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The essay of the chicano studies as a us history
Chicanos culture
The essay of the chicano studies as a us history
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La Mission in many senses, is a coming of age story, not so much for the son as it is for the father. The film takes place in the San Francisco’s Mission District where a reformed inmate and recovering alcoholic named Che, resorts to violence and intimidation to get what he wants. He restores cars as a passion and a hobby to keep him out of trouble with his neighborhood friends. Soon his world is crushed when he finds out that is only son is homosexual. The film critiques Chicano men whose culture is revolved around conservativism, domination, and violence. Che represents the patriarchal culture, and like that culture, is at the verge of great change. He can either maintain old habits and attitudes, or he can adapt, grow and mature. Coming out stories are not new, but in this particular film, it is told through a Latino perspective, something rarely viewed. The majority of Mexican and Mexican Americans are Catholic where many are devoted spiritually and follow the ways of the bible. When it comes to the topic of homosexuality, it is usually something …show more content…
Che is a “father who is rigid, immovable, impervious to change, and close-minded.” (Najera). In the Mexican culture, men are seen as macho and strong, not letting a no be an answer; they must always get their way. With religious affiliations and male dominance, it has set standards in the Mexican/Chicano community of what is right and wrong. In a study conducted by the department of psychology at the University of California Davis, they discovered that “U.S residents of Mexican descents will express more negative attitudes toward homosexuality to the extent that they are highly religious.” Che was always seen praying and mentioning the Virgin Mary when he was in a troubled situation various times throughout the film. His devotion to religion made him believe that the rules set by God are the only rules that exist in the world which must be followed exactly; love between a man and woman. In that same
Afterwards, in the 1990s films portraying Latinos would take a somehow new direction, one of the most famous filmmakers would be Gregory Navas, he directed the movie My Family/Mi Familia, a film that portrays the lives of a Mexican-American family and the difficulty that the couple faced in order to establish in the U.S. “by passing as immigrants and all the struggle to integrate their family in another country” (Peña Acuña, 2010). The film let the audience see a potential reality that most immigrants went through when they first moved to the United States and how the system worked differently and the way immigrants had to adapt not only to the system, but also to the language and culture.
What I’ve noticed in the film is that the two main characters fit two standard archetypes of gay men. One who welcomes their sexuallity and one suppresses it. Ennis Del Mar is a man who before the story started was engaged to a woman named Alma. When Ennis and Jack begin their sexual relationship and Ennis tells Jack that he wasn’t queer,
While most movies of the 2000s somehow spoke about sex among young adults, for the first time the emphasis is on the virginity of a Mexican American female. In part this topic is not discussed openly, it is only discussed awkwardly in a mother to daughter conversation. This movie opens the eye to many families conservative other this matter, Ana’s mother openly shames her daughter to losing her virginity to a random person which was not the case. In this scene, rather than have a heartwarming conversation with her daughter she is angry possibly at her daughter but possibly at herself for not knowing what her daughter was doing. Ana is prepared to lose her virginity and is responsible to purchase contraceptives something also talked about but mostly whispered in the chicano community. Ana states that women get pregnant not because they are having sex but because they are having it unprotected or don’t know how to use different methods of contraceptive. The talk among Mexican American families is not how to use contraceptives rather it is do not get pregnant or “ELSE”. Real Women Have Curves shows that the real problem is not getting pregnant it is the lack of communication Mexican American women have with their
...e growing power of Latinos in the film industry. Latino producers such as Joseph Vasquez have made many films (such as Hangin? with the Homeboys and Manhattan Merengue) which show Latinos in a truer light. Also, since some of today?s hottest movie stars are Latino, big time producers cannot ignore the influence which they bring to the studio. Leguizamo, Antoni Banderas, and Jeniffer Lopez are just three examples of the growing number of latin@s whose appeal and presence in the film industry can help the overall cause of Latino representation, whether it be assimilated depictions or wholly cultural ones. It is important to recognize that American society recognize that there are indeed differences between U.S. Latin@s and Latin@s in their respective countries. In order to do this; both must be portrayed in popular film.
The author highlights the Latino stereotypes and their effects on those stereotyped and on society. By carrying out a satirical tone, the author is able to manifest how Mexicans are treated; thus, achieving this through the secretary’s rejection of each character represented. The satirical tone elucidates on how people may acknowledge their own prejudices and comprehend how Mexicans feel. Through the Mexican-American character, the author makes it clearly evident of an attempt to end prejudice in itself. The author illuminates the ludicrous hypocrisy behind labeling; this play serves to help society see the injustice of their opinions and to meet their
Mexico is described as tragic-those who are of Mexican descent are often very traditional in thought. Rodriguez’s father held the traditional beliefs that old men are wise, that life is disheartening, and near one’s death is the point where one must look back on their life. However, he also feels that Mexico is a happier place, with sweeter children and more lavish funerals. Perhaps he views Mexico as the tragic place because it represents a lost heritage to him. He, who in his middle age, finds himself agreeing with the Mexican ideals, nevertheless finds himself affected by living in America. Instead of being raised with the ideas of Mexican culture, he was raised with Protestant optimism characteristic of California. He was forced to abandon the way of life of his ancestors, even if only partially. America-more specifically, California, conquered the Mexican ways, and in so doing, lost the opportunity to reconcile the Catholic South and the Protestant North. Thus, Mexico emerged as the tragic hero and California as the laughing victor. California is comedic because it is a place where it is possible to start anew, to defy the traditional.
Suárez takes pride in being a Chicano, he's nonjudgmental of his people. He uses a Spanish dish to describe his culture in El Hoyo, he says "While it might different greatly from one home to another, nevertheless it is still capirotada." In other words, he is saying each family may be completely different but they're still Chicano, they come from the same origins. The Chicano community stuck together which is why they were able to keep their community afloat. They know they are stronger together than they are apart. They were so powerful as a unit, they drove out non Chicano business owners and were able to open and manage their own jobs. The oneness of the Chicano community was amazing, however we all aren't fortunate enough to have such a strong community. For my community it is totally contrary from El
...r own personal identity and how others view them. They are caught between to very different cultures and consequently often don't know how to find a way to balance the two. As Latino-Americans move farther away from their roots and struggle to find some common ground between the two cultures the polar duality in their identity will continue to be an extremely common theme in Latino writing.
La La Land is a critically acclaimed 2016 American musical both written and directed by Damien Chazelle. The film made more than $300 million dollars at the box office, becoming one of the most successful Lionsgate production movies (1). La La Land is not only greatly packed with emotions, but also filled with intense colors and great music. Even if the viewer is not into musicals, the songs in La La Land have a catchy tune and magical sound that would get stuck in his/her mind. The movie has been considered a masterpiece by the complex and high-quality techniques that it presents; from lightning, costume, choreographies and use of color to the intensity of the acting itself, La La Land is a movie worth the watching.
The regulated and heteronormative sexuality embedded in Mexican culture is not a secret, nor is it a rarity. It is, however, exclusionary for nominating a style of heterosexual sex as the ideal sexuality. On Mexican culture and this ideal, in “Queer Aztlán: Re-formation of the Tribe,” Cherrie Moraga notes, “Since lesbians and gay men have often been forced out of our blood families…. we are in a critical position to address those areas within our cultural that needs to change” (232). Gil Cuadros’ City of God addresses the problem areas in Mexican culture that Moraga mentions. In the first part of the collection, Cuadros presents short stories that highlight the fault in historic and traditional views on sexuality held by older Mexican generations,
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
Fruitvale Station was an authentic, clear, and realistic dramatization of the real events, and life of Oscar Cruz. The film displayed different types of sociological theories from racial profiling to prejudice to discrimination to institutional discrimination. The main objective of this film was to open the eyes of viewers to the struggles, and indifferences a minority group faces in modern day America.
If you have only heard about La La Land, you may be wondering what all the song and dance is about. But if you have been tracing its trajectory for a while, you’ll know that song and dance is the whole idea. Winner of seven Golden Globes and six Academy Awards, the 2016 Hollywood blockbuster has got viewers leaving the cinema with a tear in their eye, a song in their heart and a clear six inches of thin air between the soles of their shoes and the pavement.
“The Mission” is based on a true story that occurred around the borderlands of Argentina, Paraguay and Brazil in the years 1750’s according to the film and history. The Treaty of Madrid of 1750 with the Spanish and Portuguese caused both havoc and death for the people of the Guarini and the members of the Jesuits. The Jesuits, members of the church, tried to bring Christianity and civilization to the natives while keeping at peace with Spain and Portugal. The Jesuits were the teachers for the natives; Teaching them not only the Christian religion but also civilization. Father Gabriel, a Jesuit, is first introduced in the film when he is showing his respects to a former Jesuit priest killed by the natives. He walks through the South American
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?