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Parent child relationship in teen years
Parent child relationship in teen years
Role of adolescence in family
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While most movies of the 2000s somehow spoke about sex among young adults, for the first time the emphasis is on the virginity of a Mexican American female. In part this topic is not discussed openly, it is only discussed awkwardly in a mother to daughter conversation. This movie opens the eye to many families conservative other this matter, Ana’s mother openly shames her daughter to losing her virginity to a random person which was not the case. In this scene, rather than have a heartwarming conversation with her daughter she is angry possibly at her daughter but possibly at herself for not knowing what her daughter was doing. Ana is prepared to lose her virginity and is responsible to purchase contraceptives something also talked about but mostly whispered in the chicano community. Ana states that women get pregnant not because they are having sex but because they are having it unprotected or don’t know how to use different methods of contraceptive. The talk among Mexican American families is not how to use contraceptives rather it is do not get pregnant or “ELSE”. Real Women Have Curves shows that the real problem is not getting pregnant it is the lack of communication Mexican American women have with their …show more content…
parents, particularly mother’s that causes this phenomena. A great emphasis on positive body image is implied through the movie but one key moment is after Ana loses her virginity to Jimmy she states, “Wait. Turn the lights on. I want you to see me. See, this is what I look like.” Just as Ana exposes her naked self to Jimmy she feels that it is necessary for him to accept that is her and that she isn’t going to change. A great cast for this scene both Jimmy and Ana seem to be a young couple mature enough to go to the next step in their relationship. This also produces a topic of discussion, women but mostly Mexican American women are taught to be and look a certain way to attract the man they want but in the film, the protagonist insists that she be accepted in her own way because she is not going to change it. This scene along with the use of cine-graphic effects of darkening the room then lighting portrays a vulnerable Ana as she just exposed herself to Jimmy yet feels her body might not be the correct one for his liking. In the darkness of the room she is safe and her body cannot be judged but Ana doesn’t want to hide she wants to reveal all of herself. Portraying a strong women Ana’s character often gets in the way of showing us her inner conflict.
On one hand we can see that she pushes back and challenges her tradition on the other hand it is difficult to not see emotion expressed by herself when she is alone. One scene that does do this is when she is buying condoms for the first time but does not know what to purchase. This small but significant scene revels that although she is strong and ready she also needs guidance through her path of adulthood. She is able to ask a pharmacist for advice but not her own mother. This lack of connection to be open up to mothers is emphasized enough to create awareness that young Mexican American women need someone to talk to and it should preferably be their
mothers. Many scenes in this film are enjoyable to watch yet difficult to see as something that would happen in real life. At the factory Ana convinces the workers to work only in undergarments to stand the horrible heat. In real life doing something of this nature would be odd and most people like Ana’s mother would not join in simply because they are afraid of what others would say of their bodies. Scenes like this interfere with the development of Ana’s character because the viewer is given a character that is in part very real and at the same time to fictional for her humorous actions. This film is excellent as a young Mexican American I can easily identify with Ana’s conflict of leaving her family behind to purse her interests. This film acknowledges most Chicana stereotypes and one by one is able to show that they are not true and that most are something we have decided to make true. From dealing with the pursuit of higher education, men, and body image this film uniquely wraps the topics and meanwhile portrays this in a comedic way. Being a Drama Comedy helps the movie get across its various points. For those who are traditional parents, they are able to see a reflection of themselves in Ana’s mom and even witness how unfair their treatment can be to their daughters. At the same time since it is a comedy it allows the viewer to mock many of these real life scenarios and bring down the intensity of the argument. Various element to this movie such as setting and music allow the viewer to see before hand in what community the film will take place. Yet as far as location the film is set in a very real looking Mexican American community presenting the language and colorful traditions in them. On the contrary although the style of music used at the opening scene also lets the viewer know where the film is going, this is only the case to viewers who did not grow up in the Mexican American culture. More appropriate music would be a Selena song or a Cumbia not a Mariachi which is rarely heard nowadays or even in 2002. With all its amazing plot Real Women Have Curves allows the viewer to have a connection with the film. Being so similar to what a Mexican American women grow up around the film is an easy way of expressing at least on thing a Chicana has felt in her lifetime. Although this film is often brought down with Ana’s extreme measures to challenge her mother the film is excellent as it presents various topics directly at the viewer and others in a subtle and indirect manners. Real Women Have Curves is often too real and speaks to the real Mexican American women hiding no topic that is difficult to discuss in real life. I can recommend this movie not only on the merit of it being a good Drama Comedy but more because it can open up important topics that need addressing in Mexican American families.
The scene was acquired from the play Real Women Have Curves by Josefina Lopez. The characters are five Latina, overweight women by the names of Ana, Estela, Carmen, Pancha, and Rosali. Carmen is the mother of Ana and Estela, so the sewing factory these women work could be a family business, since the owner of the factory is Estela. Therefore, being a factory on stage for this scene probably in the past because from the scene, you can tell there is no air conditioning and they are sewing the material themselves. They also mention “La Migra” and how most of them had papers and some didn’t. In addition, the scene begins with Ana, undressing herself due to the unbearable heat. The women start picking on her because of her fat however Ana doesn’t seem to care because she loves her body and doesn’t need to be treated as a sexual object. The other women join the conversation and conclude undressing themselves comparing body parts to examine who has the worst overweight condition (which seems to be the conflict yet sets the mood to a comedic one). They end feeling
Moreover, she feels that the "U.S society is gendered and racialized: it expects certain behavior from women, certain bearings from men, certain comportment from queer mujeres, certain demeanor from queer hombres, certain conduct from disabled, and so on"(65 Anzaldua).
Both Dumas and Cordero are growing up in a culture that is different from their parents’; this difference is one reason why both girls have a feeling of ‘otherness.’ Even though both girls feel a struggle between their heritage and the American culture they live in, they deal with this struggle in dissimilar ways. Although Cordero does love her family, she feels as though she is trapped by her Mexican heritage. She is surrounded by Mexican-American females who are oppressed, unsatisfied, and often longing for a different life. We get many stories of her grandmother, cousins, and neighbors who are stuck in a place of discontent with no way out; and she does not be part of an endless loop of females who are under the control of men.
Anna Quindlen, author of “Sex Ed”, believes that sexual education is vital to America’s future due to the fact that teenage girls are getting pregnant. Children should have the tools they need in order to understand their own body and sexuality. Quindlen uses compare and contrast in order to differentiate between what sex culture was, and how it is in 1986. In “Sex Ed”, Quindlen speaks about her experience at a family planning clinic in one of the poorer neighborhoods of New York City. She uses strongly uses irony in the first part of the excerpt, stating how all of the teenagers perfectly understood the reproductive system, yet they were all pregnant. The answer to teenage pregnancy is sexual education; how someone gets pregnant, how someone avoids pregnancy and how to handle unplanned pregnancy. However, educating students about pregnancy and the reproductive system is not a magical solution
It seems that every sibling doesn’t always have a great relationship with their older or younger siblings. In the movie “Real Women Have Curves”, we have two sisters, Anna and Estella,who seem not to get along in the beginning because of their differences, but at the end they become the best of friends because they have similar dreams and learn to support each other. The advantage of Anna and Estella’s relationship is that they benefit from each other. The whole story is that you don’t always realize how much you have in common with your siblings until you realize that you have similar dreams and can be there for each other.
Class, gender, race, and ethnicity play important roles in the film “Real Women Have Curves” by Patricia Cardoso. Ana is the main character and is portrayed as a Hispanic/Latino teenager finishing her senior year of high school. Having grown up in a Roman Catholic house hold, her family expects her to stay home and take care of the family and eventually get married and start a family of her own soon. However, Ana has different plans for herself and does not want to follow traditions and beliefs that her mother tries to force against her.
There is an abundant amount of movies that are inspiring to people, and throughout the years there have been empowering messages for some women. In Real Women Have Curves produced by Effie Lavoo and George brown, there is an empowering message for women of all types. The film is about a Spanish 18-year-old girl who struggles with a life of a regular Spanish woman. While this movie applies more towards Spanish woman it can also empower women of all types. Ana the main character wants to attend college, and she is a bright girl. The problem is she cannot attend college ,because, of the nature of the Spanish community she comes from. The mother constantly puts her down for her weight and not being marriage material. Ana is also expected to help the family with earning money, which is one of the reasons she is not being allowed to go to college. As the mother says, “I have worked since I was 13 years old now it is her turn” (). Ana’s mother believes Ana need to work for the family since she has become of age, and that she needs to get married because that is what women are supposed to do.
With so many opportunities to learn about their sexuality denied, Latina girls are forced to empower their own sexual knowledge on their own or with the help of friends. One example is through the use of self-respect. Similar to how mothers often instill a sense of self-respect on to their daughters, many Latina girls use the same concept to redefine the concept of the good girl/ bad girl dichotomy. Instead of the act itself automatically labeling girls as bad girls, it is the reasoning behind their sexual activities that ultimately matter. If a girl has sex within an established sexual relationship, that may or may not be defined as love, she is viewed as a good girl. But if a girl has indiscriminate sexual relations without regard to their own sexual health, she is labeled a skank or a hoe and thus a bad girl. Additionally, young Latinas often empower their sexuality, through the
Most of the chapters in the book are just her telling about her life. She was born a very poor and sickly child, growing up with her mother and grandmother, after her mother had left her abusive husband. This was only the beginning of a very rough and trying life that she would face. She went on to describe her childhood, how other Salvadorian women were treated and the Salvadorian way of viewing women. Raised as a strict Catholic, she was taught by her grandmother at a young age to “act like a proper young women.”
Ruiz, Vicki L. From out of the Shadows: Mexican Women in Twentieth-century America. New York:
In the film, Tina (the Latina) plays the love interest of the main character Mookie. Together, they had a child in which he does not care for often which leaves her very angry. However, when Mookie arrives in her home, he immediately tells her to take her clothes off, and after one protest she complies. In media, the stereotype for the Latina is that she is sexy, fierce, and loud - this movie did not portray the Latina any differently. Perhaps it was out of context for this type of movie, but in general I wish there was more representation of Latinas in different roles. Growing up, I have never seen a Latina in the fields of academia, medicine, business or anything except for housekeeping, which can be discouraging to a girl’s self-esteem. The Latina women I have been exposed to were all known for their looks or assets and not their personal talents. For instance, Sofia Vergara often plays the ‘spicy’ Latina and most people acknowledge her for her beauty and not her acting. While this may not be entirely negative, it still only portrays a slim view of what Latinas are and what they do or stand for. While the issue on the surface may be that Latinas are hypersexualized, the deeper implications are that placing a label to define Latinas under one category limits their abilities and fails to acknowledge the variations of all the different Latina
She is the one that refuses to oblige to societal orders. She is the “Shadow-Beast” (38) with “Chicana identity grounded in the Indian woman’s history of resistance” (43). Although alienated physically, Anzaldua is “immobilized” (43) mentally the more confined she becomes in a culture engulfed in pure oppression. She claims her “shadow-beast” as the depiction of her highly wanted independence as an individual human being, which eventually forces her to leave her family behind to find herself separately from the “intrinsic nature buried under the personality that had been imposed” (38) for people like Anzaldua for many years. Her push for rebellion sets a voice for the silenced anger and pure resistance against the ostracism of herself, her family, culture, and the white-washed society she has been born into. To be the only Chicana, lesbian, and rebellious woman in her family is considered sinful, as women, according to Anzaldua, in Mexico only have “three directions she could turn: to the church as a nun, to the streets as a prostitute, or to the home as a mother” (39). Noticing that women are culturally restricted to these roles, Anzaldua creates the opposite role for herself claiming to take the “fourth choice” by “entering the world by way of education and career and becoming self-autonomous persons,” (39), which she uses to her advantage to transform the prolonged oppression into her long awaited freedom to live as an openly queer woman
Latin American society places a great deal of importance on the family as a support network; it is not uncommon for several generations to reside in the same house. This emphasis is called familismo, and the mother in the family is usually the most important figure. She “is seen as the primary nurturer and caregiver in the family…[and] plays a critical role in preservation of the family as a unit, as well as in...
She includes that many other cultures also consider men to be the dominant ones in the family. Men are given the roles of taking care of the family but she said because of the many opportunities for women in America, the women of Mexican decent is breaking away from the “norm”. In America the men are also considered the dominant ones in the family but do to a change in social norms many American women are also becoming more independent and providing for their families.
To help me understand and analyze a different culture, I watched the film Selena. The film tells the life story of the famous singer Selena Quintanilla-Pérez. Not only does it just tell personal stories from her life, it also gives insight to the Mexican-American culture. Her whole life she lived in the United States, specifically in Texas, but was Hispanic and because of that both her and her family faced more struggles than white singers on the climb to her success. Even though the film is a story about a specific person, it brought understanding into the culture in which she lived. Keeping in mind that these ideas that I drew about the Mexican-American culture is very broad and do not apply to every single person in the culture, there were very obvious differences in their culture and the one that I belong. Mexican-American culture identifies with their family rather than individualized or spiritual identities and the culture has gone through significant changes because of discrimination and the changing demographics of the United States.