Quilty, a famous dramatist. Humbert occasionally addresses the reader as "ladies and gentlemen of the jury" or some sarcastic equivalent, and this reminds us of the basic situation. His confession quickly reveals a different crime: that for many years he had manipulated and sexually abused a young girl, Dolores Haze, "Lolita”. Claiming he murdered Clare Quilty in revenge for seducing his child lover away from him. As he finishes the manuscript, he decides to withhold it until both he and Lolita are dead, claiming to know that he may be imprisoned by this lack of evidence. However, he dies of heart failure before the trial begins. Humbert refers to himself as a beast, he expresses sadness or humiliation at his own acts, scorns his own stupidity, and he seems bluntly honest as he confesses his seductions, lies, schemes, and act of murder. But he doesn't much talk about the murder. He is consumed by his sexual attraction Lolit...
With his 1955 novel Lolita, Vladimir Nabokov invents a narrator by the name of Humbert Humbert who is both an exquisite wordsmith and an obsessive pedophile. The novel serves as the canvas upon which Humbert Humbert will paint a story of love, lust, and death for the reader. His confession is beautiful and worthy of artistic appreciation, so the fact that it centers on the subject of pedophilia leaves the reader conflicted by the close of the novel. Humbert Humbert frequently identifies himself as an artist and with his confession he hopes “to fix once for all the perilous magic of nymphets” (Nabokov, Lolita 134). Immortalizing the fleeting beauty and enchanting qualities of these preteen girls is Humbert Humbert’s artistic mission
Lolita represents the manifested "id" in all of us. Since her creation, she has remained an anomaly of outrage and disgust, yet, unconsciously, she is the greatest sex symbol of all times. We all crave to be the "nymphet", yet society does not accept a middle aged woman running around with pigtails and a lollipop dangling from their mouth. Middle aged women envy the nymphet in her baby-doll dress, her innocent smile, and a body that is milky-clean and flawless. They want this back, they want the firm buttocks that once was cellulite-free, and the pink in their cheeks without the necessary application of Revlon rouge. So, what does the society of middle aged women do, they rely on the image of this "nymphet" to replace the tension and frustration of their own aging. This is "Lolita". She is the symbol of society that is post-adolescent. We become her pupils and spectators. She is the creature that every father loves because the innocence has not yet been touched. She is the creature who has the eyes of an angel and the hair of an unbleached blonde. Yet, is the character Lolita that innocent? This is where she is an anomaly to the little girls with checkered skirts and roller skates. She is a strong, independent, sexual goddess that screams 'virgin', yet is far from it. Could middle aged women get away with that? Could they stand in front of a crowd of men who wanted to pinch their cheeks, and tell them their cute, set them on their lap, and smell their talcum powdered skin? Of course not, they'd be lucky to have a husband that rolls over before he goes to bed, to stick it in for an evenings satisfaction. So here's this 'nymphet', every man is humbled by, pouring their attention to, while this nymphet just sits there, twirling her pigtails and licking her lollipop. Does she care that she is being idolized by men and envied by women? Of course not. She is independent from that. She lives to satisfy herself, while everyone stands around, working from nine to five, paying taxes, and are lucky enough to have time to watch that soap opera they taped earlier in the day. Lolita lives in all women. Women envy the nymphet's ability to not do anything, and still be loved and adored by the opposite sex.
Throughout 'Lolita', there are many clues that the narrator is being unreliable. This is touched upon through a variety of facets about Humbert's character, which the audience picks up on as the story progresses.
What really is reality? How can we define reality? The very nature of such a subjective subject means that there are as many answers as there are questioning minds on the planet. Therefore, reality can only be defined as what it means to each of us. We learn particular ways of looking at life from our experiences, which we gain from our interactions with others. This is the basis of an elaborate theory called "the social construction of reality." In modern America, one of the largest social groups to which we can belong, certain values are instilled into our impressionable minds; for example, not many of us would accept pedophilia. Or would we? What if our interactions with others molded our susceptible minds so well, and so discreetly, that we came to casually accept pedophilia without knowing we were being deftly manipulated? This is the magic of Lolita, which does just that. The richness and playfulness of Humbert's prose; prominent allusions; foreshadowing; and eloquence; makes it difficult to relate to Humbert as anything less than a masterful lyricist, much less a pedophilic murderer, and pushes the reader to twist ethics until the situation is no longer seen from society's eyes, but from Humbert's. In fact, the complex riddles that Vladimir Nabokov employs beyond Humbert's own words, which further include such devices as foreshadowing and obscure jokes, cause us to become so absorbed in the cleverness of the book and its author that we nearly dismiss pedophilia as second nature to the intricate use of language. Once our morals are firmly in place, it's difficult for us to imagine them being warped or even forgotten, but Lolita manages to make us question th...
No, Lolita is not a love story. Lolita is, in fact, mocking the stereotypical love story in how despite how everything seems to play out in just the right way that Lolita and Humbert are forced together, they are unable to find happiness together. Additionally, Humbert seems to be mocking the trope of “standing outside the window in the rain.”
Humbert the Pedophile Lolita, the novel by Vladimir Nabokov, tells the story of Humbert Humbert, who is a perfect example of a pedophile. Although the character Humbert describes his feelings toward the twelve year old Lolita as love, in actuality, it is obsessive lust. Nabokov does an excellent job displaying the characteristics of pedophilia through this character. Reading Lolita makes us aware of the need to be more aware that pedophilia is alive and well in our society today. In developing this point, I will examine pedophilia and its clinical characteristics as they relate to Humbert Humbert and our society.
Written in 1955, Vladimir’s Nabokov’s Lolita can be considered many things: a memoir, a love story, satire, an atrocity, but perhaps the most important thing to remember is the fact that Lolita is a fictional novel written to resemble a real-life memoir. From the beginning of the novel, the reader is introduced to a world where the line between fiction and reality is immediately blurred. For the remainder of Lolita, it is up to the interpretation of the audience to decide how much of the memoir is accurate, or if all the actions are figments of its charismatic narrator, Humbert Humbert’s imagination. The novel, which did not reach critical claim until years after its publication, uses Humbert as an unreliable narrator to force its readers to
Since 1955, after the book had been published, the beginning of a controversial topic arose. Critics began to disassemble the extensive, ambrosial descriptions of young girls in the novel leaving them to debate whether Nabokov’s emotions toward the matter paralleled Humbert’s. In his afterword, “On a Book Entitled Lolita”, Nabokov reveals that he simply does
But men cannot fill the jobs as kindergarten teachers or be child and youth workers, to make those fields equal gender wise, without people suspecting them being pedophiles – and pedophiles are only men. Th...