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Oroonoko – Slaughter of the Human Spirit
Aphra Behn introduces her characters in Oroonoko as beautiful people who possess a pure, innocent love. Behn does this in an effort to make her readers feel and question. Her poetic description of their emotions magnify the horror of the final scene. Behn's romantic love story is brought to a tragic end through brutality and death. Why did she choose such an ending? Her decision to have Oroonoko take the life of his wife and unborn child leaves her audience questioning. Was what they had love? If not, what was it? What had killed their innocence?
The story of Oroonoko and Imoinda began with him approaching her and ended with the cut of his knife. Oroonoko both began and ended the story that was "theirs." Therefore, when analyzing their relationship it is most important to examine Oroonoko's behavior. Oroonoko is the one who determined what path their story would take. What drove him to end "their" story in such a brutal way? What caused him to act so uncontrollable? The truth is that his heart couldn't stand to lose her again. He couldn't risk not finding her. He was scared because he realized that he could not protect her. Even the strong, powerful Oroonoko was not able to rescue her and her unborn child from slavery. His hope and innocence were killed by fear. He finally met a force that could beat him.
Throughout the story, Oroonoko exhibits his power and control. In order to once again prove his courage, Oroonoko goes hunting to kill a tiger that had been too fierce and powerful for others to conquer. When Oroonoko comes upon the tiger, she is devouring her new kill. Upon Oroonoko's approach, the tiger stares at him with a "very fierce rag...
... middle of paper ...
...heaven. This is a beautiful image. Does it really matter how they chose to exit this world? The truth is that it does.
Aphra Behn's tale of Oroonoko is not only a tragic love story. It is also a story about slavery and how it can kill a person. The relationship between Oroonoko and Imoinda is described as pure and innocent. Their story compliments the point that Behn was trying to make about slavery. Slavery can kill hope, purity, and innocence. Slavery does not only kill the human spirit. It slaughters it.
The student may wish to begin the paper with the following quote:
"And these two People represented to me an absolute Idea of the first State of Innocence, before Man knew how to sin." (pg.10)
Works Cited:
Behn, Aphra. “Oroonoko.” The Norton Anthology of English Literature.
Ed. AH Abrams. New York. WW Norton and Company, Inc 2000.
Oroonoko is able to sustain his code of virtue and fidelity by showing an act of true loyalty that proves his devotion and love to his lover and wife, Imoinda. After the King, Oroonoko’s grandfather, vigorously takes Imoinda for himself, Oroonoko faces the decision to either end his love affair or prove his loyalty to Imoinda. He chooses to go against the King and have Imoinda for one more night, even if his consequence is death:
“I believe there are monsters born in the world . . . misshapen and horrible . . . accidents and no one’s fault . . . punishments for concealed sins . . . [their] face and body may be perfect . . . ” but they are the product of “a twisted gene or a malformed egg . . . ” (71). Literature, throughout history, has conveyed a plethora of themes, ranging from the struggle to understand divine intervention, to adversity, to the dramatization of life and death. One of the most prestigious and conventional of these themes is the conflict betwixt good and evil. Demonstrated through many works of literary merit, this divergence intensely sears the pages of history dating as far back as the Biblical story of Adam and Eve. Although this idea is deeply rooted in the past, its relevancy is not depleted, still serving as one of the most controversial topics known to man. Author John Steinbeck procured a fascination with this controversy, and ultimately produced his most ambitious work, East of Eden, to create a symbolic history that would possess significance for all. John Steinbeck’s East of Eden fundamentally captures the essence of the battle between good and evil through the dramatic use of symbolism, which insinuates the Biblical story of Adam and Eve, and the poisonous rivalry between their sons, Cain and Abel.
In this book, there were no characters so I chose to write about the most interesting topic in chapter one called “excuses, excuses.” The author here explains about the very first fight between husband and wife and the excuses Adam and Eve gave to cover up their sin in the Garden of Eden. When God asked them of their crime, they tried to put the blame on each other. In all fairness neither of them lied but they did try to cover up the truth, literally. (Genesis 3) Both of their excuses were true but they were very lame. They both refused to take responsibility for their actions and lied straight to God’s face.
Aphra Behn, a remarkable author who “‘…earned… [women]…the right to speak their minds’”, who was not afraid to speak her mind herself as evident in her works, and was a writer that aided in paving the way for women’s rights through the literature world (The Norton Anthology 2308). A majority of Behn’s works serve to further the voice of women in the oppressed society in which they were living in and this work being examined is no exception to this. The Disappointment serves as a perfect satiric companion to John Wilmot’s satire The Imperfect Enjoyment, in which instead of the sympathy being placed on the “unfortunate” man who cannot perform, the consideration is retained on the woman’s feelings during this situation instead. This may not seem awe-inspiring, but for a time period when a gender whose side in not often portrayed, this is very significant. In the text, Behn is acting as a voice for the women of that era. She is giving women a platform to stand on to push against this male dominated society; thus providing power for the unheard. By using specific diction, meter, and so forth Behn’s work, The Disappointment, is a vessel in which she demonstrates and satires the patriarchal dominance over women in society.
Hamlet does not take the opportunity to slay Claudius as he prays because he believes it will save his soul. His contemplative nature takes over regarding the ghost’s revelation and he decides to devise a play to pique Claudius’ conscience and make sure he is really guilty.
describes Adam and Eve's fall from grace in the Garden of Eden. By giving George
Revard, Stella. "Eve and the Doctrine of Responsibility in Paradise Lost." 88.1 69-78. Web. 2 Jan. 2014.
... buried under the ground, while their souls are either in Heaven or Hell forever.
The story, set in the New World, is told by a female narrator who recalls her acquaintance with a black African prince, Oroonoko. He was born in Coramantien (Coromantyn), fell in love with beautiful Imoinda, married her, and was divided from her by his grandfather, the king, who wanted her for himself and subsequently sold Imoinda into slavery. He "loses his freedom because he naively accepts the invitation of an English sea captain - with whom Oroonoko has engaged in slave trading - to dine aboard ship. Behn excoriates the `treachery' of the captain, who entraps the too-credulous prince and transports him to Surinam." Eventually, Oroonoko leads a slave revolt which results in failure, kills his wife Imoinda, and is punished by torture and execution. "The hero learns too late that the `good' Christians ... have repeatedly if perhaps not fully consciously deceived him" . The prince is depicted as noble and honest, educated, ye...
Hamlet’s fatal flaw is his conscience; he needs to question everything, and because of that, he delays. It is learn right away of how Hamlet feels towards the task given to him by his father from his words “The time is out of joint: O cursed spite, /That ever I was born to set it right!-“(I.v.190-191). From his words it is seen that he questions why he himself must carry this burden to clean Denmark; all because of Claudius’s dirty deed. He is reluctant, but he knows he must do this task sooner or later, and readers know he chooses the latter.
Oroonoko is short literary novel, written in 1688 by Aphra Behn, which details the love story of two enslaved Surinam nobilities, who both meet their atrocious ends. Through her explicit analytical language she lets the English colonists know that the enslaved masses had a refined culture and ideological force that was incapable of being disregarded. Aphra Behn was innovative in her plight as being one of the foremost political female novelists of her time. Throughout her narrative she argues "centres on the problems of authority and representatively," and tries to incorporate the fact, "that the presence of the foreigner in our society turns the pronoun 'we' into an impossibility" (Grant p.114). Although Behn neither argues the point of attacking slavery nor denies the issue, she does show the brutal acts imposed on other cultures and helps her readers attach themselves to the protagonist in the narrative. Oroonoko sheds light on the terrors of slavery and paints many of the white colonists as inhumane, unethical and deceitful, furthering the notion that this piece of literature can be viewed as a work of anti-colonialism.
A group of traveling actors comes to Elsinore, and Hamlet seizes upon an idea to test his uncle's guilt. He will have the players perform a scene closely resembling the sequence by which Hamlet imagines his uncle to have murdered his father, so that if Claudius is guilty, he will surely react. When the moment of the murder arrives in the theater, Claudius leaps up and leaves the room. Hamlet and Horatio agree that this proves his guilt. Hamlet goes to kill Claudius but finds him praying. Since he believes that killing Claudius while in prayer would send Claudius's soul to heaven, Hamlet considers that it would be an inadequate revenge and decides to wait. Claudius, now frightened of Hamlet's madness and fearing for his own safety, orders that Hamlet be sent to England at once.
...t his father and Ophelia are dead and he cannot accept the thought of his mother’s hasty marriage to his conniving and deceitful uncle. Hamlet regrets his previous actions which caused tremendous pain to Ophelia and her family. Just as his own family was destroyed by his uncle’s evil plans, Hamlet realizes that he caused the same pain and negativity on the family of the woman he loved.
Hamlet was full of big ideas and intentions, but he failed to act and to carry out the deed of revenging the death of his father by killing Claudius. Hamlet had his reasons for not acting. I think that partly he wanted it to be unexpected. Hamlet was definitely a smart guy, and throughout the play it seemed as though everything was premeditated. He did nothing on a whim.