Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Influences on Renaissance art
Renaissance influence on art
Influences on Renaissance art
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Influences on Renaissance art
Have you ever been someplace where everyone is just, in a way, there? And honestly, they don’t hold any important value; they are just a bunch of people along you going someplace, but have never really examined your situation and cared. Lily Furedi, unlike most people, takes a minute to examine her situation and look at her surroundings in a public use of transportation. She is the artist of the painting known as “Subway” where she freezes time in a subway to become aware of her surroundings. One can analyze how it was made through the visual elements, history that took place within the artist’s life, the artist or time era of a piece, or through how the artist expressed their daily emotions through the masterpiece. Individuals can formally analyze Furedi’s work by recognizing elements and principles of art used in the masterpiece. This form of analysis is popular because individuals only need the human eye to identify the elements used; meaning not much …show more content…
As many people on the subway isolate themselves or hideaway behind newspaper or simply fall asleep, this artist boldly did the opposite by “gazing down the car at her fellow passengers” which was very uncommon during this time period (“Search”). As emphasis was discussed earlier, she emphasizes the man in black carrying the instrument because she relates to him as she looks down the long subway. Furedi identifies “with such a New York musician because her father, Samuel Furedi, was a professional cellist” (“Search”). By thoroughly examining her painting, individuals are able to see what is behind all the paint. Not literally, but people are able to take a look into Furedi’s time period and process his state of mind during the time of this masterpiece. It gives us insight into the life of not only Furedi’s live, but many other artists during the time period of the Great
The story is about an unspecified girl who appears in every picture, she passes helplessly through many dark moments, searching for her place in this world. Through the use of illustrations, which make you feel sorry for the young girl the tall building looks massive and make the little girl seem small and intimidated to the rest of the world. A sense of belonging is important as it allows you to feel like you have worth It is an issue which many don’t think about however may have trouble with in everyday life. This is shown on page… of the girl with a horn there are vectors drawing our attention to the letters flowing out of the horn, which are created from the from the path in the background, the girls line of sight and the diagonal lines created from the horn. The composer is drawing out attention to the letters symbolising the girl can’t express her feelings. The girl is offering the viewer to share her world. This shows she is living life without a clear purpose, making her feel sad, confused and lonely. At the conclusion of the picture book she finally finds hopeful. An example is on page… the illustration is of the large red bloomed tree, representing that hope was always present but she
In this poem, “On the Subway”, written by Sharon Olds brings two worlds into proximity. We will identify the contrast that develops both portraits in the poem and discuss the insights the narrator comes to because of the experience. The author refers to several literary techniques as tone, poetic devices, imagery, and organization. The poem talks about a historical view based on black and white skin. It positions the two worlds the point of view of a black skinned and a white skinned. The boy is described as having a casual cold look for a mugger and alert under the hooded lids. On the other hand, based on his appearance the white skinned person felt threatened by the black boy. She was frightened that he could take her coat, brief case, and
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
...laced on the style and materials presented in the painting. While evaluating and comparing various paintings the author feels that at the beginning of the Renaissance era the skill level of the artist was often not acknowledged whereas materials were, but at the end of the era, skill level played a larger factor in who was chosen to complete the artwork. Therefore, fresco painting, which emerged near the end of the period, changed this so called “deposit”, along with the relationship of the artist and the patron, allowing for the talent and skill of the artist to shine.
In “On the Subway” by Sharon Olds, the author contrasts two divergent people. Olds come to many conclusions as a result of the experience. Sharon Olds utilizes tone, poetic devices such as metaphor, and finally imagery.
In “on the Subway” the author Sharon Olds talks about two characters on a subway, by using similes and imagery.
For the Formal Analysis Essay, the following artist and work of art to discuss is: Artemisia Gentileschi (Italian 1593-1653), Judith and Maidservant with the Head of the Holofernes, c. 1625, oil on canvas, approx. height: 72 1/2 x 55 3/4 inches. Detroit Institute of Arts. The following will mention the subject of the artwork, elements of design including: line, shape, and color. In addition, the principles of design will be discussed in termed of movement, emphasis, and balance.
The narratives in the work speak to the racial and social inequalities in America in the nineties. This deep concern with the coloured experience and the struggle for civil rights is seen in the images and sculptures she creates. Especially of women, as she lived through a time of widespread segregation, so her work was created from the place she knew most intimately.
Whenever we are reminded of NYC, we think of Times Square or The Status of Liberty. However, we always forget what is right under our noses; the NYC subway system. I like to think of the subway system as a labyrinth because of it’s intricate network of passages that guides us to all over NYC. Just by looking at a map of the subway system overwhelms me because it is so hard to imagine how much work was put into making this beautiful yet complex structure. An average New Yorker may ignore the daily lives in the subway system but if you look closely you can see multiplicity of events taking place.
In an empty room at the Timken Museum of Art hangs one of the most iconic paintings of Johannes Vermeer, the astonishing painting, Woman in Blue Reading a Letter. In the painting a pale woman’s stands patiently while reading a letter. The woman appears to be wearing a blue jacket and a long gray skirt, and only gazing at the letter, ignoring all of her surroundings. The top right of the painting seems to be a map of the Netherlands, which attracts the viewer because it explains the setting of where the painting took place. The blue jacket around the woman’s torso appears to exaggerate the woman’s stomach, giving the impression that she might be pregnant. The blue chairs resemble a sign of absence as if she lives alone. The light on the top left shines on her face which enhances the viewer’s view of the woman’s facial expression. Johannes Vermeer’s interpretation of complex colors, the light, and her body language inflicts a persuasion on the viewer that the women is traumatized by the news in the letter.
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
Picasso's Portrait of Gertrude Stein is a haunting and pensive work, imbued with a great sense of mystery and pondering. Stein's gaze is cast to the side, her hands in a gestural position, leaning forward with her chin tilted and lips slightly parted. It is as if she is about to speak and through the body language of her portrait, we envision an ensuing scene where she articulates what she's been thinking, elaborating with her hands. The essence of Stein's character is embodied in this posture and gesture, the truth of her being in this physical representation. Knowing nothing of Stein, one would at once understand that this woman is a thinker carefully considering her points and that this intellectual characterization is of fundamental importance to her mode of being.
1. Ward, H. (2011). “The rising genius': Simeon Solomon’s unexplored interpretation of Alessandro Botticelli. British Art Journal, 12(3), 60.
Among the many theories of art that have emerged over time, the theory I will defend in this paper is the Neo-Wittgensteinian theory of Art. I will defend this view against the following (two) objections: a) The “open concept” idea of art is too expansive, and b) the “family resemblance” theory of artworks is also too expansive.
When I saw Vermeer's Girl with a Pearl Earring about five years ago at the National Gallery in Washington, D.C., I felt something about the painting that I had never felt before when looking at artwork. I felt as if this girl, this young woman in the painting was real, hiding in the museum behind this canvas. She was in the flesh. Her skin was still dewy from three hundred-something years ago, the light across her face still glowing. She was in the round, her eyes followed mine, she was real. She was about to speak, she was in a moment of thought, she was in reflection. This girl was not crimson red or titanium white, she was flesh. Vermeer caught her, a butterfly in his hand. She was not just recorded on canvas, she was created on canvas. She was caught in a moment of stillness. Vermeer creates moments in his paintings. When viewing them, we step into a private, intimate setting, a story. Always, everything is quiet and calm. I realize now it is no wonder I had such a strong reaction to Vermeer the first time I saw him: he is a stillness seeker.