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Essays on symbolism in literature
Importance of symbolism in literature
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The book Power, by Linda Hogan is full of the circular connection between God, Animals, and Power, and the character that actively demonstrates all these ideas is Ama Eaton. Ama shows her powerful side to only Omishto and the reader, she shows her animal side to the judgemental people on the outside as well as to the people she is closest to, and she shows her godly side through her spiritual connection with the panther. Ama is not always portrayed as being powerful in the eyes of society, but in the eyes of Omishto and the reader, Ama is likely the most powerful character. Ama is also associated with being powerful, which is an obvious theme in the book. Ama is feared by the local westernized boys, because while they may not respect her culture, she demands a kind of attention. People listen when she speaks, she is impactful. “Everything about her says she doesn’t want to do this thing, but …show more content…
that there is no choice, as if it’s destiny, as if it’s fate, as if all the stories are true.” (Hogan 61). This scene in the book is another example of the Power Ama wields. “The hated creature now being covered by, overshadowed by, the human.” (Hogan 57). She is the only person strong enough to commit the crime of killing a panther. Killing her own sister, in a sense. And this scene is when I really realized that it doesn’t matter how serene someone may seem. A human is still a human, and in the end we are all selfish. Ama killed the panther because she believed it to be destiny, but in doing so she was acting in the same way that the western people are acting toward the Taiga. A single act, showing the hierarchy and power that people possess over nature. “It is both grace and doom, right and wrong. But whatever it is, it is killing.” (Hogan 62). It is one large metaphor, and it’s all woven together and layered into this powerful scene. Ama’s connection to the world around her and her understanding of the panther leads to her being seen almost as an animal.
She is known to be great at tracking, and she knows the ways of all the animals. “She knows where an animal has walked. I used to call her bloodhound.” (Hogan 53). Her deep connection with the animals has led people to believe that she is a panther reincarnated to spy on the Taiga people and make sure they are still following the laws of her people. The boys from western culture are afraid of her, the panther woman. The crazy woman who lives like an animal in the middle of the woods. “Some people said that [...] she’d met and married a panther, and now she was an animal” (Hogan 22). The Taiga elders view her as what all young women should be, until the day she kills the panther. Her animal like qualities lead her to the panther that she kills out of what she believes to be destiny, which ends up sealing her fate. Which again brings in this theme of foundations being broken, destroyed even. The Taiga world is in shambles, and Omishto’s world is
crushed. The similarities between Ama and the Panther Woman shows that Hogan intentionally wanted Ama to be perceived as a godly figure. Throughout Power, there are many references to the christian God and the Taiga religion. In the Taiga religion, they worship the Florida panther, it is seen as a god, a brother, an ancestor, and a friend. Amongst all the knowledge we are given about Taiga religion, the connection is being made between Ama and the panther. Ama says to Omishto that she was born beside one, they were raised together. Ama also states that the panther is her grandmother. Then, the story of the Panther woman is introduced. The story is that a woman was raised in the swamp by the animals, and one day found a bridge between worlds. Inside another world she saw all the corruption and death, and a panther told her that she needed to kill one of them in order to save herself and the species. This panther woman represents a spiritual, godly being in Taiga culture. The panther woman is clearly paralleled to Ama, who believes that to save the panthers and the Taiga culture that has fallen she must kill a panther. Ama is also often compared to spiritual things in the writing. On the journey to kill the panther Ama moves slow and sleek, like an animal hungry to fulfill her destiny, “She walks like a strong woman chasing her god, and I’m surprised how fast she moves.” (Hogan 54). Ama is moving so fast because she is chasing after a version of herself, one that she fears is about to be lost. Ama represents all these themes in the book. And due to them all being so masterfully woven together, it’s easy to understand that God, Animal, and Power can all mean the same thing. Animals are seen as Godly figures, and God is Powerful. “Sisa, that’s what we call the cat in Taiga . It is our name for them. It means godlike, all powerful.” (Hogan 73). Ama is a metaphor for the falling panther throughout Power. It’s all connected, and it all revolves around Ama.
In the novel Their Eyes Were Watching God, by Zora Neale Hurston, the imagery of Joe Starks power has an impact on how his community views his position of authority.
Animal Farm also still goes by the definition of power but demonstrates that there can be various ways of showing it. Animal Farm shows us that power can be abused and exploited extraordinarily well, using the main character, Napoleon. Napoleon uses his ability to act in a particular way to get his way to the top of the farm and to manipulate all the animals on the farm. However, Weir also shows us that power can be pure and good. Snowball uses his power to help the farm, attempting to make a windmill for it to make life easier for the animals, but Napoleon destroys this to gain more power. Both these examples show that power can be good or bad, and that bad power only ends up with the good life for the single person that is in
The book “Power” by Linda Hogan is very rich with literary devices like juxtapositions, foreshadowing, symbolism, and personification. It is about a Taiga Native American named Omishto, who sees a Taiga woman named Ama, kill an endangered Florida panther. Omishto, whose name means “the one who watches”, starts viewing Ama as something bigger than herself. The image of Ama is represented as an animal, power, and spirituality.
Not since Mary Shelley's Frankenstein, has an author captured such a theme in their work in a way that is magical and captivates the reader. Michael Crichton's science fiction novel Jurassic Park portrays what happens when man plays God: his imperfections cause things to go terribly wrong. The story's, plot, setting, point of view and characterization all add to an atmosphere of fear and raise readers' consciousness about the consequences of doing so.
Throughout the story, Oroonoko exhibits his power and control. In order to once again prove his courage, Oroonoko goes hunting to kill a tiger that had been too fierce and powerful for others to conquer. When Oroonoko comes upon the tiger, she is devouring her new kill. Upon Oroonoko's approach, the tiger stares at him with a "very fierce rag...
Once while hunting for boar with Arab Maina, Arab Kosky, and her dog, Buller, Markham comes face to face with a dangerous, lone lion. In this section, Beryl is extremely descriptive and recalls the memory in a fashion that allows the reader to see the events unfolding through her eyes at a lifelike pace. “Buller and I crouched behind them, my own spear as ready as I could make it in hands that were less hot from the sun than from excitement and the pounding of my heart.” (Markham 87), depicts Beryl’s thrill at the possibility that she may go toe-to-toe with the lion. This excitement outweighs her fear of injury for herself; however, she restrains Buller, as to prevent him from trying to sacrifice himself in the conflict.... ...
American author, John Steinbeck once said, “Power does not corrupt. Fear corrupts - perhaps the fear of loss of power”. As seen in Arthur Miller’s The Crucible, people of authority can feel pressured to go along with actions or make decisions they know are wrong because they fear losing their power and influence in society. They also tend to let to their opinions and motives impact their work and responsibility to make good decisions. The Crucible demonstrates how people of authority, like Parris and Danforth, try to use good judgement to make fair decisions, but are often influenced by their own personal opinions whether they realize it or not.
After completing the Clifton strength finders test, I learned my dominant strengths and it gave me a sense on what areas I am strong in. It allows you to work in the areas that you are good in and not in the ones you might not be as strong in. My top five strengths were learner, connectedness, belief, positivity, and includer. A lot of these I figured I would have because I am an athlete and I love to be positive. That is good because I practice these strengths every day which in turn will make me better at them and will allow me to use them in my career.
Singer, Peter. Animal Liberation: The Definitive Classic of the Animal Movement. New York: Harper Perennial, 2009. Print.
The people in this country have been embedded with the idea to have power and ability to govern themselves to a life that is exceptional. This fire burns within the minds of governments, companies, average men and in this case what is considered the lowest class: African Americans. In a country where there is constant struggle for racial equality, whether in an urban or back-woods country setting, race dictates power for characters like Emmett Till in “The Ballad of Emmet Till”, by Bob Dylan, Tom Robinson in To Kill a Mockingbird, by Harper Lee, and Mama in A Raisin In The Sun, by Lorraine Hansberry. All these characters vary in how they are persecuted yet are bonded by their struggle. Depicting the idea that there is a constant battle to control their own lives.
Sylvia was a 9 year old “nature girl” who met a charming ornithologist hunter on a mission to find the allusive white heron. Sylvia was about 8 years old when she moved with her grandmother from the city to a farm, “a good change for a little maid who had tried to grow for eight years in a crowded manufacturing town, but, as for Sylvia herself, it seemed as if she never had been alive at all before she came to live at the farm.” (Jewett, 1884, 1914, qtd in McQuade, et.al., 1999, p. 1641). Sylvia finds the secret, the white heron. Instead of telling the young hunter, she keeps the secret, because in her mind nature is more powerful than her feelings for “the enemy.”
In the Bane Chronicles, by Cassandra Clare, there is an obvious imbalance in power between the Shadowhunters and Downworlders. The Shadowhunters place themselves on a pedestal over the Downworlders and treat them as if they are worthless and beneath them. The Shadowhunters believe that their half angelic blood puts their laws, beliefs, and customs over all others. This causes a major tension between the two groups. This is especially evident in chapter three, “Vampires, Scones, and Edmund Herondale”.
In the end, Walker emphasizes that these African women are not victims, but survivors. In the book, the women grow gardens on dry land and trade food, clothing and crafts in the marketplace. Whether a battered wife, a rape survivor or genitally mutilated woman, Walker concludes that a woman warrior learns that if she is injured, she can fight back. She closes by saying, “Your wound could be your guide.”
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
At first this novice Christian G O D does not realize that there is anything wrong with First Woman being called Strong Woman. Naturally, no (Christian) G O D in their right mind would let a woman have a name with that much power. This new G O D also does not realize the insignificant role that Adam plays or the humiliation that he brings with a name like “Ahdamn”. Aside from his name, Ahdamn is a foolish man. While First Woman is busy finding them something to eat, Ahdamn is naming the animals.