The world before her is a film of hope and dreams for Indian women. We examine two girls with different paths but one goal in common, empowerment. This term conveys a wide range of interpretations and definitions one of them being power over oneself. Both Prachi and Ruhi manifest a will for female empowerment but both have distinct views on how this is achieved. Prachi believes the way to achieve empowerment is through her mind and strength, while she still confines to tradition views of Indian culture. Ruhi desires to achieve female empowerment by exposing her beauty in a non-conservative way while maintaining her Indian identity.
Prachi, a militant Hindu living in the rural side of India believes that the Hindu life is for her. In a Hindu camp she preaches resistance to Islam, Christianity and western culture. Prachi feels strongly about defending her beliefs and would not hesitate to use violence. In this camp, Prachi and the girls are taught to use firearms and to fight. This training has made Prachi believe that she is capable of killing, and ready to put her life at risk in defense of Hinduism. Her dedication to Hinduism has made Prachi question God’s desire for her. She states, “I'm different from girls, I'm different from boys. My life is not to get married, to produce children. I have the feeling I’ve not been made by God for these things” (Prachi). With this declaration, Prachi reveals a lack of sexual continuum and this leads us to consider that her sexual identity had an impact in her choosing to live her life this way. Being surrounded by so much violence has made Prachi tough and the treatment she receives from her father has made her strong. Her father doesn’t allow her to cry, he believes it shows weakness. He ...
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... something she wants being that she still confines in her tradition to a certain extent. During the pageant, their morals are being question since the pageant contestants are required to do things that the traditional perceive as unmoral such as modeling in bathing suits.
As we compare the traditional women versus modern women, we perceive differences and similarities. Prachi fights for a belief system that controls her meanwhile Ruhi struggles with self-identity and depends on the beauty pageant to empower her as an Indian woman. Prachi defends Hinduism but at the same time, is Hinduism that restrains her from becoming “modern.” Ruhi on the other hand considers herself a very modern girl and she values freedom therefor the pageant is a road to liberation for her. Both girls struggle in distinct ways but their goal is similar, to shape their countries future.
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
Beyond the Lights, is a romantic drama film Directed by Gina Prince-Blythewood. The film premiered in September 2014 at an international film festival held in Toronto, and this followed by its release on November 14th, 2014 in the United States. The film is one of the strangest music industry romance based films, alternating between the entertainment business, wisdom and heartfelt flourishes. Yet, Gina Prince-Blythewood manages to show all the elements of her play into an irrefutably entertaining package.
shoulders, this could be viewed as a sign that he has forgiven Bleeker. The father
Time and language are both basic constructs for society. Individuals depend on the existence of time to organize their lives and language to have the ability to communicate with those around them. Though the technicalities of time and language have changed over the years, they have, for the most part, remained the same conceptually. However, The Arrival, a science fiction movie released in 2016, took the philosophy behind time and language and altered it completely. The Arrival tells the story of Dr. Louise Banks, a professor of language, as she attempts to decipher the language of the aliens. In doing so, her perceptions of time are completely changed, an experience which causes emotional
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
A League of Their Own (Marshall, 1992) explicitly characterizes an American era when a woman’s place was in the home. Even our modern perspective implicitly follows suit. Although women have gained rights and freedoms since the 1930’s, sexism remains prevalent in America. This film offers an illustration when men went to war and big business men utilized women as temporary replacements in factories, sports, and so on. Here, course concepts, such as gender socialization, gender expressions, role stereotypes, emotion expressions, and language, correspond to the film’s characters and themes.
The average person wants one thing more than anything else, and that thing is to belong. Usha, a young girl from Calcutta, is no different. Already trying the find her place in the world, Usha must now assimilate into cultural society within the United States. Usha’s uncle, Pranab Kaku, came from Calcutta as well having first come to America, his experiences start off worse than Usha’s, which causes him to join the family in an act of social grouping. With the Old World trying to pull them back and the New World just out of reach, both must overcome tradition and develop their own personal values.
In the mid 1960’s to and early 70’s a new generation of film making came about. A generation of young film-makers who pushed the boundaries of sex, drugs, nudity, and violence. They changed the way of how Hollywood films are produced and marketed. There was many revisions of Hollywood’s old films. They re-worked and re-imagined some of Hollywood’s classic genres – such as the crime film, the war film and the western – and by so doing, presented a more critical view of America past and present. () These films mostly represented the issues of the youth, this was known as the generation gap. Location shooting also became almost the exclusive norm.
Thus, the reason why British Westerns have an unconventional tradition of being sympathetic towards Native Americans is clear. Although directors certainly bring their own personal artistic vision to their projects, mainstream film production is still ultimately governed by commercial interests, as both Nowell-Smith and Neale attest. In order to make a profit at the box-office, movies have to meet the expectations and desires of their viewers, ensuring positive reviews and word of mouth endorsement. With government approval high in the United States during the 1950s, there was very little incentive for production companies to release a movie which challenged the dominant myth of the nation’s founding and its virtuousness, as it is unlikely that audiences would have been open to these ideas. Consequently, during the “Golden
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
Through these two novels, we’re able to see the quandaries that women must face when modernity and old customs come head to head. Both of these women remain brave and to try to sustain their new found freedoms, despite any difficult encounters. It is these women with their fierce ideals that would make them pioneers for all women liberation movements.
The Road Within is a film written and directed by Gren Wells about a young man, Vincent, whose Tourette’s manifests itself in the form of uncontrollable jerking movements and profane, belligerent outbursts. After Vincent’s mother dies, Vincent is put in a behavioural centre by his estranged politician father.
Kidnapping not only happens in the United States, it happens worldwide. There are some children who are found and there are some who has been missing for years to come. The call was a great way to let young adults know the severity of being kidnapped and it lets dispatchers know how severe a person being kidnapped really is. The call was a movie made in the year of 2013 starring Halle Berry and Morris Chestnut. Halle Berry and Morris chestnut work together to make this film become a great life lesson and also create suspense. During the last 32 years, NCMEC’s national toll-free hotline, 1-800-THE-LOST® (1-800-843-5678), has received more than 4.3 million calls. NCMEC has circulated billions of photos of missing children, assisted
“The Hours” directed by Stephen Daldry intertwines three women of distinct time periods as one. Virginia Wolf of the 1920’s, Laura Brown from the 1950’s and Clarissa Vaughn of modern time. The movie alternates with rough regularity between these three main characters. The movie centers on the feminist perspective of the three main characters and their respective time periods in American society. Daldry achieves purpose through plot, symbolism, and motif in a way that draws the viewer in on prominent attitudes and perspectives of each character that reveal theme. Virginia Wolf writes her story, Laura Brown reflects on the events in the story, Clarrisa Vaughn lives the story in modern time. Daldry cleverly organized the movie into three distinct
Bharati Mukherjee’s novels range widely across time and space dealing especially with the consequences emerging out of cultural confrontation of the East with West in the alien land. All her novels are female centered and deals with the changed psyche of the protagonist’s behaviors. But her latest novel Miss New India (2011) takes a U-turn in dealing with the protagonist, Anjali Bose, in her own country i.e. India bringing the western cultural confrontational effects of highly sophisticated life style in rural and urban India. This paper focuses on the issues of marriage in typical Indian family in which marriage is considered as the utmost holy duty of parents. It also brings out the challenges, implications, outcry and outcome of marriage of the protagonist. Miss New India is the last of the trilogy consisting others two as Desirable Daughters (2002) and Tree Bride (2004).