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Looking at beowulf from grendels point of view
Beowulfs hero traits essay
Looking at beowulf from grendels point of view
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Beowulf
Ninth Century
“Beowulf” is an early medieval epic that was written in Old English in the ninth century. This epic was also during the heroic ages, which its sole copy can be dated around 1000, which was a time of rich flowering of Anglo-Saxon literature and learning, which expresses in both Old English and Anglo-Latin poetry. (p.107 Puchner, Martin) After reading the epic of “Beowulf,” I decided to write a character analysis on the notorious character Grendel. This epic reflects twelve years of war with Hrothgar, the country people and himself, Grendel. In analyzing, I will express my thoughts and quotes that reference to Grendel’s appearance, his personality and how others in the epic work view or interact with him.
As I read throughout the epic, “Beowulf”, Grendel’s personality was basically full of hatred and was considered a horrible demon monster. He was a powerful cold hearted monster that slayed individuals in a blink of an eye with no remorse for his actions. He had power of destruction within his soul, while wondering the land and sea. Examples of how the book describes his personality are as followed, “That doom abided, but in time it would come the killer instinct unleashed among in
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He was a powerful cold hearted monster that slayed individuals in a blink of an eye with no remorse for his actions. Grendel was both monster and man, one of the families of Cain. Like Cain himself, Grendel was said to be “God-cursed,” and his status as an outcast, cut off from the community of men, makes him seem curiously forlorn, “ spurned and joyless.” There were many other battles that Grendel fight but the most significant one, was when the Prince of Kings didn’t want to send his army in to fight Grendel, so a dragon came forth and brutally defeated him in battle. Grendel had finally been
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
In both works, Beowulf and Grendel, Grendel himself is generally given the same connotations. He is given kennings, called names, referred to as the evil spawn of Cain, and even viewed as a monster; but why? Why in both books is he a wicked, horrible, person who is harshly excluded from everyone? After stumbling upon John Gardner's book, it was halfway expected that some excuse would be made for Grendel; that he wasn't really the inexorable monster the thanes in Beowulf portrayed him as. But all it really did was make him worse. What is the message we are being sent about Grendel?
One night, as Grendel was sleeping soundly in his home in the swamplands, he was suddenly awakened by the sound of music. The music angered Grendel because he had been up late the night before entertaining his monster friends and was in need of his beauty rest. So he headed out the front door and headed to see what the commotion is all about.
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
In times before printed books were common, stories and poems were passed from generation to generation by word of mouth. From such oral traditions come great epics such as England’s heroic epic, Beowulf. In Beowulf, the monster Grendel serves as the evil character acting against the poem’s hero, as shown by his unnatural strength, beast-like qualities, and alienation from society.
In both John Gardner’s Grendel, and the poem Beowulf, there are significant differences between characters, and the way they are portrayed in each of the tellings. The interpretation of a hero is usually altered in order to fit the audience, such as, Saddam Hussein in America is made out to be this monster whereas, in his home country Iraq, he is looked at as a hero and idolized by some. In each telling, Grendel and Beowulf have many similarities in how they are described in each writing, but each character is also shown in a different light in each of the writings.
Although Grendel is depicted as a hideous bloodthirsty beast because he eats the Danes at Heorot continuously, he has some characteristics of a human gone wild. Grendel possesses the ability to feel human emotions such as envy and fear. When the Danes were having a feast in Heorot, Grendel “had dwelt for a time in misery among the banished monsters, Cain’s clan, whom the creator outlawed and condemned as outcasts”(104-106). He feels envy towards the Danes for making him an outcast of society. He was jealous of the Danes that were having a great time together while he had to live a life of misery alone. Grendel feels fear as well as envy because “he was overwhelmed, manacled tight by the man who of all men was foremost and strongest in the days of this life”(787-789). During the battle between Grendel and the hero Beowulf, Grendel was unprepared for Beowulf’s fighting tactics. He, who usually is victorious after each attack in Heorot, did not expect to be defeated by Beowulf, which is shown because “his fingers weakened; it was the worst trip the terror-monger had taken to Heorot”(764-765). When Beowulf leaves his weapon and decides to wrestle Grendel, Grendel realizes that he is no match for Beowulf’s strength. He feared death just as human are afraid of death. An ordinary person would want to flee if he or she was being wrestled to the ground and about to die. Grendel felt like fleeing but Beowulf did not want to lose any opportunities to kill the villain and thus does the deed in one go. When he realizes that his end was near, “the dread of the land was desperate to escape, to take a roundabout road and flee to his lair in the fens”(761-763). Just as humans in their psychoanalytic development, Grendel had a fight or flight response. When he knew that he was going to die he immediately chose the flight response in which he could not do because Beowulf was much more powerful and aggressive. He does not let Grendel escape. Grendel’s pain is all the more acute because he is brought so close to mankind and yet always kept at an unbreachable distance from society.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.
Several differences exist in the Modern day movie Beowulf and Grendel (Gunnarsson) and the Old English Epic Beowulf (Heaney). These differences can largely be attributed to the discrepancies in cultural values that exist between the medieval mind and that of the modern man. One of the main differences between them involves the characters’ personalities and attitudes. We can see this characteristic, particularly in Beowulf himself, mainly because in the epic his perspective reflects his limited understanding regarding the relationship between evil and good. Likewise, in the movie Beowulf and Grendel, the viewer sees a Beowulf who learns to possess an outlook on life that suggests a more complex
He is evil not because he was born evil, and not because it was destined that he would become evil, but because the world told him he was, and eventually he believed. Grendel resigns to a mode of being that is the easiest for him- and that may be just what make him so intriguing. It is not the fact that Grendel is Bad that makes him a compelling protagonist; that alone would almost surely not be enough. He is an engaging, almost likeable, main character precisely because he lapses into evil like a habit, like a role to be filled, like any number of the habits and roles the book’s audience might fulfill themselves. Grendel is important because he is, by the book’s end, purely evil. He is malevolent, chaotic, maniacal, and violent. He is everything a storybook antagonist should be, yet the reader still feels for him. It is there that the power of Grendel’s story lies- in his complexity. The novel’s refusal to accept the simple themes and characterization in Beowulf makes it refreshing, and, in a sense, more real; Grendel is not a tale that allows readers to escape the world, but one that forces them to vividly examine its most gruesome realities, and to imagine that even the worst of monsters
Beowulf, written between the 8th and 10th centuries, is an epic poem set in southern Sweden. The poem illustrates the Anglo-Saxon’s strong belief in the heroic code. The loyalty between the warrior and his king bound the culture together. The warrior was the ultimate hero who represented strength and courage. Beowulf, the hero in the poem, illustrates the Germanic principles of the heroic code. Through the battles and character interactions, Beowulf converges loyalty, strength, courage and forgiveness into the hero archetype.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.