Anita Desai’s novels unravel the mystery of the inner life of her characters. Anita Desai is interested in the psychic life of her characters. For her it is a depth which is interesting, delving deeper and deeper into a character or a scene rather than going round about it. She incorporates themes such as the agony of existence, the meta-physical void, the fears and trembling of her protagonists whose values, beliefs and structures are jeopardized, which, in turn, stand in the way of the individual’s self-realization. However, there is a genuine attempt suggesting a struggle to attain a maturity of outlook, and positive growth. Her forte is “the exploration of sensibility – the particular kind of Indian sensibility that is ill at ease among barbarians and the philistines, the anarchists and the moralists.(Iyenger 1983: 464).
According to her, the warp and woof of her works attract attention when “ the themes are analysed, the social and political elements are subtly camouflaged and subdued by dwelling on emotions and responses which are far more engrossing than the hard facts of reality.(Jain 1987:1). As her discussion progresses from thematic concerns to philosophical and psychological issues.The primary task of this paper is to dwell upon the female strength without losing the inner self of the character in all critical situations. The focus will remain on the politicization of land and landscape through the study of women’s search for identity in this complex social world where alienation, disintegration and submissiveness are inherently attached to female psychology. For example, Where Shall We Go This Summer is based on relating Sita’s desperate search for direction of India’s anxiety to find her identity.
Meenakshi Mukherje...
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In every one of our patient analyses shows us that they had been carried back to some particular period of their past by the symptoms of their illness or their consequences. In the majority of cases, indeed, a very early phase of life is chosen for the purpose – a period of their childhood or even, laughable as this may sound, of their existence as an infant at the breast(Freud 1973: 314).
Works Cited
• Anita Desai,Cry, the peacock . New Delhi: Orient Paperback, 1980.
• K.R.S Iyenger, Indian Writing in English . New Delhi: Sterling Publishers, 1983.
• Jasbir Jain, Stairs to the Attic: The Novels of Anita Desai .Jaipur: Printwell, 1987.
• Meenakshi Mukherjee, “The Theme of Displacement in Anita Desai and Kamala Markandaya,” World Literature Written in English, Vol.17, 1978.
• Sigmund Freud, Introductory Lectures on Psychoanalysis .England: Penguin Books, 1973.
Though varied in cultural they share a deep interest in evolving female culture and liberation of women. Our thesis mainly focused on her one of the novel “The hero’s walk” which mainly deals with Diasporic sensibility like “The hero’s walk”, “Tamarind Mem” And “Can You Hear the Night Bird Cell?” Written by her also deals with the same theme of Diasporic sensibility “Tamarind Mem” (1997) grew out of her university thesis. Her novels deal with the complexities of Indian family life and with the split that emerges when Indian move to the west. Her first novel “Tamarind Mem” deal with pungent sugary home sickness of her Indian sensibility portraying her memories of her past days, depicting the descriptions of Indian domestic life. Her second novel “The Hero’s Walk” could be the best illustration to her alien feeling which was clod in a fine garb of refinement. And also she has portrayed the clash between the cultural of East and west. She attempts to explore the nuances of Diasporic consciousness by the quait portrayal of woman characters. Badami’s third novel “Can You Hear the Night Bird Call?” Explores the golden Temple slaughter and the Air India Bombing was set against the back drop of Punjab division “Can You Hear the Night Bird Call?” Could be branded as a historical novel, as the plot conveniently moves between India and Canada in 1947. It tries to explore the
When Sripathi and his family receive the news of Maya’s and her husband’s fatal road accident, they experience a dramatic up heaval. For Sripathi, this event functioned as the distressed that inaugurated his cultural and personal process of transformation and was played out on different levels. First, his daughter’s death required him to travel to Canada to arrange for his granddaughter’s reverse journey to India, a move that marked her as doubly diasporic sensibility. Sripathi called his “foreign trip” to Vancouver turned out to be an experience of deep psychic and cultural dislocation, for it completely “unmoors him from the earth after fifty-seven years of being tied to it” (140). Sripathi’s own emerging diasporic sensibility condition. Not only must he faced his own fear of a world that is no longer knowable to him, but, more importantly, he must face his granddaughter. Nandana has been literally silenced by the pain of her parent’s death, and her relocation from Canada to Tamil Nadu initially irritated her psychological condition. To Sripathi, however, Nandana’s presence actsed as a constant reminder of his regret of not having “known his daughter’s inner life” (147) as well as her life in Canada. He now recognizeed that in the past he denied his daughter his love in order to support his
Jhumpa lahiri (1967), born of Bengal parents, was awarded Pulitzer Prize for fiction in 2000 for her debut collection of short stories entitled “Interpreter of Maladies”, (1999). Her very first novel “The Namesake” (2003) made her more popular. Her second short story collection “Unaccustomed Earth” (2008) has again established her as one of the most excellent and commendable fictionists of the world. Not only a Diaspora writer of Indian origin, but she can also be called an American writer, because of her constant obsession with the American way of life. Her narrative world shuttles between India and the U.S.A. The imbibing of influences of various past or contemporary authors and her excellent narrative technique establish her as one
In another technique applied in Psychodynamic therapy approach where a client’s past is brought in, psychodynamic therapists’ main goal is to understand or relate the past with the present. Furthermore, the therapists also seek to illustrate to the client how his or her past can claim its position in the present (Shelder 2010). According to his review, it is important then to understand that the only purpose the past can have in the therapy is to illuminate the current psychological issues. The Ultimate goal in Psychodynamic therapy approach is assisting the individuals in parting from the negatives of past and helping him or her transitioning to a life that is more
The world before her is a film of hope and dreams for Indian women. We examine two girls with different paths but one goal in common, empowerment. This term conveys a wide range of interpretations and definitions one of them being power over oneself. Both Prachi and Ruhi manifest a will for female empowerment but both have distinct views on how this is achieved. Prachi believes the way to achieve empowerment is through her mind and strength, while she still confines to tradition views of Indian culture. Ruhi desires to achieve female empowerment by exposing her beauty in a non-conservative way while maintaining her Indian identity.
Lahiri examines her characters’ struggles, anxieties, and biases to explain the details of immigrant psych and behaviour. Jhumpa Lahiri through her work states that the distinction between human cultures is man-made. The characteristic of her writing is “plain” language and her characters. Often Indian immigrants to America must find a way between the cultural values of their homeland and their adopted home. Jhumpa Lahiri has the abilitie to pass on the most seasoned social clashes in the most prompt mold and to accomplish the voices of a wide range of characters are among the one of a kind qualities that have caught the consideration of a wide crowd. She was conceived in London, and after that moved to Rhode Island as a youthful kid with her Bengali guardians. It is especially engaging that Jhumpa Lahiri is the child of Indian immigrants and that she also crosses from England, her birth place, to the U.S.A. and became an American citizen. In The Namesake, Lahiri’s experiences of growing up as a child of immigrants resemble that of her protagonist, Gogol Ganguly. Immigration became blessing in disguise as that makes her a Diaspora writer. In her novel, The Namesake, Lahiri deals with the frightful experience of Ashoke and Ashima, the Indian immigrants and their offsprings, Gogol and Sonia, the second generation, conceived and raised in America. This novel manages space, time, dialect, and societies for drawing out the substance of Indian diaspora. Lahiri has specified three landmasses - Asia, Europe and North America in her novel. She plans to build up the topic of the novel, diasporic dilemma, through the fundamental characters-Ashoke, Ashima, and Gogol. For Ashoke, diasporic strain isn't profound. It is exceptionally obvious in Ashima and Gogol. Sonia is
Charulata, one of Ray’s most admired films, inhabits a significant historical background that unfolds to problematise the presupposed role of the contemporary Indian woman. Based on Tagore’s novel, the film is set in 19th century Bengal on the threshold of change and is one of Ray’s attempts to chart female subjectivity at a time when Bengali society and culture was in a state of flux between modernity and tradition.
In this book writer has also used the perspective of psychoanalysis to examine lahiri’s fiction and it has also used different ideas of Sigmund fraud, Andre Greene and Julia kristeva. The book comprises of four chapters and the first chapter of the book Diaspora Hereafters pertains the gap between first generation and second generation. First generation In Unaccustomed Earth is Indian American Immigrants with their American born children living in a community of diaspora, maintaining their American identity and also resisting their parent’s love for past life, migration experience and their memories of their mother country (1). Jhumpa lahiri’s interviews always gives an indication that after her parent’s death she felt she had lost her identity (2). The second chapter is Revenant Melancholy which deals with Kaushik crime and exile. The third chapter is Dead Mothers and Haunting which describes intentions of Hema. The fourth chapter is Future of Diaspora which explains the loss of immigrants’ identity and loss of mother land. Still this books lacks in describing immigrants predicaments due to shift in their identities. Though researcher has defined the problems of immigrants but lahiri’s play of continuous shifting identities is not even touched by
Ramamoorthy, P. “My Life is My Own: A Study of Shashi Deshpande’s Women” Feminism and Recent Fiction in English Ed. Sushila Singh. New Delhi: Prestige, 1991.
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...
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You’ve probably heard or seen of the classic “patient on the couch” form of therapy where a patient is asked to lay on a mysterious looking couch next to a chair where the therapist is to sit. The session is started by the therapist asking the patient to talk freely about what might be troubling them whether it be a dream or parts of daily life. The therapist then goes on to pick apart your discussion and go into detail on parts which he believes is where the problems are arising from, and no doubt somehow linking it back to your childhood in some way or another. All the while taking notes and on your mental state. This of course is the foundation for Freud’s theory of psychoanalysis, and is for many, an integral part of modern
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