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Character analysis of grendel
Character analysis of grendel
Character analysis of grendel
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Life always manages to knock people down right when everything seems perfect. Throughout the passage, Gardner displays the connection between the monstrous Grendel and the King of the Danes, Hrothgar; both characters experience problems concerning their humanity and self worth. Grendel splurges his thoughts and desires through a tone shifting between resistance and confidence and further creating a poised yet anxious mood. The contrasting sentence lengths and tones divide the passage into three section where Gardner amplifies the internal conflict of Grendel. Although the varying sentence lengths and tones do not affect each other directly, both literary elements create different internal conflicts Grendel encounters. Within a passage from the novel Grendel, …show more content…
Revealing the relationship of Grendel to something other than language, Gardner introduces the “beast” performing a “dance” (Gardner 92). He begins by suggesting for Grendel to “do a little dance beast” and continues when “[Grendel] clasps [his] hands over his head, points the toes of one foot [...] takes a step, does a turn” (Gardner 92). Even though the sentence lengths differ, the content of the two sentences juxtapose each other. The contrasting sentences further divulge the internal conflict of Grendel desiring to be known as a “beast” yet he performs like a human (Gardner 92). An uncertain tone later comes to reach as curious Grendel reflects on “what [we will] call the Hrothgar-wrecker when Hrothgar has been wrecked?” (Gardner 92). The ambiguous tone exposes the intrigued mind of Grendel, which discloses another internal conflict of Grendel to be curiosity. Therefore, through an ambiguous tone Gardner emphasizes the curiosity of men baffling and intriguing Grendel. Gardner utilizes contrasting sentence lengths and an ambiguous tone to divulge the distinct internal conflicts of the envious
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
John Gardner's revolutionary style is not encompassed by a single genre; instead, he mixes first-person narrative and several different literary styles to give the "Ruiner of Meadhalls" a unique voice. The use of first-person narrative is essential to convey Grendel's spiritual growth. Were it not for Grendel's often self-deprecatory tone, which varies from mocking - "big shaggy monster intense and earnest, bent like a priest at his prayers" (72) - to bitter and cynical - "I, Grendel, was the dark side. The terrible race that God cursed" (51) - Grendel would be impossible to relate to. Even Grendel's bouts of insanity - (whispering, whispering. Grendel has it occurred to you my dear that you are crazy?)" are easily understood.
Good vs. Evil in John Gardner's Grendel? & nbsp; John Gardner's novel Grendel gives the reader a new perspective on the classic "good vs. Evil" plot. From the start of the book the reader can tell that there is something very unique about the narrator. It is evident that the narrator is a very observant being that can express himself in a very poetic manner. The story is one the reader has most likely seen before, the battle between the glorious thanes and the "evil" beast. In this case, however, the "beast" is the eyes and ears of the. reader. This, of course, forces the reader to analyze situations in the book in the same way that Grendel does. By using this viewpoint, author allows his readers to see the other side of the coin. Therefore, Throughout the course of the novel the reader is able to understand how important to Grendel in defining the human. & nbsp; Grendel's first encounter with the human beings that he literally defines is not a pleasant one. After accidentally trapping himself in a tree he is discovered by a group of thanes out on patrol. Grendel expresses absolutely no hostile intentions towards these "ridiculous" (ch. 2). pp.24) creatures that "moved by clicks." (ch.2, pp.24) The thanes do not understand what Grendel is and are very uneasy about the whole situation.
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Gardner plays Grendel as like a child when he first discovers the the new world. For example, Grendel announces, “ I played my way farther out into this world” (Gardner 16). This shows Grendel’s first look in the real world. He first thinks that this world is going to be a fine place to live. Unfortunately, Grendel explore more into the world and sees the “Burning eyes of the strangers” (Gardner 17). To explain, Grendel has never seen such people in his life, so he starts to rethink life. In other words, his exploration of the world of humans changes the way he perceives the creatures in the underground world. This mentally changes his self
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Authors often have to choose between concentrating on either plot or social commentary when writing their novels; in John Gardener's Grendel, the plot becomes is a secondary consideration. Grendel's exploits provide the reader with a clear understanding of the strong opinions the author carries and can be seen clearly as a narrative supporting nihilism in its many forms. The reader easily perceives the blatant religious subtext in the guise of corrupt priests and the foolish faithful. The notion of the old being wise is unacceptable to Gardener along with any notion of hero idolization. Within his novel, Gardner expresses his views concerning religion, wisdom and nature.
One of the prevalent themes John Gardner mentions in the story of Grendel is that perceptions of reality between people are different. Gardner reveals to readers throughout the novel that words, events, experiences, and beliefs forge character’s realities. In Grendel perception of reality greatly affects people’s actions, their viewpoints towards life, and decisions. For example, Grendel’s perception of reality is that the world is solely mechanical and is created with his words.
Many may contend that the novel’s main character, Grendel, is guilty of evil by virtue of his vile actions. However, Gardner’s description of Grendel’s resistance to evil impulses and capability of human emotions suggest that Grendel is simply responding to his environment. Furthermore, Gardner deftly accrues readers’ sympathies towards Grendel, making it difficult for the empathetic reader to condemn the monster ex officio. By forging connections between humanity and his protagonist, Gardner indicates that readers are equally as guilty of sin as Grendel. Through this implication, he insinuates that humans are unqualified to judge Grendel’s actions, and, perhaps, each other. After all, if Grendel can be called evil, can the same not be said of all of mankind? The novel’s ultimate truth seems to harken back to Tupac Shakur’s assertion that, “Only God can judge me,” (Tupac
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
...zes humanity in this scene by portraying them as the evil beings instead of Grendel who is the helpless victim of their savage assault. The men attack Grendel solely because they could not understand him and because of his appearance. Grendel makes no attempt to harm the men but to communicate with them while they are the ones that savagely tried to kill him. John Gardner portrays the men as the real monsters who mercilessly tried to kill Grendel while he was defenseless. Grendel has another revelation due to this attack in where he states. “The world resists me and I resist the world… “That’s all there is.”(Gardner, 28) Grendel makes this assertion as a means to organized the ways he perceives the world. While he once saw the world as a confusing array of frightening images, now he can separate the world into categories: those who do not resemble him and himself.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).