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"Everyday Use" by Alice Walker Heritage is something a person inherits from one's family. A person's heritage is one's family/ethnic background or past history. Heritage can be a family's past way of life, or something they were known for. Heritage can be what customs or traditions a family followed in the past leading up to the present. One's heritage can be teachings, morals, or objects passed down from an older generation of relatives to the current generations. In the short story "Everyday Use" by Alice Walker, the theme of knowing one's heritage is conveyed through characterization, symbolism and conflict. In "Everyday Use" one of the main characters Dee, mama's oldest daughter, claims to know and understand the family's heritage. In reality, Dee …show more content…
fails to realize her heritage, and instead creates her own perception of it.
Dee perceives her heritage as a rich African heritage, which can be noted by the bright flashy clothing she wears when visiting Mama and Maggie. Mama describes Dee's dress as "A dress so loud it hurts my eyes" and states that "There are yellows and oranges enough to throw back the light of the sun (Walker 478)." Dee's clothes have nothing to do with her heritage despite what she thinks. Furthermore, Dee treats the family heirlooms like old relics that should be put up for decoration or put in a museum, and fails to see the use in the objects. For example, Dee states "I can use the churn top as a center piece for the alcove table." Instead of putting the churner to practical use Dee wants to use it for show as if putting an artifact on display. Unlike Dee, Maggie is a lot more in touch with her family's true heritage. Maggie may not be as smart as Dee, but she knows more of the heritage passed down to them. Maggie has accepted her heritage, and has been taught a few things from her heritage. Mama has stated "It was Grandma Dee and Big Dee who taught her how to quilt herself (Walker 481)."
Maggie has learned how to quilt from both grandma Dee and Big Dee and that has made her closer to her heritage and family. It is also why she states, that she does't need the quilts to remember her Grandma unlike Dee who appears to not be close with any relatives. Moreover, Mama like Maggie is not very book smart, stating "I never had an education myself. After second grade the school was closed down." She also states that she had always been better at "A man's job." Not to mention Mama has been through some rough trials of her own. Mama is very intouch with her family's heritage and is a tough strong woman just like her ancestors. A symbol of Dee's failure to comprehned her heritage is evident when she tells Mama that her name is no longer Dee. "Not 'Dee,' Wangero Leewanika Kemanjo!" exclaims Dee as she tells Mama her new name. Dee abandons her original name without ever thinking that her name is a part of her actual heritage. "You know as well as me you was named after your aunt Dicie (Walker 497). Dee's name has been passed down from her great grandmother, to her grandma, to her aunt, and then on to her. Instead of accepting her name, she changes it to Wangero, which has no significance to her family's heritage. Dee fails to grasp the actual orgin of her name, and believes that her old name was just name that came from racism. When in fact her name, Dee, is to comemorate the strength of the women that held that name before her. In addition, the quilts are a symbol in "Everyday Use." The quilts are pieces of clothing sewn together, and belong to past generations of their family. "These are all pieces of dress Grandma used to wear." The portions of fabric represent the struggle and hardships the family member's overcame and is a sense of pride to the family. The family's rugged ability to overcome obstacles is sewn together, and the quilt helps represent that in their heritage. The quilts also represent the closeness of their family which is not that evident now since Dee and Maggie are not close. "These old things was just done by me and Big Dee from some tops your grandma pieced before she died (Walker 481)." The bonds that hold the quilt are strong just like the bonds of the family members like Big Dee and Mama. The bonds of the quilt and that of Mama and Big Dee shed light on how Maggie and Dee's relationship is distant and faint. The conflict in the story is man vs man or to be exact Mama vs Dee. Dee wants the quilts that are made from past relatives clothing. The problem is that Mama already had promised the quilts to Maggie. Outraged Dee retorts "Maggie can't appreciate these quilts....She'd probably be backward enough to put them to everyday use." Mama responds " I hope she will (Walker 481)!" Mama comes to understand that Maggie rather than Dee should have the quilts because she will respect them by putting them to their designed use. Instead of just having the quilts suspended in a musuem. The conflict ends with Dee shouting "You don't understand....Your heritage (Walker 482). This statement by Dee is ironic because it is in fact Dee who does not comprehend her heritage and has actually rejected it. Altogther, the short story "Everyday Use" by Alice Walker bears the theme of knowing one's heritage through characterization, symbolism, and conflict. Dee one of the characters rejects the heritage that has been passed down, and creates her own image of her heritage. Dee in turn rejects her name and the deeper meaning of the quilts which ties greatly with the family's hearitage. Conflict arises when Dee asks Mama for the quilts, which are already promised to Maggie. When denied the quilts, Dee ironically questions if Mama and Maggie know their own heritage when in fact it is Dee who does not know the family's heritage. All in all, Mama's family history and heritage will continue through Maggie's everday use of the quilts.
heritage differs from Dee’s. To them heritage is living the way their living. Memories of past relatives
In her short story Everyday Use, Alice Walker talks about a Mother Mama, and her two daughters Dee and Maggie, their personalities and reactions to preservation of their family heirlooms. She shows that while Dee has been sent to school for further education, Maggie is left at home and brought up in the old ways. Mama often dreams and longs for the day she can be reunited with Dee, like in the TV shows. She knows this may not be possible because Dee would read and shower them with a lot of knowledge that was unnecessary, only to push them away at the right moment, “like dimwits” (313); Mama and Dee have different conceptions of their family heritage. Family heirlooms to Mama means the people created, used
Heritage is something that comes to or belongs to one by reason of birth. This may be the way it is defined in the dictionary, but everyone has their own beliefs and ideas of what shapes their heritage. In the story “Everyday Use” by Alice Walker, these different views are very evident by the way Dee (Wangero) and Mrs. Johnson (Mama) see the world and the discrepancy of who will inherit the family’s quilts. Symbolism such as certain objects, their front yard, and the different characters, are all used to represent the main theme that heritage is something to always be proud of.
Dee tries to convince her mother that Maggie should not be given the quilts because Maggie would "probably be backward enough to put them to everyday use" ( Walker 388) and wear them out. Momma comes back with a hope that Maggie does use them since the quilts have been stored in t...
Dee was coming home to visit her mother and sister for the first time since she left for school, but when she arrived the differences was noticeable. When she first arrived she has on “A dress so loud that it hurts my eyes, there are yellow and oranges enough to through back the light of the sun” (Walker). Dee also brought along one of her friends name Hakim-a-barber, while visiting Dee seen some different items from the past that she would like to take back home with her. She wanted to take with her a churn top that her Uncle Buddy whittled out of a tree and a dasher also but wanted to use them as decoration at her place and not for use so she
Alice Walker's "Everyday Use," explores Dee and Maggie's opposing views about their heritage by conveying symbolism through their actions. Maggie is reminded of her heritage throughout everyday life. Her daily chores consist of churning milk, helping mama skin hogs on the bench which is the same table her ancestors built, and working in the pasture. On the other hand, Dee moved to the city where she attends college. It is obvious throughout the story; Dee does not appreciate her heritage. When Dee comes back to visit Mama and Maggie she announces that she has changed her name to Wangero. Dee states "I couldn't bear it any longer, being named after the people who oppress me" (89). Her stopping the tradition of the name Dee, which goes back as far as mama can remember, tells the reader that Dee does not value her heritage. Another symbolism of her lack of appreciation for her heritage demonstrated through her actions is when Dee asks Mama if she can have the churn top to use it as a ce...
...cause she had been “savin ‘em for long enough with nobody using ‘em” (12). After Dee gets the picture she walks out of the house and tells her mother “You just don’t understand. . .Your heritage. . .” (13). Dee is in fact the one who does not understand. Dee thinks of heritage to be as tangible as hanging the quilt on her wall or using the churn as a decoration for her table. Her mother, on the other hand, knows about traditions and heritage. Using the quilts would put the memories of their ancestors to everyday use.
From a young age, Dee felt a detachment from her heritage. After her old house, and her sister Maggie, who she stoically watched burn from a fire. Mama even suspects that Dee burned their house and Maggie too, “She had hated the house that much” (Walker 25). Dee agrees when Mama sent her to Augusta to school. She wants to be a college student because she considers herself superior to those around her—she deserved a higher level of life, “She was determined to stare down any disaster in her efforts. Her eyelids would not flicker for minutes at a time” (Walker 25-26). Upon Dee’s return to visit Mama and Maggie, Mama
Heritage is something that people see in various ways. When many people think of heritage they think of past generation and where their family comes from. Other people place their heritage on the value of things, such as old quits that are made from something sentimental. In Everyday Use this is exactly how Maggie thinks of heritage. She wants the quits that were handmade out of her grandma’s dresses because to her that is a sign of her heritage. Alice Walker’s story is based on heritage. The narrator of the story has two daughters who could not be more different. One daughter, Dee, is beautiful and cares a lot about finding her place in the world, and about fashion. Maggie on the other hand is very practical. She does not see any reason for fashion and is okay with her placement in this world. This is because she is like her mother. Her mother is someone who has had to work very hard to provide for her daughters. She prefers the hard work and takes pride in what she is able to do. When Maggie comes back to visit she brings her abnormal husband with her. She has changed her name and all of a sudden cares a lot about her heritage. She keeps asking to take things that she knows have been in the family for a while. Her mom is okay with this until she tries to take the quilts that she has already offered to Maggie as a wedding present. This is the last straw for her mom and she tells Dee no, which causes Dee to get angry because she knows that Maggie will actually use the blankets and they will fall apart in a few years. Dee leaves angry and then Maggie and her mom move on with their lives. This is a very effective story because they story shows two very different views, creates entertaining characters, and contains a powerful message...
Dee's physical beauty can be defined as one of her biggest assets. The fact that Maggie sees Dee "with a mixture of envy and awe" (409) cues the reader to Dee's favorable appearance. The simplistic way in which Walker states that "Dee is lighter than Maggie, with nicer hair and a fuller figure" (410) gives the reader the idea that Dee's beauty has made it easier for her to be accepted outside her family in society. We are left with the impression that Dee's appearance is above average. Walker plays on Dee's physical beauty to contrast the homeliness of Maggie and her mother. Walker goes so far as to describe her feet as "always neat-looking, as if God himself had shaped them with a certain style" (411). In describing Dee's feet, Walker is giving the impression of perfection from head to toe. Dee's outward beauty has "made her transition from poor farm girl to that of an educated, middle-class black woman possible" (Allen-Polley 11). Needless to say, Dee doesn't seem comfortable with her past and therefore has a difficult time accepting her future. It is as though she is not really connected with her family anymore. She simply needs them to fulfill their positions in her recreated past.
Alice Walker's "Everyday Use," is a story about a poor, African-American family and a conflict about the word "heritage." In this short story, the word "heritage" has two meanings. One meaning for the word "heritage" represents family items, thoughts, and traditions passed down through the years. The other meaning for the word "heritage" represents the African-American culture.
In Alice Walker's "Everyday Use," the message about the preservation of heritage, specifically African-American heritage, is very clear. It is obvious that Walker believes that a person's heritage should be a living, dynamic part of the culture from which it arose and not a frozen timepiece only to be observed from a distance. There are two main approaches to heritage preservation depicted by the characters in this story. The narrator, a middle-aged African-American woman, and her youngest daughter Maggie, are in agreement with Walker. To them, their family heritage is everything around them that is involved in their everyday lives and everything that was involved in the lives of their ancestors. To Dee, the narrator's oldest daughter, heritage is the past - something to frame or hang on the wall, a mere artistic, aesthetic reminder of her family history. Walker depicts Dee's view of family heritage as being one of confusion and lack of understanding.
When Dee finds out that her mama promise to give the quilts to her sister, Dee gets very angry and says that she deserves the quilts more than Maggie because Maggie would not take care of them like she would. Dee feels that she can value and treasure heritage more than her sister Maggie. Dee does what she wants, whenever she wants and she will not accept the word no for any answer. “She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her.” Maggie is used to never getting anything. Throughout the entire story, it says that Maggie gives up many things so Dee can have what she needs or
“Cultural-identity is a rich tapestry of an individual's life experiences, race, nationality, heritage, beliefs, language, customs and worldview” The definition means it's a race in what culture you are, for example, Muslims some Muslims cover their hair and sometimes body because its part of their race. Therefore their ancestor they did the same and it keeps going threw all generations. In book “Everyday Use” by (Alice Walker) it says that the family they have quills and they remained threw generations. They all obtain contradictory opinions on the quills for example the mom thinks they represent a piece of family history in which she knows because when she was little her parents had the quills and her grandparents also had the quills. For
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...