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Analysis of the character grendel in beowulf
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In the novel Grendel by John Gardner, the protagonist is a beastly creature, of whom the title of this novel takes after. Grendel closely follows a monomyth formed by Joseph Campbell. This monomyth is based on the belief that “the mind of each person has inherited archetypes that are either repressed or manifested through the experiences of the individual.” Something incredibly significant in the interpretation of this theory is “The Shadow.” Based on this monomyth, this is the part of the mind that contains our darkest desires and urges. The novel Grendel provides numerous examples of which the protagonist battles this part of his mind. The protagonist, Grendel, lives a life of solitude and one-way communication. Seeing that he is forever
Particularly in chapter 3, Grendel listens as a blind old man, the Shaper, tells the tale of Danish history to Hrothgar. Though what is told is largely fictitious, Grendel cannot help but to feel strangely moved by the brilliance of the Shaper’s story. “Thus I fled, ridiculous hairy creature torn apart by poetry—crawling, whimpering, streaming tears, across the world like a two-headed beast, like mixed-up lamb and kid at the tail of a baffled, indifferent ewe—and I gnashed my teeth and clutched the sides of my head as if to heal the split, but I couldn’t.” (Grendel, John Gardner, pg.44) In this moment, Grendel’s mind is split between what he understands to be true and the truth that is desired. The world is callous and careless, blunt and belligerent; this he knows. However, with the artistic style and formation of the Shaper’s words, he is brought to tears and is captivated by his spiritual and emotional yearnings. Grendel is also overwhelmed with disgust and shame for himself and his vile
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
Grendel varies from the simple, childish tone of "'Why can't I have someone to talk to? The Shaper has people to talk to'" (53) to the dense philosophical metaphors and complex diction of Grendel's conversation with the dragon. Gardener gives Grendel a purposefully guileless voice to illustrate both the monster's feelings of lost youth as well as his progression into a more sentient being.
Someone once said, “stories can conquer fear. They can make the heart bigger.” In Grendel by John Gardner, the dragon represents immortal monsterhood and its lawlessness. The Shaper represents the mortality and noble pursuits of human culture. The Shaper and the dragon act as philosophically opposing forces in Grendel’s mind as he discovers how to define himself in relation to the rest of the world and explores the monumental power of stories.
Gardner plays Grendel as like a child when he first discovers the the new world. For example, Grendel announces, “ I played my way farther out into this world” (Gardner 16). This shows Grendel’s first look in the real world. He first thinks that this world is going to be a fine place to live. Unfortunately, Grendel explore more into the world and sees the “Burning eyes of the strangers” (Gardner 17). To explain, Grendel has never seen such people in his life, so he starts to rethink life. In other words, his exploration of the world of humans changes the way he perceives the creatures in the underground world. This mentally changes his self
Philosophies such as nihilism, existentialism, and solipsism are explored throughout Grendel, a novel by John Gardner. Throughout the book, Grendel embarks on a journey of self-discovery, in which he tries to find himself through philosophy. Despite trying many different philosophies, Grendel is only met with dissatisfaction. However, the nihilistic philosophy that is introduced by the enigmatic dragon seemingly provides Grendel with a way out of his banal existence. Despite this, Grendel couldn’t fully commit to nihilistic beliefs therefore leading to the development of his scepticism philosophy. In the end, Grendel meets his death at Beowulfs’ hands, who disproves his scepticism and forces him to die an existentialist. The fact is that if Grendel had decided to
In John Gardner’s Grendel, the Shaper is an important contributing character that carries the plot in a historical sense. During the first encounter between the monster and the humans, Grendel hears of the stories and tales the Shaper is singing about in Hrothgar’s mead-hall. Throughout the story the Shaper tells about Danish history and the creation of man’s existence and Grendel is fascinated by this. After listening to the Shaper’s stories, Grendel starts to realize that what he is saying is not true, “I too crept away, my mind aswim in ringing phrases, magnificent, golden, and all of them, incredibly, lies,” and starts to question what is true and what is not (Gardner 43). The Shaper’s eloquent tales had a large effect on Grendel, “He told of an ancient feud between two brothers which split all the world between darkness and light. And I, Grendel, was the dark side...I believed him! Such was the power of the Shaper's harp!” (Gardner 52). Gardner’s writing of Grendel sheds light on a whole new side of Grendel, as opposed to the monstrous being in Beowulf; so much so that we can see a divide in G...
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
It bears mentioning that Grendel was strongly influenced by the idea of nihilism, which means that he believed that nothing has meaning and everything in life was an accident. “Nevertheless, it was
In the story Grendel, one learns that this monster that seems atrocious and insensitive holds a dark outlook on the world. He often ponders the meaning of life, which seems to plague him. This stems from his painful childhood: “I understood that the world was nothing: a mechanical
Grendel and Frankenstein are two monsters whose society ignores their existence and find them to be burdensome to their society based on the mere fact that they are not like the rest of their surrounding man-kind. Grendel and Frankenstein both strive to accept their place in the views of their surrounding peoples. Although their sporadic happiness comes from them engaging in fights and killing members of their societies, they learn to accept their place within the societies by coping with their ability to stay loyal to themselves and to fight back with self-devotion and not wanting to give up on themselves.
One thing that influences perception of reality that is initially explored in Grendel are words. This is demonstrated when Grendel secretly listens to the poem sung by the shaper, who is a blind court bard who sings poems with the harp, and sees how the people are
In the beginning Grendel’s perspective of himself leads to various encounters that help him discover the meaninglessness to his very own existence. From the beginning through many centuries of pondering Grendel has come to the idea that the world consists entirely of Grendel and not-Grendel. Thus Grendel begins his search for meaning of his very own life with an existential philosophy, the belief that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. While Grendel’s overall perspective of nature is that of mindless and mechanical machine, he believes that he is a separate entity from this machine. Furthermore he holds the philosophy that he himself is a god like creature that “blink by blink” creates the world. This philosophy undermined when Grendel notices that events occur before he can think them into existence. Grendel witnesses the death of a deer by the hands of humans: “Suddenly time is a rush for the hart: head flicks, he jerks, his front legs buckling, and he’s dead. He lies as still as the snow hurtling outward around him to the hushed world’s rim. The image clings to my mind like a
Revealing the relationship of Grendel to something other than language, Gardner introduces the “beast” performing a “dance” (Gardner 92). He begins by suggesting for Grendel to “do a little dance beast” and continues when “[Grendel] clasps [his] hands over his head, points the toes of one foot [...] takes a step, does a turn” (Gardner 92). Even though the sentence lengths differ, the content of the two sentences juxtapose each other. The contrasting sentences further divulge the internal conflict of Grendel desiring to be known as a “beast” yet he performs like a human (Gardner 92). An uncertain tone later comes to reach as curious Grendel reflects on “what [we will] call the Hrothgar-wrecker when Hrothgar has been wrecked?” (Gardner 92). The ambiguous tone exposes the intrigued mind of Grendel, which discloses another internal conflict of Grendel to be curiosity. Therefore, through an ambiguous tone Gardner emphasizes the curiosity of men baffling and intriguing Grendel. Gardner utilizes contrasting sentence lengths and an ambiguous tone to divulge the distinct internal conflicts of the envious
Grendel feels like an outcast in the society he lives in causing him to have a hard time finding himself in the chaotic world. He struggles because the lack of communication between he and his mother. The lack of communication puts Grendel in a state of depression. However, Grendel comes in contact with several characters with different philosophical beliefs, which allows his to see his significance in life. Their views on life influence Grendel to see the world in a meaningful way.
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.