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Theme of insanity in literature
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Unreliable Narration A constant disincentive that we face throughout the novel is the implausibility of our narrator, Humbert Humbert. Although the number of roots to this unreliability may be endless, the three main motives I will be focusing on are: 1) the possibility of our narrator being insane, 2) his habit of addressing the audience rather directly, and 3) his poignant language. Since 1955, after the book had been published, the beginning of a controversial topic arose. Critics began to disassemble the extensive, ambrosial descriptions of young girls in the novel leaving them to debate whether Nabokov’s emotions toward the matter paralleled Humbert’s. In his afterword, “On a Book Entitled Lolita”, Nabokov reveals that he simply does …show more content…
A relative definition informs us that insanity describes a state of mind that prevents normal perception, social interaction and behavior. From the beginning, it is evident that Humbert has some sort of issue. The majority of Humbert’s audience will automatically convict him of a number of crimes; rape, kidnapping, murder etc. Humbert begins to give signs of confusion when he tries to recall a memory acknowledging the fact that the information he will be giving is most certainly unreliable: “a murder with a sensational but incomplete unorthodox memory” (Nabokov 217). Humbert is also very secretive in his madness describing his emotions: “slippery self eluding, gliding into deeper and darker waters” (Nabokov 308). This is notifying the reader that although he is telling the events on his account, he plans to do it surreptitiously and without any will to reveal the whole story or the way things really happened. It is a warning gone unnoticed by the audience, explaining how much there really is left to figure out about our unreliable narrator. Another instance where we can find confusion in Humbert’s words is where he deranges events from two different settings in the book. Although it was a mistake, he continues to advise the audience of its importance: “such suffusions of swimming colors are not to be
1970, pp. 7-8. Rpt. In The Chelsea House Library of Literary Criticism. New York.:Chelsea House Publishers, 1988.
Lolita, by Vladamir Nabokov is a controversial book that elaborately represents and forces the reader to deal with a pedophiles obsession with his 12-year-old stepdaughter. As the reader finishes reading Lolita, he must establish a meaning for the novel which hinges heavily upon whether or not he should forgive Humbert for his rape of Lolita and for stealing her childhood away from her. This rape is legally referred to as a statutory rape because Humbert is having sex with Lolita who is under the age of consent. Humbert also figuratively rapes Lolita of her childhood and a normal teenage life. This decision to forgive Humbert will rely upon Humbert's words as he realizes what he has done to Lolita. In order for the reader to be able to forgive Humbert he must determine if Humbert is truly sorry for his actions.
Edgar Allan Poe depicts his narrator in the story as a man who is believed to be mad. The narrator assures that he is sane and that...
Using Nietzsche's theories on power and dominance over others, we can see that Humbert is a man who meets his criterion of someone driven on obtaining the control and respect of those who can be easily manipulated. In a theory entitled "The Superman," he writes:
In his "On a Book Entitled Lolita", Vladimir Nabokov recalls that he felt the "first little throb of Lolita" run through him as he read a newspaper article about an ape who, "after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage." The image of a confinement so complete that it dominates and shapes artistic expression (however limited that expression may be) is a moving and powerful one, and it does, indeed, reflect in the text of Lolita. Humbert Humbert, the novel's eloquent poet-narrator, observes the world through the bars of his obsession, his "nympholepsy", and this confinement deeply affects the quality of his narration. In particular, his powerful sexual desires prevent him from understanding Lolita in any significant way, so that throughout the text what he describes is not the real Lolita, but an abstract creature, without depth or substance beyond the complex set of symbols and allusions that he associates with her. When in his rare moments of exhaustion Humbert seems to lift this literary veil, he reveals for a moment the violent contrast between his intricately manipulated narration and the stark ugliness of a very different truth.
Humbert's main strength is his sense of humor. Nabokov is sure to throw Humbert's way all the American kitsch he can handle - mostly in the form of Charlotte Haze. His sly insults sail over her head, but Humbert wins our approval by making sure we understand them. Similarly, we admire him be...
...sely acquainted with Dolores Haze by the end of the novel, despite the lengthy descriptions offered about her. Humbert never offers the reader a true portrayal of Dolly as a person with life and feelings, but only a distorted physical portrait of the nymphet, Lolita. Aside from the controversial pedophilia issue, Lolita still remains a lust story. Nothing proves this point more effectively than Humbert’s own statement: “You see, I loved her. It was love at first sight, at last sight, at ever and ever sight” (Nabokov 270).
Literary critic and the novel’s annotator Alfred Appel Jr. claims “what is extraordinary about Lolita is the way in which Nabokov enlists us, against our will, on Humbert’s side… Humbert has figuratively made the reader his accomplice in both statutory rape and murder” (Durantaye, Style Is Matter: the Moral Art of Vladimir Nabokov 8). Nabokov employs various literary devices such as direct second reader address, metaphor, and allusions through Humbert Humbert as a means to conjure up feelings of empathy. The reader comes to find that . It is clear that Humbert Humbert uses second person address as a way to control how the reader perceives him. Through the use of this narrative mode, he aims to convince the reader that his sexual violence is artistically justifiable and that the art he creates is a remedy for mortality. I will argue is that art is not a remedy for mortality because in Humbert Humbert’s creation of Lolita, t...
Abrams, MH, et al. Eds. The Norton Anthology of English Literature. New York. W.W. Norton & Company, Inc., 1993.
Lolita is unique. There is absolutely no book I’ve ever read in my life so far that can compare to such gorgeous, complex diction. Throughout Lolita, Vladimir lists rhymes, allusions, metaphors, anything and everything to mask the actions that his readers might find obscene and repulsive in order to not be completely blunt and straightforward. While in the process of reading the book, I felt like a juror, like it was my decision whether to let this man go free, be pressed with charges of rape, or convict him of murder and rape. Although I began to feel sympathetic for Humbert at times, I always remembered how manipulative he was towards certain characters from start to finish and wondered if he were doing the same to me.
In Vladimir Nabokov's novel Lolita delusional love encourages violent actions. The protagonist Humbert Humbert is infatuated with prepubescent Dolores Haze. This vulgar love is based in possession and control, yet Humbert does not feel that he is in any way hurting young Lolita, also known as Dolores, and he feels that because he loves her there is no wrongdoing. By believing that she loves him back in the same way that he loves her, he is setting himself up for tragedy. When she is taken from him by an unknown predator Humbert embarks on a multi-year long journey in search of his lost nymphet. When he finally finds Dolores, barefoot and pregnant, she tells him of her stay with a relative named Clare Quilty whom she fell in love with. At Dolly’s home Humbert begs for her to return to him. Only when she denies him this he realizes the traumatic effects he has had on the girl because of his delusional love for her. By realizing that he, all along, was the villain of the story, he feels that he needs to murder Quilty in order to do right by Dolly, as a type of twisted
The language used in the first two paragraphs outlines the area to which the book is set, this depicts that it is almost perfect and an. an idyllic place to be. The mood is tranquil and takes the reader to a place “where all life seems to live in harmony”. In the first two paragraphs. Carson uses language of melodrama to inspire the reader’s.
The 20th century has been a rough time for Soviet-American relations. Since its post-World War 2 enactment, The Cold War did more damage than previously thought. While not a single shell was fired during the war, the cultural embargo that was in effect ravaged each country. The effects of which are still felt in today’s modern society. Now, nearly 20 years after the ending of the Cold War, American and Russian cultural exchanges have started taking shape. While each culture is beginning to share and draw off one another, problems still exist. The problems of translating the language barrier in a post propagandized world have taken their full effect, and are playing heavily on the remnants of Cold War ideologies. By highlighting some problems
The Norton Anthology of English Literature. Sixth Edition Volume1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
In his essay, "On a Novel Entitled Lolita," Vladimir Nabokov tries to answer the age-old question, "What is the objective of the novel?" He quickly replies, "...I happen to be the kind of author who in starting to work on a book has no other purpose than to get rid of that book..." (311). There is more to his response than this, however. He goes on to say that his book was not written to celebrate pornography or pedophilia, nor was it written to promote Anti-Americanism (313 - 315). What's the purpose of his novel then? Well, Nabokov writes, "For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm" (314 - 315). He sees his novel in simple terms: art. Whether it be the novel Lolita or the name Lolita, a sexual meaning has been given to the word Lolita, and this is largely due to the strong sexual overtones used by the novel's main character Humbert to describe his character of obsession Lolita; thus resulting in different and confusing interpretations of the novel and the author's intentions.