Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Importance of humour in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Choice and Direction in the Writings of Kurt Vonnegut Jr.
Satire in American literature has evolved in response to the development of the American mind, its increasing use of free will, and the context that surrounds this notion. Satire is the biting wit that authors (labeled satirists) bring to their literature to expose and mock the follies of society. Satirists can be divided, however, into two groups with very different purposes. One type mocks simply for the enjoyment of mocking. These satirists are found almost everywhere in the world, on every street corner, household, and television sitcom. It is the second type of satirist who is a strong force in the world of literature. The satirical author will mock to heighten the reader's awareness of the problems that threaten to destroy the world that they believe has so much potential. They do this with the hope that their satire will encourage others to better society. "I have often hoped that the arts could be wonderfully useful in times of trouble" (32) says the writer who is perhaps the king of this second type of American satire, Kurt Vonnegut Jr. Vonnegut uses his literature to help guide a disillusioned America, in which free will has been fundamental since the writing of the Constitution. As a humanist, Vonnegut uses the idea of free will as a constant motif in his writing. He believes that every soul has the freedom to do anything, but that the problem with society is that people lack direction. Free will, used as a theme in Timequake, is an enormous responsibility. Acknowledging the free will that one has also involves accepting the responsibility that is necessary to use this privilege in a way that will benefit humanity. In several essay...
... middle of paper ...
..., 1988.
Hansen, Devin. "Timequake by Kurt Vonnegut." http//205.243.76.8/rereader/books97.htm February 4, 1998 (5 May 1999).
Litz, A. Walton. American Writers: A Collection of Literary Biographies, Supplement 2, Part 2. New York: Charles
Scribner's Sons, 1981.
Richardson, Jack. "Easy Writer." New York Review of Books July 2,
1970, pp. 7-8. Rpt. In The Chelsea House Library of Literary Criticism. New York.:Chelsea House Publishers, 1988.
Sayers, Valerie. "Vonnegut Stew." The New York Times Sept 28, 1997, pp. 219.
Vonnegut, Kurt Jr. in Contemporary Literary Criticism, 16 vols. Michigan: Gale, 1981.
Vonnegut, Kurt Jr. Slaughterhouse Five, New York: Dell, 1968.
-----.Timequake, New York: Berkley, 1997.
-----.Wampeters, Foma and Granfalloons (Opinions), New York: Dell, 1974.
London: n.p., 1998. Print. fourth Bloomfield, Morton W. New Literary History. Winter ed. N.p.:
One of the best, most valuable aspects of reading multiple works by the same author is getting to know the author as a person. People don't identify with Gregor Samsa; they identify with Kafka. Witness the love exhibited by the many fans of Hemingway, a love for both the texts and the drama of the man. It's like that for me with Kurt Vonnegut, but it strikes me that he pulls it off in an entirely different way.
Kurt Vonnegut Jr.’s short story “Harrison Bergeron” was created during the time frame of the Civil Rights Movement and the Cold War and encompasses the definition of the word satire. Though the story itself is set in the distant future, the year 2081, one can see the influence of the past in this dark satirical portrayal of an American society. The author satirizes the very elements he was exposed to in his own environment and lifetime. Vonnegut mocks forced ideas of equality, power structures, and oppression, ideas that were prevalent and thriving in the atmosphere of his time of writing “Harrison Bergeron”.
The Idealism of Kurt Vonnegut Kurt Vonnegut was greatly influenced by his involvement in World War II. His entanglement with the Dresden bombing had an unequivocal effect upon his mentality, and the horrid experience propelled the liberal anti-war assertions that dominate many of his novels. Throughout his life, his idealistic nature has perceptibly undulated, and five representative novels illustrate the forceful progression and gradual declivity of his liberal views. The first thirty years of his life outwardly coincided with the average American man. He was born in Indianapolis on November 11, 1922, and lived a happy childhood with a stable family.
Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol.
...n American Literature. By Henry Louis. Gates and Nellie Y. McKay. 2nd ed. New York: W.W. Norton &, 2004. 387-452. Print.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
164-69. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 341. Detroit: Gale, 2013.Artemis Literary Sources. Web. 5 May 2014.
Heller, Joseph. The Chelsea House Library of Literary Criticism. Twentieth-Century American Literature Vol. 3. New York. Chelsea House Publishers, 1986.
The Doctrines of Kurt Vonnegut The writing of Kurt Vonnegut exhibits perception without restriction and imagination without limitation. It surpasses mountains of ignorance and rivers of innocence to extend emotions for society to sympathize with reality. He incorporates his knowledge and view-points into a variety of literary genres for everyone to learn of his inquiries and philosophies. To draw readers into his sphere of influence, Kurt Vonnegut administers an inflection on the present to state other tenses
The Mind of Kurt Vonnegut Kurt Vonnegut is one of the preeminent writers of the later half of the twentieth century. His works are all windows into his mind, a literary psychoanalysis. He examines himself as a cog in the corporate machine in "Deer in the Works"; as a writer through the eyes of Kilgore Trout in several works; and most importantly, as a prisoner of war in Slaughterhouse-Five. Vonnegut created short stories and novels that dealt with events in his life. One of the most obvious self examinations is in "Deer in the Works".
Heller, Joseph. The Chelsea House Library of Literary Criticism. Twentieth-Century American Literature Vol. 3. New York. Chelsea House Publishers, 1986.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
Works Cited “American Literature 1865-1914.” Baym 1271. Baym, Nina et al. Ed. The Norton Anthology of American Literature.
New York Times Book Review (1968): 42, 44, 46. Rpt. in Nineteenth- Century Literature Criticism. Eds. Laurie Lanzen Harris and Sheila Fitzgerald.