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A main theme in John Gardner’s Grendel, is the constant competition of the ideas of meaning in life versus existentialism. Throughout the novel, Grendel makes a steady spiritual decay to the point of denying any value or significance in life itself. He believes the world is nothing more than “a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears”(16). This progression starts at a young age, and through out the twelve years of Grendel’s life, he grows closer to a total commitment to this theory. Because of the actions of his mother, the dragon, and man in general, Grendel ultimately dies in the misery that has been created by this belief of his life being nothing but programming, machinery, and random chance.
While Grendel enters the world with the naiveté and positive outlook of an everyday child, he quickly learns that he will not live the life he has imagined. He learns that he can not verbally communicate with his own mother and sees the mechanical layout of life. This isolation initiates Grendel’s inevitable separation from society in general, leading him to the belief that he will never be able to be a part of something bigger than himself. His lack of communication with his mother, the only being he is close to, initiates his psychological journey to fully giving in to the belief of nihilism. This occurs when Grendel, at a young age, gets his leg caught in a tree. At this point he “ twisted around as far as [he] could , hunting wildly for her shape on the cliffs, but there was nothing, or rather, there was everything but my mother” (14). This displays Grendel’s drastic separation from his mother, and his desperation to receive her aid and care, which proves to be futile. This separa...
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...even as Grendel, frustrated, shouts, “Use your reason!” (122). The brain-dead creatures Grendel observes only supports the Dragon’s theories, and though Grendel desperately wants to see a meaning to the life of the creatures he encounters, he is left only to witness the pitiful effects of the mechanism of life theory in which the Dragon has him entombed.
At the end of Grendel’s life, he dies surrounded by his main frustration, a group of animals that he has seen through out his life, only wanting them to claim a life of their own. This ending scene is portrayed with a sense of relief, as Grendel is finally leaving the life that he has been trapped in, with no trace in his mind of meaning, significance, or belief system. In the end, Grendel’s lack of a belief system causes his ultimate downfall, and is his only way out of the confusing emptiness he called his life.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
John Gardner's revolutionary style is not encompassed by a single genre; instead, he mixes first-person narrative and several different literary styles to give the "Ruiner of Meadhalls" a unique voice. The use of first-person narrative is essential to convey Grendel's spiritual growth. Were it not for Grendel's often self-deprecatory tone, which varies from mocking - "big shaggy monster intense and earnest, bent like a priest at his prayers" (72) - to bitter and cynical - "I, Grendel, was the dark side. The terrible race that God cursed" (51) - Grendel would be impossible to relate to. Even Grendel's bouts of insanity - (whispering, whispering. Grendel has it occurred to you my dear that you are crazy?)" are easily understood.
"'Pointless accident,' not pattern, governs the world, says Grendel, who, as a consequence, adopts an existentialistic stance," explains Frank Magill in Critical Review of Short Fiction. This point has been expressed in numerous critical papers by various essayists. One may wonder, however, whether this is the only way to interpret an incredibly ambiguous story in which no question is ever clearly answered nor clearly formulated. One may wonder, actually, whether the author meant for his work to be analyzed in this way at all. The author, John Gardner, spins a tale of a monster held viscously to his destiny of an unnatural death. No matter what Grendel does, his death is predetermined. Though he tries to disprove fate to himself by believing in existentialism, the belief that actions create the future, he never validates that point of view. John Gardner's purpose in writing Grendel was to express that the future is completely unavoidable.
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Gardner plays Grendel as like a child when he first discovers the the new world. For example, Grendel announces, “ I played my way farther out into this world” (Gardner 16). This shows Grendel’s first look in the real world. He first thinks that this world is going to be a fine place to live. Unfortunately, Grendel explore more into the world and sees the “Burning eyes of the strangers” (Gardner 17). To explain, Grendel has never seen such people in his life, so he starts to rethink life. In other words, his exploration of the world of humans changes the way he perceives the creatures in the underground world. This mentally changes his self
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Many of the characters in Grendel have direction and purpose in their lives. Wealtheow is self- sacrificing, and Hrothgar is out for personal glory. Unferth and Beowulf spend their lives trying to become great heroes so that their names may outlast their flesh. The dragon believed in nihilism, and the Shaper used his imagination to create something to believe in. Some of the characters’ philosophies may not have been commendable, but Grendel could not find any direction or purpose for his life whatsoever. Grendel looked for the intervention of a power higher than himself to lay the truths of the world upon him, an experience that the Romantics would characterize as an experience of the sublime. John Gardner portrays Grendel as someone who wants to find a philosophy, whether his own or someone else’s, that fits him and gives him an identity or a reason to live. By looking at the text from this perspective we can see how Gardner believes people should pursue, or rather, embrace a power greater than themselves.
Authors often have to choose between concentrating on either plot or social commentary when writing their novels; in John Gardener's Grendel, the plot becomes is a secondary consideration. Grendel's exploits provide the reader with a clear understanding of the strong opinions the author carries and can be seen clearly as a narrative supporting nihilism in its many forms. The reader easily perceives the blatant religious subtext in the guise of corrupt priests and the foolish faithful. The notion of the old being wise is unacceptable to Gardener along with any notion of hero idolization. Within his novel, Gardner expresses his views concerning religion, wisdom and nature.
In the story Grendel, one learns that this monster that seems atrocious and insensitive holds a dark outlook on the world. He often ponders the meaning of life, which seems to plague him. This stems from his painful childhood: “I understood that the world was nothing: a mechanical
Grendel, surprisingly, adapts quite well to his society despite its detestation of his existence. Grendel live is a rattlesnake-guarded cave, which allows himself to detach from his society, giving him the necessary space to cope with the troublesome thoughts among his people about Grendel. Unlike Frankenstein, Grendel tries to associate with the members of his civilization but is rejected every time he tries to do so. Every night Grendel goes to Herot to listen to the Sharper’s stories because the history interests him. He is quite intrigued and appreciative of the tales he hears, but when he comes in contact with those from Herot, they do not reciprocate the appreciation of his presence in Herot. The ones he admires so much taunt and torture him to the point they try to kill him for “intruding.” As retaliation, Grendel fights back and raids Herot every night.
Part of the development of a human being involves acquiring the ability to classify good and evil as well as distinguishing right from wrong. It has become an inherent trait that is invariably used in our everyday lives. In John Gardner’s novel, Grendel, the main character, Grendel, seeks to find the meaning of life. Through his journey, a depiction of the forces of good and evil is revealed. Aside from being a novel about the search for the meaning of life, Grendel also suggest society’s good and evil have a meaningful and imbalanced relationship where good prevails evil yet facing evil is still critical.
In the beginning Grendel’s perspective of himself leads to various encounters that help him discover the meaninglessness to his very own existence. From the beginning through many centuries of pondering Grendel has come to the idea that the world consists entirely of Grendel and not-Grendel. Thus Grendel begins his search for meaning of his very own life with an existential philosophy, the belief that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. While Grendel’s overall perspective of nature is that of mindless and mechanical machine, he believes that he is a separate entity from this machine. Furthermore he holds the philosophy that he himself is a god like creature that “blink by blink” creates the world. This philosophy undermined when Grendel notices that events occur before he can think them into existence. Grendel witnesses the death of a deer by the hands of humans: “Suddenly time is a rush for the hart: head flicks, he jerks, his front legs buckling, and he’s dead. He lies as still as the snow hurtling outward around him to the hushed world’s rim. The image clings to my mind like a
In Chapter 8, Grendel exclaims, “I’m a machine. Like all of you. Blood-lust and rage are my character,” (Gardner 123). This profound statement establishes a connection between Grendel and the ambiguous “you,” the reader. The monster, though he confesses to his wrongdoing, asserts that readers are no better than he. Countless bible verses reiterate this concept: “For all have sinned,” (Romans 3:23) “[Humans] are all. .impure with sin,” (Isaiah 64:6). Gardner’s reminder to readers of mankind’s predisposition to sin earns pity for the monster. He expands on these sympathies by describing the nature of Grendel’s lonely existence. “But there was one thing worse,” Grendel states after discovering the dragon’s charm, “no weapon could cut me,” (Gardner 75). In this moment, nihilism overcomes Grendel; if fighting poses no danger, it has no purpose, and neither does he. Any reader who has had an experience which challenged his or her values cannot help but feel empathetic towards the purposeless creature. Perhaps more piteous, however, is the suggestion that Grendel has no choice in being “the dark side. . the terrible race God cursed,” (Gardner 51). The dragon condemns Grendel as “the brute existent by which [humans] learn to define themselves,” telling him that it is worthless to better his character (Gardner 72). It is not until after
Grendel feels like an outcast in the society he lives in causing him to have a hard time finding himself in the chaotic world. He struggles because the lack of communication between he and his mother. The lack of communication puts Grendel in a state of depression. However, Grendel comes in contact with several characters with different philosophical beliefs, which allows his to see his significance in life. Their views on life influence Grendel to see the world in a meaningful way.
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.