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Stylistic qualities of ballet
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Mr. John Neumeier is truly inspiring as he has mastered the key to all forms of artistic expression. While explaining the importance of capturing emotions in dramatic ballet, Neumeier’s stated that “there’s no point in a story that is told artfully but that doesn’t reach the heart”. This concept that Neumeier qualifies is the key to all forms of artistic expression as the goal of artistic expression is to evoke an empathic response in the target audience. Neumeier is truly inspiring as he has advanced this ability for expression and evoking this response by revolutionizing ballet by combining two genres of ballet into his masterpieces. Neumeier has mastered the ability to give his ballets life by utilizing them to convey emotions and thoughts. These works thus …show more content…
Literature has existed since the establishment of written language as an attempt to comprehend one’s reality and surroundings, rendering it an intrinsic part of the human experience. As literature developed as an art form, writers would reference and draw from previous works and authors as a means of integrating the rich history of this medium into their works. The beauty of Neumeier's ballets is that he has taken part in this phenomenon of drawing from and paying homage to previous works whilst using the medium of ballet as a vehicle for expression. Neumeier recognizes the beauty in being able to convey and evoke emotions without the use of words and language; it is this recognition that drives my passion for creating visual works of art such as silent films and sculpted ceramics pieces. With this recognition, Neumeier is pushing the boundary by using written language present in literature and translating it into the universal language that takes place in artistic expression, thus revolutionizing his field and entering new
I had the pleasure of being in Western Kentucky University Dance Department’s concert, An Evening of Dance. The performance took place on April 29th through May 2nd in Russel Miller Theatre. It consisted of many works from faculty and guest artists. I felt like the concert was a success and that the choreography was all unique in its own way. I enjoyed the pieces that I performed, and the ones that my fellow company members were in. Through the analysis of “Petrichor”, I found that each production and chorographic element plays a large part in the successful outcome of a dance and emotional responses can be evoked by the simplest ideas.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
In the dance world a staggering number of choreographers have made a lasting impact on the way dance is seen to its audience. Alonzo King’s exceptional oeuvre of work includes him in this great history of significant choreographers. He not only created the link between modern and ballet in the twentieth century, but he bridged the ...
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
Art and literature work independently of each other, however, they can be linked together to help a reader or observer understand in new ways and create new possibilities. Within this context, the perspective of Jacob Lawrence and the authors address that it takes work to build the ideal society and family. However, the authors give the stark reality of both society and family demonstrating that our reality is nothing like the ideal.
5.Agnes de Mille was born in a family where both his parents were theatre professionals. However, she walked on the path of dancing not because of her family but because of her sister’s disease. In order to prevent the same disease, she had to practice dancing. In her studying years, she showed great genius in organizing dancing. Her contribution to dancing was that she made dancing one of the necessary parts of the whole musical drama. It is her that made people realize the importance of the dancing in
Both Copland and de Mille forged an American masterpiece with their groundbreaking music and choreography, respectively. The work that both artists put into Rodeo contributed to the revolutionary new genre of 20th Century American ballet. The music and dancing work in parallel and in close interaction, to convey this humorous and lighthearted story. There would have been no ballet without both of these components. Nonetheless, the music composed under the inspiration and choreography of the story is successful as an entity.
Her book has, in turn, become a corrective of Richard Buckle’s biography of Diaghilev. Garafola offers an invaluable “re-examination of [the] central area of dance history (Macaulay),” and allows the reader to acknowledge all the variations in which this information can be interpreted. It is her ability to open up a conversation and awareness of this methodology that makes Garafola’s book a fascinating addition to dance history books. Though dense with information, perusal, and scrutiny, Garafola provides a refined look into the history of ballets most influential ballet company, Diaghilev’s Ballets
Degas’ passion for depicting ballerinas as they were performing perfectly captures the tone of Impressionism. The impressionist painters were enchanted by modern life and capturing the movement of life in Paris. Both Degas’ Ballerinas and Renoir’s Moulin de la Galette captures the essential qualities of Impressionism. Because Degas’ Ballerinas reflect much of the Impressionist movement, we can use the work be compare to other works of the same time and location, such as the one of Renoir.
The stage that hosted the creation of illusion for those attending ballet after 1827 in its “golden age” (Guest, 1) introduced a new world, but one that could not be reached. These illusions were expressed through performance as “moods of Romanticism.” (5) The Romantic period of the early 19th century emphasized the alienation of an individual, the spectacle of that isolation, and the Romantic ideal that perfection remains mysterious and unattainable, as opposed to the late 18th century’s Enlightenment ideals that held rationality and tangible beings most profound. The spectacle of an estranged, supernatural being embodies these elements of Romanticism, as was represented in Romantic ballet. Coralli and Perrot’s 1841 ballet, Giselle, incorporated these Romantic elements into “each one of (the ballet’s) component parts - scenic design…choreography and dance style” (7), as well as with innovations in narrative. These narratives began to project women as powerful representations of the ethereal, supernatural being, as is specifically shown in the character of Giselle in Coralli and Perrot’s ballet. Through the novelties of Romantic visual presentation in scenery, movement, and narrative, the golden age of ballet was able to effectively “(reveal) the unattainable” (7) and supernatural.
But why has this ballet maintained its mass appeal since its first performance in 1892? Perhaps it is because, in an effort to outstage previous performances, directors continue to integrate elements of expressionism like plot distortion and stylized acting to create a fantasy world. The Nutcracker, written by Peter Ilych Tchaikovsky in 1891, was first performed a week before Christmas in 1892 (History of the Nutcracker). Born in Votkinsk, Russia, on May 7, 1840, Tchaikovsky, the son of a mining engineer, had only occasional musical training as a youth (“Peter Ilych Tchaikovsky” 1). Around the age of twenty-one, he did serious musical study and graduated with a silver medal from the St. Petersburg Conservatory(1).
Vaslov Nijinsky was the choreographer for this ballet. He was considered the greatest male dancer of the 20th century and his works were known for their controversy. In this ballet Nijinsky’s choreography far exceeded the limits of traditional ballet. And for the first time the audience was experiencing th...
'It seems to me, my dear friend, that the music of this ballet will be one of my best creations. The subject is so poetic, so grateful for music, that 1 have worked on it with enthusiasm and written it with the warmth and enthusiasm upon which the worth of a composition always depends." - Tchaikovsky, to Nadia von Meck.
After I began to learn to dance ballet, I found out that these elegant movements actually require a lot of strength, flexibility of the bodies and brain’s participation to make it looked elegant. The dancers’ movements in the performance were so fluent and elegant and it is not hard to imagine how hard they had practiced, stretched and use the strengths to do all the ballet poses with their bodies look longer and longer. Their expressions also impressed me a lot. By looking at their expressions, the audience can easily understand the scenes and blend into the story. The performers actually not only are required to have good dancing skills but also are required to have some talents to be actors. Moreover, they also have to be good at expressing their feelings on the