Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Success of the Bolshevik revolution
Causes and impact of the Russian revolution
Success of the Bolshevik revolution
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Success of the Bolshevik revolution
It's July 16, 1918; I ran to the ballroom in which you could find all of our guests. Papa is coming back from his trip, and the ball was thrown to honor him. My shoes were clicking on the carpet n our long hallways. I slammed the door open to the ballroom, and everything went silent. Everyone was looking at me. “Sorry!” I yelled in multiple languages. “Papa! You’re back,” I jumped into his arms crying, “Papa I missed you so much!” “Hi my little Anechka, I missed you so much,” he said, “I'm sorry I was gone for so long, I was off in France dealing with problems from the revolution.” “That doesn’t matter, what matters is that you’re back, I love you papa!” “I love you too Anastasia.” “Can we go outside Papa?” I asked. “No Anna, remember we're not allowed to leave the house!” …show more content…
My heels clicked against the stunning marble floor. “I’m sorry I have to go talk to your mother,” Papa pulled away. “Papa, please stay,” I started tearing up. “I'm sorry I must go,” he answered. He walked away from the crowd of dancing people. The top of his sleek brown pressed down hair disappeared as people filed in the path he left. I ran over to the furthest table so no one would see me cry. My fluffy pink dress fell into the way of my feet, and I almost tripped not only myself but other people. I fell on to the table; hands pressed to my face so no one would be able to see it. As I was weeping quietly someone sat down next to me, I didn’t dare to look up. I heard a cough… “Hello your highness,” a lonely servant boy greeted me. “Why are you crying?” he asked. “I’m just upset that my father isn’t able to dance with me,” I answered. “Well princess, I Michael Valkovich, hope that you will take my hand and dance with me,” he offered me his hand. “I, Anastasia Romanov, daughter of Nicholas II and Princess Alix of Hesse-Darmstadt, shall dance with you.” He grabbed my hand and walked over to the dance floor; we danced the night
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
“The Little Heidelberg” is the story of a small dance hall. The customers of The Little Heidelberg are typically older men and women, many of whom are foreigners who cannot speak English. One of these is El Capitán, a retired Finnish sea captain, who has been dancing with niña Eloísa, a lovely Russian woman, weekly for forty years. They have never spoken to each other because of language barriers. One day some Scandinavian tourists come to the Heidelberg. El Capitán hears them speaking his language and asks them to translate to Eloísa for him. In this scene it is the first time that anyone has ever heard him speak. Eloísa learns that El Capitán wants to marry her, and she says yes. The couple begin a celebratory dance, and as they start twirling Eloísa begins to turn “to lace, to froth, to mist” until she is first a shadow and then completely disappears (Allende, 179). In the magic of the scene, she twirls out of existence. Her disappearance seems to reflect the dreamscape nature of the scene.
1. The title "Strictly Ballroom" gives us the idea & impression of very stern & rules in a very rigid & strict environment with many expectations & restrictions. It also implies the concept of very orthodox textbook ballroom dancing which is very stiff & done exactly in a specific way which it's expected to be done.
He just turned and left without a word. I touched Lennie’s grave. The rough touch of the wood deflecting to my fingers. I walked back to the ranch. Everyone was asleep. I wanted to run away tomorrow but I couldn’t let this chance pass up. It also prevented any chance of Candy following me. I tiptoed out of the room and went straight to the woods. I made sure to mix myself in with the shadows of the trees. I saw the river and It felt like I did it...until I felt something grab me by my neck. I quickly got flipped over and pushed to the ground.
“Wilson,” I called out, receiving no response. “Wilson?” He stayed slumped in the chair, eyes casted on the ground, refusing to make eye contact or any other sign of acknowledgement. “Wilson!” I yelled, causing him to flinch, his eyes finally meeting mine. There was sadness clear as day in his eyes, but no, he did not deserve to be sad. He did not have any reason. He didn’t love her. He couldn’t provide for her. Not like I could- or would.
“My Papa’s Waltz” by Theodore Roethke writes about a little boy who is about to go to bed, and his father comes home with a strong smell of alcohol on his breath, “The whiskey on your breath / Could make a small boy dizzy;” (Roethke 1-2 ). This shows that the father has been drinking and the smell is so strong he is getting dizzy from it. Even though the little boy dad is drinking he is very happy to be with him. As Roethke points out, “But I hung on like death: / Such waltzing was not easy” (Roethke 3-4). As the little boy and his father continued to dance around the house and have a good time, the little boy’s mother was getting angry at the father. Roethke concludes,” My mother’s countenance / Could not unfrown itself” (Roethke 8-9). Roethke adds, “The hand that held my wrist/Was battered on one knuckle;” (Roethke 9-10). This shows his father is a hardworking man. The work that his father produces makes his knuckles bleed. As they continue to dance the little boy realizes that if he doesn’t keep up with his father’s dancing, his ear scrapes his father’s belt buckle. The father is having such a good time with his son, Roethke adds, “You beat time on my head / With a palm caked hard with dirt” (Roethke 13-14). The father with his filthy hands is playing drums on top of the little boy’s head. Roethke concludes with, “Then waltzed me off to bed/Still clin...
Try as I might, I can’t seem to focus on the words coming out of my best friend’s mouth, my heartbeat echoing in my ears, drowning out any sounds she made. The table’s edge is smooth, gliding across my hand as I run my fingers over the corner. The droning continued, but I could only catch snippets: seating....invitations....decorations. All of these things seemed so trivial, so unimportant, compared to the thoughts that ran through my head.
The author of this article focuses on the art of dancing, specifically ballet. This ballet shares many plot elements with other
Mama, though she may be rough, makes us a pea soup each week and has me deliver our washings to our customers, though we are losing them quite quickly. I believe Mama fears we won’t have enough for when winter comes. Papa, a quiet, mannered man, is the best father I could ask for. When I have my terrible nightmares about Werner, he plays on the accordion for me. Lately, he has been teaching me to read and write better, so that I may be able to get to my rightful position in school instead of with the small children. He has even taught me to roll his cigarettes, which he sold to get me two new books for Christmas. Oh, Max! He recently came to live with us, but I have to keep him a secret. At first, I was completely terrified of him; however, once I got to know him better, I now consider him a friend, much like Rudy. We have much in common – fists, nightmares, and trains. Oh, just thinking of those nightmares makes me miss you even more. I wish you were here; my birthday is coming up, and my only wish is to see you once more, though it will never happen because the Führer took you away.. I must not let my hatred engulf me; I
"The End of the Affair" is an article written by P. J. O'Rourke for the audience of like-minded conservatives or readers seeking entertainment in the 2009 weekend edition of the Wall Street Journal. O'Rourke is known for his satire, humor, and candid comments on the affects of the government's influence on society and the influence it has had on him. In this article, he vents on the downfall of automobiles and the bankruptcy of General Motors, blaming liberal environmentalists who seek to ruin the bond men have had over time with cars and the automobile industry as a whole. Contrary to the condescending, modern day analysis placed on automobiles O'Rourke pleads for his readers to have a positive outlook on cars and the contribution they have
With both hands resting lightly on the table to each side of his white foam cup, Otis stared into its deep abyss of emptiness with his head bowed as if willing it to fill again, giving him a reason to enjoy the shelter that the indoors provided. I could almost touch the conflict going on inside of him, a battle of wills as if he was negotiating with an imaginary devil on one shoulder and an angel on the other. I sensed a cramp of discomfort seizing his insides, compelling him to flee, then a silent resolve, as if a moment of clarity had graced his consciousness.
“My Papa’s Waltz” is a poem that reveals joyous memories an adult man holds and cherishes of his father from long ago, even with situations where his father had been drinking. These blissful memories are expressed through uses of imagery and language, with words such as “waltzing” (line 4), “romped” (line 5), and “clinging to your shirt” (line 16) to show the boys love and inability to let go or be separated from not only his father but his best friend. The author gives the persona of not only a loving and playful father but a very hardworking man.
There is a certain degree of expectation with the genre of comedy that despite whatever difficulties appear within the play, by the end these will be resolved and the play will have a traditional happy-ending with a marriage or a celebration in the final scene. The “Twelfth Night” is no exception to this rule. Despite problems of confused identities and sexualities, the play ends with marriage for the major characters because they “have learned enough about their own foolishness to accept it wisely, and their reward, as it should be, is marriage.”(Schwartz 5140). There is a resolution of harmony to a certain extent and an endorsement of romantic love yet despite the happiness evident in the last scene, there are many elements in the play that causes the audience to wonder whether the happiness is forced or genuine. The words of a departing Malvolio, “I’ll be revenged on the whole pack you.”(Twelfth Night 5.1.365) leads to a conflict being unresolved. The marriage of Olivia and Sebastian also leads the audience to question whether Shakespeare has pushed the limitations of comedy to far, as Olivia marries Sebastian who she believes to Cesario and whose identity is only revealed after. The appearance of Antonio in the last scene also casts a sombre ambience over events; he is not united with the one he loves though he was willing to sacrifice his life for what he believed to Sebastian’s safety. The last discourse of the play from Festes once again returns to the melancholic mood that was apparent in the opening and it is this mood that remains with the audience.
I went to the dance. The day I was planning all along. When I got there my step-sister, Ashely was in the arms of my crush. I always thought he was different but I guess not. Maybe that guess came from because I never see him and never cared about what he is doing. She liked the year’s dance theme. It’s the masquerade ball. She was wore her mask so no one who recognize her. This was the day where she show what she’s got. She marched right to the DJ booth and gave her iPod. Then, people were confused stared at others and asking where this type of music is coming from. Cinderella started to dance with her heels on. Many people were amazed of Cinderella’s dance. She did jazz, hip-hop and many different dances.
I wearily drag myself away from the silken violet comforter and slump out into the living room. The green and red print of our family’s southwestern style couch streaks boldly against the deep blues of the opposing sitting chairs, calling me to it. Of course I oblige the billowy haven, roughly plopping down and curling into the cushions, ignoring the faint smell of smoke that clings to the fabric. My focus fades in and out for a while, allowing my mind to relax and unwind from any treacherous dreams of the pervious night, until I hear the telltale creak of door hinges. My eyes flutter lightly open to see my Father dressed in smart brown slacks and a deep earthy t-shirt, his graying hair and beard neatly comber into order. He places his appointment book and hair products in a bag near the door signaling the rapid approaching time of departure. Soon he is parading out the door with ever-fading whispers of ‘I love you kid,’ and ‘be good.’