Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Existentialism in Grendel
In the book, Grendel by John Gardner, Grendel shows that existentialism is significant in his life. Many of his decisions are based on the thought of whether they have a meaning behind it or not. He tries to be nihilistic and think that the world has no meaning but he ends up being existentialist as he cares about how his choices will be perceived. There are different characters that have existentialism in their lives which allows them to function throughout their world. This book promotes existentialism because the different main characters take on their unique roles throughout the book and create their own meaning.
The Shaper creates his own meaning by using his poetry to not only entertain the Danes but also to
…show more content…
He desperately wants to be a hero, that he follows Grendel back to his cave in an attempt to attack him. But when he gets there, he is exhausted and cannot attack Grendel so he encourages Grendel to kill him so he will be remembered as a hero. “‘It will be sung year on year and age on age that Unferth went down through the burning lake-’ he paused to pant ‘-and gave his life in battle with the world-rim monster,” (87). This is in Grendel’s cave and Unferth is monologuing about his own heroic philosophies. This shows Unferth’s burning desire to be known as a hero in the present and in the future. “Except in the life of a hero, the whole world’s meaningless,” (89). This shows Unferth’s existentialist side as he creates his own meaning in the world by attempting to be a hero. He so desperately wants to be a hero that he is willing to die as the man who fought against Grendel, the monster. He is blinded by the want of fame, that he does not really know what it means to truly be a hero and this provokes Grendel to mock him. “So much for heroism. So much for the harvest-virgin,” (90). This when Grendel silently mocks Unferth as he carries Unferth back to his home. He calls Unferth a “harvest-virgin” because his heroic views on life have been destroyed by Grendel’s refusal to kill …show more content…
“I wanted it, yes! Even if I must be the outcast,” (55). This is after Grendel has listened to the Shaper’s story about Cain and Abel. Grendel learns that he is the cursed descendant of Cain and is forever destined to be a monster. At first, he didn’t want to believe that is was true but after a while, he gladly accepted the role thus creating his own meaning. “I was Grendel, Ruiner of Meadhalls, Wrecker of Kings!” (80). This is when Grendel is experiencing his newfound invincibility to the humans and their weapons and he is tormenting them. After he visits the dragon in Chapter 5, Grendel has a renewed sense of confidence of who he is - which is a monster. In Chapter 6, he continues to terrorize the Danes and pursuing his monstrous desires. Grendel is acting upon his role as the monster because after speaking to the dragon, he realizes that nothing can stop
the men as the "beasts" and Grendel as the victim. & nbsp; Another aspect of the humans in the story that Grendel defines is their concept of a hero. Not only does he allow for heroes to exist he gives them their purpose in life. Grendel is the monster in the darkness. that every loyal thane would defend his king against. Without Grendel this unique situation would not exist. On the other hand, Grendel has the ability to humiliate and cause a man to be named a coward. He does. this to none other than Unferth. Unferth is treated like a hero because he would defeat the "monster" Grendel, or die trying. When Grendel does not. allow him to complete this task he is shamed by his fellow thanes. Grendel realizes that by killing the man he will be defining him as a hero in the eyes of the humans. Considering the way Grendel was treated by Unferth. and others like him, it becomes easy to sympathize with him extracting this.
He kills people because he enjoys it. Evidence of this can be found in an abundance throughout the novel. “An evil idea came over me-so evil they it made me shiver as I smiled-and I sidled across to the table.” (Gardner 83-84) This is the point in the story when Grendel is torturing Unferth. He's enjoying himself, smiling. The one time it would have been merciful for him to kill he refuses to do so. This scene can without a doubt prove that Grendel’s intentions are not for the best. He's not terrorizing the humans to “improve their lives”. He's doing it because it's fun to him. The reader can already see that Grendel doesn't care about the humans, so why would he ravage their town to improve their society? The only reasonable answer as to why Grendel does what he does is because he enjoys
Towards the end of the novel, Grendel finally becomes ‘himself’. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in at the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident.
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
in the air, Unferth tries to be the Grendel's martyr. Oh the heroic Unferth who
Many of the characters in Grendel have direction and purpose in their lives. Wealtheow is self- sacrificing, and Hrothgar is out for personal glory. Unferth and Beowulf spend their lives trying to become great heroes so that their names may outlast their flesh. The dragon believed in nihilism, and the Shaper used his imagination to create something to believe in. Some of the characters’ philosophies may not have been commendable, but Grendel could not find any direction or purpose for his life whatsoever. Grendel looked for the intervention of a power higher than himself to lay the truths of the world upon him, an experience that the Romantics would characterize as an experience of the sublime. John Gardner portrays Grendel as someone who wants to find a philosophy, whether his own or someone else’s, that fits him and gives him an identity or a reason to live. By looking at the text from this perspective we can see how Gardner believes people should pursue, or rather, embrace a power greater than themselves.
Throughout the novel, this monster, Grendel, seems confused as to whether he wants to view life like his existentialistic dragon mentor, or like the ignorantly optimistic humans on which he feeds. At times he is captivated by the romantic songs of the Shaper, and feels no desire to kill, while at others he thrives on the "knowledge" of the dragon, and goes on bloody rampages. At one point during Grendel's insecure state, the dragon tells him something that changes his outlook, and gives him a new feeling of self-worth.
Grendel as a character is very intelligent, he is capable of rational thought at all times. Because of this, at sometimes during the story I would forget Grendel is a monster, the way he acts in his thoughts and actions I would mistake him for a human; at times I was even feeling bad for Grendel because he is a very lonely person who tries to understand all of the meaningless of the world around him. Grendel can never get to close to
With the introduction of the Shaper, Grendel’s ideals are transformed by another’s words. The Shaper is able to show Grendel that he can have an identity and not just be a mere obstruction in the dark. The Shaper created his own theories and stories about life and fed them to the people in a way that enabled them to follow what he said as truth. The Shaper gave the Danes a purpose by telling them what great feats they had overcome and his words excited and encouraged the men to become even more magnificent. The more Grendel listens to the Shaper’s songs, the more apparent it is that Grendel is captivated by the Shaper’s perspective on life. The Shaper’s songs tore at Grendel because he wanted to believe in everything said, but felt ashamed to live his life believing in lies: “I listened, felt myself swept up. I knew very well that all he said was ridiculous, not light for their darkness but flattery, illusion, a vortex pulling them from sunlight to heat, a kind of midsummer burgeoning waltz to the sickle” (Gardner 47). Grendel wanted to believe in the Shaper and his theories but he knew that in the end they were all lies meant to deceive, to fool, and to ensnare the listener. It was the Shaper’s skill and imagination that stirred him, but as much as Grendel wanted to accept the Shaper’s tales, he knew they were not the truths he was looking
In Chapter 8, Grendel exclaims, “I’m a machine. Like all of you. Blood-lust and rage are my character,” (Gardner 123). This profound statement establishes a connection between Grendel and the ambiguous “you,” the reader. The monster, though he confesses to his wrongdoing, asserts that readers are no better than he. Countless bible verses reiterate this concept: “For all have sinned,” (Romans 3:23) “[Humans] are all. .impure with sin,” (Isaiah 64:6). Gardner’s reminder to readers of mankind’s predisposition to sin earns pity for the monster. He expands on these sympathies by describing the nature of Grendel’s lonely existence. “But there was one thing worse,” Grendel states after discovering the dragon’s charm, “no weapon could cut me,” (Gardner 75). In this moment, nihilism overcomes Grendel; if fighting poses no danger, it has no purpose, and neither does he. Any reader who has had an experience which challenged his or her values cannot help but feel empathetic towards the purposeless creature. Perhaps more piteous, however, is the suggestion that Grendel has no choice in being “the dark side. . the terrible race God cursed,” (Gardner 51). The dragon condemns Grendel as “the brute existent by which [humans] learn to define themselves,” telling him that it is worthless to better his character (Gardner 72). It is not until after
The monster Grendel is the ironic eye through which the action is viewed and from this perspective he provides the reader with never-ending examples of buffoonery and self-parody. Often his claims reveal the Sartrean component in his makeup: "I create the whole universe, blink by blink"(Gardner 22). Gardner,of course,wants to make a point here about solipsism. There is more to the objective world than Grendel's ego. Naturally the universe still exists when Grendel closes his eyes. Likewise, when Grendel says "I observe myself observing what I observe", (Gardner 29) ,he reminds us of Sartre's view of the self-reflective nature of consciousness. As he said in his interview, Gardner planned to parody Sartre's ideas in Being and Nothingess in these sections of the novel.
The debate between existentialism and the rest of the world is a fierce, albeit recent one. Before the "dawn of science" and the Age Of Reason, it was universally accepted that there were such things as gods, right and wrong, and heroism. However, with the developing interest in science and the mechanization of the universe near the end of the Renaissance, the need for a God was essentially removed, and humankind was left to reconsider the origin of meaning. John Gardner’s intelligently written Grendel is a commentary on the merits and flaws of both types of worldview: the existentialist "meaning-free" universe, and the heroic universe, where every action is imbued with purpose and power. Indeed, the book raises many philosophical questions in regards to the meaning of life as well as to the way humans define themselves. Additionally, Gardner portrays continual analysis, and final approval, of existentialist viewpoints as one observes that the main character, Grendel, is an existentialist.
... being a hero. Unferth comes in contact with Grendel as he says “You think I came without a hope of winning- came to escape indignity by suicide!” (Gardner 89). Grendel does not believe Unferth is a heroic figure because he believes Unferth is not facing his fears. Unferth believes highly in his heroic ideals; however, Grendel crushes Unferth’s beliefs as he denies him to die a hero.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.
writings where people as humans struggle to find purpose and ask themselves what is the meaning of life to which the universe responses by simply showing a complete and utter disregard for such a question or any questions as a matter of fact. It is “This paradoxical situation, then, between our impulse to ask ultimate questions and the impossibility of achieving any adequate answer, is what Camus calls the absurd.” Existentialism essentially deals with the absurd which had been “cultural movement that flourished in Europe in the 1940s and 1950s.” and besides Albert Camus there was other Philosophers who adopted such ideas like “Karl Jaspers, Martin Heidegger, and Martin Buber in Germany, Jean Wahl and Gabriel Marcel in France, etc.….. [with]