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Concept of existentialism
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Recommended: Concept of existentialism
Madison Donnelly
Foster
English IV H-2
31 August 2016
Corrupt Righteousness
In John Gardner’s novel Grendel, Grendel purveys erroneous intelligence during his journey of escaping isolation and searches for his moral purpose of existence, while facing the challenges of freedom. The philosophy of existentialism underlines an individual’s own righteous development’s taking dominion over his or her actions of self-determination and intellect. Grendel epitomizes the core of fraudulent existentialism and imprisons himself with insanity due to the confusion of outsider beliefs and principles, which lead to his chaotic downfall of coming to the knowledge of truth. Because of the Shaper’s and the Dragon’s influence, Grendel’s immoral boredom, and the
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confrontation involving Unferth and Beowulf, Grendel gives up as an existentialist that overcomes obstacles that humanity bestows upon him. Grendel oversees the Dragon’s pragmatic existentialism and the Shaper’s hopeful fantasies as opposing ideologies, which take partial remorse of Grendel’s deficiency and continuous transitions of virtuous thoughts.
Grendel falls into the Dragon’s enchantment of instituting the theory of nihilism, but Grendel rejects the Dragon’s philosophy and returns to acceding to his impulses. Because the Dragon surmises persuasively about the absence of God and proclaims there is no intrinsic meaning or worth in existence, Grendel battles with his conscience to not let the evil temptations of the Dragon’s ulterior motives prevail his mentality. The Dragon contradicts his own hypothetical opinion of meaningless life by encouraging Grendel to create his own meaning in the inevitable ambiguity of life. Grendel infers from the Dragon’s propaganda of his theory that nihilism does not lead to the looming sensation of having communal and commutative happiness with sympathetic human beings. Since Grendel only relies on his behavior and intentions as a decision mechanism, Grendel grapples with fighting off the outward drives of the Dragon’s existential approach and with maintaining stable, anthropomorphic characteristics. The Shaper contaminates Grendel’s intellectual disorder and identifies this pessimistic creature with consciousness as an embodiment of evil that cannot vanquish the segregation that he has with the nature of man. The Shaper’s song mentions hopeful thinking of Hrothgar’s kingdom …show more content…
and encourages the thanes’ false glory, which convinces them that the lies of Hrothgar’s greatness are true. The Shaper takes credit and responsibility for inspiring Hrothgar into building a mead hall. The Shaper’s vision of tranquility and power of imaginative art angers Grendel, because the Shaper creates order out of the internal notion of truth. Grendel reacts with misleading existentialism and frustration of having indecisive self-deceptions, instead of giving the Shaper’s religious words an opportunity. Both ideologies of the Shaper and the Dragon produce critical interpretation and awareness for Grendel’s unstable mentality. Grendel’s immoral boredom when encountering corruption torments his own essence and perceptions when having internal contemplations on figuring out the freedom of self-reliance.
Due to Grendel’s inability to communicate with the Scyldings, he isolates himself with human society and becomes the creator of his own universe. Grendel fascinates himself from exile and lets his instincts take action when facing the conflictions of apathy. When Grendel’s murderous actions partake in his deceitful dissatisfaction, Grendel establishes that dominion over his own identity has various complications with upstanding balance and conduct. Grendel retorts that attacking the innocent breaks up the weariness of life. However, this killing actually displays paradoxical pleasure that does not present an everlasting happiness in society. Grendel has predicaments when accepting his own tedium because he feels astray by not knowing how surmounting depression and loneliness functions. Grendel finds coming to realizations with morality strenuous to maneuver with and eliminates structural solidity and necessities of former systems that make society preserve equilibrium when experiencing banality. Because of the friendless boredom that Grendel approaches while on the search for connotation while in existence, Grendel attempts to dispose of it by applying his own sovereignty and repulsive behavior toward the blamelessness. Because of these endeavors, Grendel portrays his downfall of existentialism and
results in failure when finding his ambitions in civilization. The conflict with Unferth and Beowulf constitute abnormal strength and tenacity that enhance an advantage against Grendel’s invidious incentives and imperfect existentialism. Unferth epitomizes inner courage, which confuses Grendel’s disposition why Unferth would give his life for recognition of bravery. The uncertainty of reverent judgment that Unferth has on Grendel promotes patriotic compassion and attention for the continuation of harmony in Hrothgar’s kingdom. Grendel’s uncontrollable anger increases when witnessing Unferth’s honorable intentions for his community. Grendel begins to initiate horrendous contemplations that would demolish Unferth and his dauntless proposals against him. Because of Grendel’s malicious considerations toward Unferth, Grendel loses his virtuous existentialism, and starts penetrating his way to unfortunate corruption. Beowulf puts a termination on Grendel’s mischievous fantasies and existentialism by utilizing his supernatural powers. The coming of Beowulf‘s assistance wipes away Grendel’s unnecessary oppression. Beowulf‘s embodiment of sacrifice halts Grendel to deteriorate in a deeper error of immorality. The impact that Unferth and Beowulf have on Grendel provoke him from becoming an unstoppable monster. Grendel’s fallacious knowledge unveils actual image of modest character with the incapacity to correspond with other humans maturely. Grendel exemplifies the base of treacherous existentialism and constrains himself with madness from the disorientation of the decision-making process. Readers can infer from the outlooks of Grendel’s disastrous conduct that his inclinations are evident to be publicly obscene. Through the empowerments of various characters and situations within the novel, Grendel has lost the capability to persevere his expedition to existentialism.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
"'Pointless accident,' not pattern, governs the world, says Grendel, who, as a consequence, adopts an existentialistic stance," explains Frank Magill in Critical Review of Short Fiction. This point has been expressed in numerous critical papers by various essayists. One may wonder, however, whether this is the only way to interpret an incredibly ambiguous story in which no question is ever clearly answered nor clearly formulated. One may wonder, actually, whether the author meant for his work to be analyzed in this way at all. The author, John Gardner, spins a tale of a monster held viscously to his destiny of an unnatural death. No matter what Grendel does, his death is predetermined. Though he tries to disprove fate to himself by believing in existentialism, the belief that actions create the future, he never validates that point of view. John Gardner's purpose in writing Grendel was to express that the future is completely unavoidable.
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
What's the difference between good and evil? In John Gardner’s classic tale Grendel the line between good and evil is exceedingly blurred. Gardner does a phenomenal job of forcing the reader to question who the real hero of the story is. So is Grendel evil or simply misunderstood? To answer this question one must look at his basic character traits. Grendel is an unloving creature, he enjoys killing and torturing humans, and when he shows any sort of mercy, he later regrets it. Due to these facts it is impossible to label him as “good”.
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Authors often have to choose between concentrating on either plot or social commentary when writing their novels; in John Gardener's Grendel, the plot becomes is a secondary consideration. Grendel's exploits provide the reader with a clear understanding of the strong opinions the author carries and can be seen clearly as a narrative supporting nihilism in its many forms. The reader easily perceives the blatant religious subtext in the guise of corrupt priests and the foolish faithful. The notion of the old being wise is unacceptable to Gardener along with any notion of hero idolization. Within his novel, Gardner expresses his views concerning religion, wisdom and nature.
In the book, Grendel by John Gardner, Grendel shows that existentialism is significant in his life. Many of his decisions are based on the thought of whether they have a meaning behind it or not. He tries to be nihilistic and think that the world has no meaning but he ends up being existentialist as he cares about how his choices will be perceived. There are different characters that have existentialism in their lives which allows them to function throughout their world. This book promotes existentialism because the different main characters take on their unique roles throughout the book and create their own meaning.
One of the prevalent themes John Gardner mentions in the story of Grendel is that perceptions of reality between people are different. Gardner reveals to readers throughout the novel that words, events, experiences, and beliefs forge character’s realities. In Grendel perception of reality greatly affects people’s actions, their viewpoints towards life, and decisions. For example, Grendel’s perception of reality is that the world is solely mechanical and is created with his words.
With the introduction of the Shaper, Grendel’s ideals are transformed by another’s words. The Shaper is able to show Grendel that he can have an identity and not just be a mere obstruction in the dark. The Shaper created his own theories and stories about life and fed them to the people in a way that enabled them to follow what he said as truth. The Shaper gave the Danes a purpose by telling them what great feats they had overcome and his words excited and encouraged the men to become even more magnificent. The more Grendel listens to the Shaper’s songs, the more apparent it is that Grendel is captivated by the Shaper’s perspective on life. The Shaper’s songs tore at Grendel because he wanted to believe in everything said, but felt ashamed to live his life believing in lies: “I listened, felt myself swept up. I knew very well that all he said was ridiculous, not light for their darkness but flattery, illusion, a vortex pulling them from sunlight to heat, a kind of midsummer burgeoning waltz to the sickle” (Gardner 47). Grendel wanted to believe in the Shaper and his theories but he knew that in the end they were all lies meant to deceive, to fool, and to ensnare the listener. It was the Shaper’s skill and imagination that stirred him, but as much as Grendel wanted to accept the Shaper’s tales, he knew they were not the truths he was looking
In Chapter 8, Grendel exclaims, “I’m a machine. Like all of you. Blood-lust and rage are my character,” (Gardner 123). This profound statement establishes a connection between Grendel and the ambiguous “you,” the reader. The monster, though he confesses to his wrongdoing, asserts that readers are no better than he. Countless bible verses reiterate this concept: “For all have sinned,” (Romans 3:23) “[Humans] are all. .impure with sin,” (Isaiah 64:6). Gardner’s reminder to readers of mankind’s predisposition to sin earns pity for the monster. He expands on these sympathies by describing the nature of Grendel’s lonely existence. “But there was one thing worse,” Grendel states after discovering the dragon’s charm, “no weapon could cut me,” (Gardner 75). In this moment, nihilism overcomes Grendel; if fighting poses no danger, it has no purpose, and neither does he. Any reader who has had an experience which challenged his or her values cannot help but feel empathetic towards the purposeless creature. Perhaps more piteous, however, is the suggestion that Grendel has no choice in being “the dark side. . the terrible race God cursed,” (Gardner 51). The dragon condemns Grendel as “the brute existent by which [humans] learn to define themselves,” telling him that it is worthless to better his character (Gardner 72). It is not until after
The debate between existentialism and the rest of the world is a fierce, albeit recent one. Before the "dawn of science" and the Age Of Reason, it was universally accepted that there were such things as gods, right and wrong, and heroism. However, with the developing interest in science and the mechanization of the universe near the end of the Renaissance, the need for a God was essentially removed, and humankind was left to reconsider the origin of meaning. John Gardner’s intelligently written Grendel is a commentary on the merits and flaws of both types of worldview: the existentialist "meaning-free" universe, and the heroic universe, where every action is imbued with purpose and power. Indeed, the book raises many philosophical questions in regards to the meaning of life as well as to the way humans define themselves. Additionally, Gardner portrays continual analysis, and final approval, of existentialist viewpoints as one observes that the main character, Grendel, is an existentialist.
In Grendel, each character tells of his or her view on philosophy, theory, and life. Grendel is a monster who is not sure where he fits in life. “Grendel is not just searching for one philosophy; he is just searching for the best way to live in the world” (Simmers 183). He goes to extreme limits to discover his character. Grendel shows a self-centered approach to the world as he exclaims, "The world resist me and I resist the world" (Gardner 28). Nothing in the world is going right for Grendel. Grendel feels resistant to life. Therefore, if society does not need him, then he does not need the society. The Dragon also views the world negatively, as a result of his praiseworthy perception of himself. Out of all the characters in the novel, the Dragon is one of Grendel's closest companions greatly impacting Grendel. The Dragon’s destructive philosophy views the world as meaningless. The dragon shares his selfish approach of life with Grendel telling him, "My advice to you, my violent friend, is to seek out gold and sit
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
To begin, the characters of this novel can be analysed by Freud's criteria. For example, the ID is the functional and irrational part of the mind that follows the pleasure principle; these individuals portray a lack of care toward others and selfishness. Furthermore, Grendel best illustrates this role since he presents a lack care for his mother. For instance, Grendel's mother mumbles, "Warovvish" which mean to beware of the fish,