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Downfall of Richard Ii
The complex character of King Richard II
Henry v strengths and weaknesses
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Though King Richard II and King Henry V are both highly theatrical figures in their public performance as kings, both monarchs exemplify different “fictions of kingship.” In the two plays, Shakespeare effectively conveys divergent means by which a king can be a bad and tyrannical leader and by which a king can be a good and just leader. King Richard II proves to be an unsuccessful ruler, because he is too preoccupied with his own wants and desires and shows no redeeming qualities of suitable king. Contrarily, King Henry V proves to be a successful ruler, for his motives and actions are driven by politics and the overall well being of the common folk. While both monarchs are men of words, they use their rhetoric for profoundly different purposes. In contrasting the two men, it can be seen with clarity the distinguishing characteristics that separate the two kings from one another. In Richard II, Shakespeare portrays King Richard II as an unreliable leader. Richard II is highly self-absorbed and neglects to take the common folk into account when making decisions. Because of his narcissism, Richard disregards the consequences of his actions. One of King Richard’s main concerns in the play stems from his desire to acquire John of Gaunt’s possessions shortly after he passes, saying, “Think what you will, we seize into our hands / His plate, his goods, his money, and his lands” (2.1.209-210). Richard demonstrates his relentless motives to obtain Gaunt’s material possessions and land as he persistently insists on doing so even after the Duke of York expresses his reluctance. He showcases his unjustly actions, as well, for he conspires to take the possessions of his uncle that are rightfully Bolingbroke’s, for John of Gaunt is Bo... ... middle of paper ... ... sheds his blood with me / Shall be my brother… And hold their manhoods cheap whiles any speaks / That fought with us upon Saint Crispin’s Day” (4.3.58-67). Henry produces strong prose that sets the tone of a victor’s fantasy and gives his soldiers the incentive to fight, for he emphasizes that the battle will give them an accomplishment to be proud of and honored to be a part of. He also invokes the idea of brotherhood, taking away the hierarchy and placing himself on the same level as his soldiers. Shakespeare’s intentions towards the portrayal of both kings are apparent, and he is able to successfully convey the contrast between the noble King Henry V and the notorious King Richard II. Both kings are very dissimilar from one another and it is essential to compare the two in order to distinguish the characteristics that are necessary to be a honorable ruler.
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
Richard III's Usurpation and His Downfall Richards rule was always unstable due to his unlawful usurpation to the throne and his part as far as the public was concerned in the death of the two princes. As a result right from the start he didn't have the trust or support from his country. As soon as he became King people were already plotting against him. After he was crowned he travelled the country trying to raise support by refusing the generous gifts offered to him by various cities. However unknown to him a rebellion was been planned in the South.
Shakespeare, William, and Peter Holland. The Tragedy of King Richard the Third. New York, NY: Penguin, 2000. Print.
Shakespeare, William. The Life of King Henry the Fifth. New York: Unicorn Publishers Inc, 1950. Pg. 173-295.
...in themes similar to those found in the two Henry IV plays, such as usurpation, rebellion, and the issue of lineage of royal right. But Richard II and King Henry V are decidedly more serious in tone, and in comparing them to I Henry IV and II Henry IV, the argument can be made that it is these two latter plays which resound with greater realism with the broader spectrum of life which they present. Shakespeare carefully balances comedy and drama in I Henry IV and II Henry IV, and in doing so the bard gives us what are perhaps the most memorable characters in all of English literature.
In spite of the weaknesses, Ivanhoe and King Richard demonstrate true chivalric characteristics. They exemplify integrity, loyalty to the king, a love for adventure, and bravery. Through this book the reader learns the meaning of moral guidelines due to the examples set by King Richard and Ivanhoe. These examples challenge us to search for our own moral guidelines. Without these we have nothing to strive for.
Shakespeare displayed character development in Henry by giving him the throne of King in the play. The transition of a troublesome prince to a respectable King was obtained by Henry’s acceptance toward the responsibilities that he was given. Kinship toward his men, strict rule in the war, ability to learn the mistakes from his past and to grow from it- gave Henry the ability to rule in his reign and to portray his growth and development. Henry’s qualities of an effective leader is displayed in the battlefield and is caused by an epiphany, which allowed him to realize his position in the hierarchical chain after his father died.
In the first act of Richard III the audience sees that Richard has developed an elaborate plan to become king (1.1.28-35). His plan is well thought out and looks to the future, not just the present. At the end of act 1 scene 1 Richard describes his plan and begins to get ahead of himself. Then he remembers the plan as a whole and realizes he must execute it in order to succeed. "But yet I run before my horse to market. / Clarence still breathes, Edward still lives and reigns; / When they are gone, then must I count my gains" (1.1.160-163). Through this opening act we see that Richard poses considerable foresight and even acts upon it. By the end of the play, however, this foresight has disappeared. Richard totally ignores Buckingham and refuses to compensate Buckingham for his help in usurping the throne (4.2.119-122). Richard fails to foresee that this action will cause Buckingham to turn against him. This lack or decrease of foresight is one of the principal characteristics of the tyrant.
Shakespeare Richard III was a traitor, a murderer, a tyrant, and a hypocrite. The leading characteristics of his mind are scorn, sarcasm, and an overwhelming contempt. It appears that the contempt for his victims rather than active hatred or cruelty was the motive for murdering them. Upon meeting him he sounds the keynote to his whole character. " I, that am curtailed of this proportion, cheated of feature by dissembling nature, Deform'd, unfinish'd sent before my time Into this word scarce half made up"( 1.1.20-23)
From the outset of the play, it is obvious that Richard subscribes to the majority of the Machiavellian principles. Certainly, he is not ashamed or afraid to plot heinous murder, and he does so with an ever-present false front. "I do mistake my person all this while,"1 he muses, plotting Anne's death minutes after having won her hand. He will not even entertain the ideas in public, demanding they "Dive...down to [his] soul."2 He knows that he must be cunning and soulless to succeed in his tasks. Richard also knows it is essential to guard against the hatred of the populace, as Machiavelli warned.
William Shakespeare’s historical play Henry IV is a story about performing the role of a king. It asks us, how are we to know and remain true to ourselves when we are constantly expected to remain in character and adhere to the roles that other people have given us? Prince Hal is one character that has to pay the debt of a performance that he “never promised” (1.2.187). However, Prince Hal is not the only one who has a role to play. King Henry, the usurper to Richard II’s throne, is continually seeking ways in which he can prove to his people that he is worthy of his crown, while Hotspur, the rival to Plantagenet rule, seeks ways to rally forces to overthrow it.
In spite of the weaknesses, Ivanhoe and King Richard demonstrate true chivalric characteristics. They exemplify integrity, loyalty to the king, a love for adventure and bravery. Through this book, the reader learns the meaning of moral guidelines due to the examples set by King Richard and Ivanhoe. These examples challenge us to search for our own moral guidelines. Without these, we have nothing to strive for.
Since the death of Richard III at Bosworth field in 1485, many historians, appointed officials, and playwrights, have written their histories, thoughts, and accounts of Richard III’s life for hundreds of years. If we think about all of the medieval kings, princes, and other historical figures who were reported as doing just as many, if not worse crimes during their reign, how come Richard III still gains attention for his? This debate continues to this day, because of the early written records that tried to prove his malicious nature. In addition, the plagiaristic tendencies of early historians further added to the debate because century after century, accounts of Richard’s life became more and more negative.
Nevertheless, as a man of action, Bolingbroke has achieved for himself the goal of retrieving his father Gaunt's estates and much more. He, in the end, is king, King Henry IV. And though Richard as king was full of pomp and ceremony, those things were no match for ambition carried to its fullest. His strong words belied incompetence as a ruler, and he could not hold his position. It seems that it was inevitable that Bolingbroke would be the victor at last. Richard should have taken more note of his usurper, before he was such, this man he called "[Gaunt's] bold son" (1.1.3).
Early histories are an interesting place to start a study of Shakespeare. With tragic and comic elements, Henry VI (all parts) and Richard III bend the arc of history. Richard III is particularly fascinating, due to how the title character attacks his enemies. Edward Berry, in Patterns of Decay, says that the play “explores the ‘self alone’ through movement from conquest to destruction.” (75) The characters of Richard III are complicated, and have tragic ends. By examining the title character in Shakespeare’s Richard III, it’s seen that Richard’s motivations, murders, and other actions lead to his ultimate demise as he descends into insanity at the hands of himself.