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1. People are jostling too close, hovering, staring, snapping photos with their shiny phones. The flashes burn my eyes as they shove cameras into my face, some forcing me into their selfies. I try to blink, to turn away but I’m frozen motionless, my screams silenced. To them I’m just another old oddity, a thing, not even human. I listen to them pass judgement as they walk away. “Not bad looking really… considering the age.”, “A tad rusty, innit?”, “Must have been really beautiful at one time.” Each and every word uttered breaks my heart and makes me beg for release. I tried to focus on the far wall to silence my mind from this torment when I spotted a man in the corner staring at me in quiet contemplation. Slowly he stepped forward and I …show more content…
I’ve just written a letter to Mr. Rochford to let him know I’ve arrived safely, the dear man does worry about me too much sometimes. I owe him so much, after all, I wouldn’t be here if it weren’t for his kindness. Tomorrow I begin at the the Royal Albert Saloon. I know what you’re thinking dear diary, it does usually have vaudeville and burlesque but they also do ballet. I have a small part but I am hopeful that some day I will be able to dance at larger venues. I’d rather stay in London since I’m closer to Mr. Rochford if he takes ill again and needs help. The 15th of December, 1851 I’m overjoyed! I do feel bad for being so happy about it, but the lead ballerina took ill and I’ve been cast in her place! 17th of February, 1852 I’m sorry I’ve been too busy to write to you my dear little journal! So much has happened in the last few years! 1859 I’m now preforming lead at the Theatre Royal on Drury Lane! Obviously I’ve also moved to a larger flat and finally have many of those fashionable dresses I’d wished for when I first arrived in London. I truly am blessed.
Grove, George. The Musical Times Volume 47. United Kingdom: Musical Times Publications Ltd. 1906, Print.
The setting is London in 1854, which is very different to anything we know today. Johnson’s description of this time and place makes it seem like a whole other world from the here and now....
As the camera’s popularity grew, the use of it shifted from an art form into a social rite, a statement of authority and security. The act of taking photographs, and the photos produced, act as mementos or proof of the past. Photographs summarize an event all within itself, creating an immortal piece, allowing the people to grasp onto the ownership of area in which they feel insecure. On the other hand, Sontag states that the deed of taking photographs occupies the same need for “cosmopolitans […] as it does for lower-middle-class [citizens]”(177). With that being said, how can there be any power at all in photography, but a fake sensation we created from the act of photography to fill our insecurities. By tapping into the insecurities of the readers, Sontag forces them to connect with the words and consider their actions relating to photography more
Martin Luther King Jr. was placed in jail after participating in the Birmingham campaign. At this time King was president of the Southern Christian Leadership Conference and his presence was requested by an Alabama group that wanted him to participate in a "nonviolent direct-action program" in Birmingham. King along with other member of his group agreed to go and participate. These nonviolent protests resulted in the participents being thrown into jail. While in jail, eight clergymen wrote in the paper staying blacks should not support for Martin Luther King Jr. and the other protestors. King replied to the clergymen a few days later with a letter and aimed towards the "white moderate" as well. The "white moderate" is the white population and King wanted them to hear his opinion on the matter. In this letter king is explaining the actions of himself as well as his fellow protestors in the movement. King uses logic, ethics, and emotion to persuade his audience why civil rights should be given to African Americans. The use of these three elements throughout his whole letter along with imagery king is able to create a visual and persuasive piece that shows his point of view.
Being a silent third party to a father screaming at his seven-year-old daughter for putting the inner tube in the wrong place. People watching has for a long time been one of my favorite activities as a third party you are able to see people for what they are, unbiased by already having known the person. Eugene Richards’s book has made me look at my hobby from an artistic vantage point. He’s made me start to think that one day I would like to be one behind a telephoto lens, capturing those moments that people don’t think anyone else saw. Richards photographs have made me realise that photography is more than a point a shoot process.
However, her death brought a reflection upon one of the world’s greatest ballerinas. Approximately forty years of dancing, and she clearly demonstrated a new an important art form to the world. Fonteyn’s celebrated life as a ballerina greatly advanced the popularity of dance, not only in Great Britain but also around the world. Her time with the Sadler’s Wells helped to establish the company, which today the Royal Ballet continues to be a major presence in the world ballet community. Lastly, her later success with Nureyev broke down traditional assumptions about the ability of mature dancers to continue vigorous performance careers with partners a significant age
In 1839, Lin Zexu wrote The letter to Queen Victoria, in attempt to stop the evolving addiction to opium in China. The letter expressed China's desire for a peaceful resolution to the opium trade. He the limited and quite incorrect knowledge he had on the issue in hopes to gain sympathic understanding. Lin used Confucian teachings, historical events, plus forceful reasoning on moral grounds in order to persuade the English monarch that he would not ask of them anything he would not be comfortable doing himself. The letter created an ultimatum made by Commissioner Lin on behalf of the Qing Emperor to the English monarch, delivering the clear message that he and the Qing government were determined to ban the selling and smoking of opium once and for all at any cost.
Her book has, in turn, become a corrective of Richard Buckle’s biography of Diaghilev. Garafola offers an invaluable “re-examination of [the] central area of dance history (Macaulay),” and allows the reader to acknowledge all the variations in which this information can be interpreted. It is her ability to open up a conversation and awareness of this methodology that makes Garafola’s book a fascinating addition to dance history books. Though dense with information, perusal, and scrutiny, Garafola provides a refined look into the history of ballets most influential ballet company, Diaghilev’s Ballets
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
On November 12, I had the incredible experience of seeing Ballet West’s Production of Madame Butterfly. I am so grateful for this experience because I was the first time I had ever seen a ballet performed. I enjoyed the evening immensely, and hope to be able to attend more ballets in the future.
The best expression of dance comes from a skilled and experienced dancer. Ultimately, I want to dance the dance of medicine in a way that fully expresses the essence of the dance, which is a dance of knowledge and compassion. A dancer that can take the music and choreography and express the essence of the dance, has an indefinable quality that only those with a pure love for their calling can possess. In dance, that special quality is what separates the average dancer from Baryshnikov or Pavlova. That aspect is one that intertwines unsurpassable skill with a focused relentless devotion to the task. Although I have danced since the age of three, I know I do not have this prima ballerina quality, but as a future doctor, this same kind of quality is what drives me.
Outside of medicine, I spend my leisure time dancing and choreographing. My love for dance and music stems from my early childhood. I recall listening to Disney songs and “choreographing” dance moves – moves that appeared as uncoordinated, but exquisite loose wiggles. As a result of my parents’ strict upbringing, dance was an important activity because it served as a safe haven away from the stress and pressure I felt as a child. Dancing was, and is still, my source of joy.
Darkness washed over me briefly, as the limbs did their work. Finally, I broke through the wall of thorns, and into the neighboring yard. I lay there for a few minutes, the cold ground soothing the pain that resounded throughout my body as the blood flowed profusely forth.
“Well princess, I Michael Valkovich, hope that you will take my hand and dance with me,” he offered me his hand. “I, Anastasia Romanov, daughter of Nicholas II and Princess Alix of Hesse-Darmstadt, shall dance with you.” He grabbed my hand and walked over to the dance floor; we danced the night
Photography has created an outlet for the masses to story tell. It has a way of speaking without words like most art forms and is a manner of expression in itself. To eradicate photography from humans would be equivalent to taking away a limb from humankind. Our society has grown an immense amount of dependency on it. Photography has become almost a daily menial task such as brushing your teeth; where we must take pictures of the things we deem important or equally unimportant, even more so with the invention of social media outlets such as Instagram and Snapchat, where photography is the main source of communication between people who use them. Susan Sontag offers the basis of what taking pictures can undertake in both our daily lives and moments that are not part of our daily lives, such as travel. Traveling to places where one is not accustomed can flare pent up anxiety. A way to subdue that anxiety could be through taking pictures, since it’s the only factor that we have total control over in a space where we don’t have much, or, any control of our surrounding environment. On the other hand, taking photos can also be a tool of power in the same sense as it allows for it to be a defense against anxiety. With the camera in our hands, we have the power to decide who, what, where, when, and why we take a picture. This in turn also gives the person who took the picture power over those who later analyze the photos, letting them decide the meaning of the photo individually, despite the intended or true meaning.