In “The Canonization”, John Donne uses rhyme to illustrate a pattern that exemplifies his intelligence and use of irony. John uses love as the base of his argument within the poem. While using metaphors in iambic lines to create a superb rhyme scheme, he counters the poem with an ironic tone, which becomes much needed in later stanzas. The five stanzas of 9 lines help lead the poem in to one central theme. In the poem, each stanza begins and ends with the word "love." The speakers’ interpretations of the complex that love holds help promote the idea of canonization within the idea of the speaker.
John Donne was always at play in his poems. Considered to be very flamboyant and foolish. He gives the reader the wrong impression before even reading the story. It makes the reader to believe that the poem at hand would refer to something biblical. (Canonization is to declare (a deceased person) to be a saint and entitled to be fully honored as such). John Donne misleading uses canonization to go above and beyond with his ironic profound love that the speaker is so fond of. It promotes the purity of words the speaker possesses. It makes the poem much more exciting while trying to understand the concept of love that one can feel towards another.
The poem can be characterized as metaphysical with the use of idioms and broken rhythms. The use of “Canonization” would infer that the poem is an example of metaphysical poetry. John Donne is considered a metaphysical poet. Example of metaphysical evidence is everywhere in “The Canonization.” The speakers’ argument with the stranger consists of his metaphysical knowledge or logic of love. The argument justifies his beliefs of what he thinks of his love. With the use of rough idioms, strong...
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In the final stanza, the speaker explores his idea of canonization. He starts to wonder on the possibility of other lovers from future generations. The idea of being reborn into sainthood will help guide the generations to come. They find happiness in their love, and are reborn with a fresh future ahead of them.
John Donne goes above and beyond in “The Canonization.” It's a wonderful poem showing that love is complex and wonderful. By comparing pure true love with sainthood is an idea of its own. John Donne uses much love contrast to address his love and shows where the speakers’ values lie. His use of metaphor is genius and helpful to the poem. The poem is a great love metaphysical poem. John Donne critical analyst concentrates on the theme of canonization. He uses justification of status to bridge together romance and canonization.
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
One of Donne's famous poetic devices is diction. Again in line one and ten appear "Mark" and "Oh stay." These words are denotations of strong causative voice in order to obtain mistress' attention. In addition to diction, another outstanding part is his rhetoric skill. For example, "Me it sucked first, and now sucks thee," (line 3). His using different ...
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
John Donne will not accept death as the finale, his religious conviction supports in the belief of eternal life proceeding death. Throughout the poem Donne’s main purpose was the personification of death, his use of figurative language gave death humanistic characteristics and made death vulnerable and unintimidating. The structure of three quatrains and a couplet for the poem allowed for easier understanding of the context because the layout and rhyme scheme helped the poem flow and also revealed the tones. The imagery of death described by Donne breaks down death’s pride and bravado, as well as shine an encouraging light past the process of dying, on to the hope of delivery to eternal life. Each element played a significant role in the interpretation of the paradox of the poem, that ultimately death is not the universal destroyer of life.
By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.
John Donne lived in an era when the lyric was at its pinnacle. Poets were writing well-rounded, almost musical poetry on subjects that ranged from all kinds of love to enchantment with nature. Donne could not help but revolt against this excess of fluency and melody. John Donne's style stands in such sharp contrast to the accepted Elizabethan lyrical style that it becomes difficult to accept the fact that his works date from the same era. To highlight this statement, one has to compare a typical Elizabethan lyric to one of Donne's works.
John Donne's use of deep religious themes, unique poetic devices, and vivid imagery create a stunning and convicting poem. Donne's talents are on full display as he moves through each line with such beauty and simplicity. One can easily imagine his sorrow and pain as he penned the words of this poem and poured his heart into it. Donne's work reminds readers of the sorrow of sin, the necessity of forgiveness, and the hope of restoration. Although he focuses on anguish and sorrow, his message is truly one of joy and hope. All who take his words to heart find internal peace and rejoice in the mercy of their
Donne’s approach to the topic plays an important role in the result in which the poem ended. Instead of being utterly romantic and persuading his lover in a kind and tender way, he is straightforward and not afraid to ask of her what he wants. To a certain extent the metaphor of a flea can be deemed as logical in the sense that if a flea bit them both their blood would have already been shared. In this poem Donne breaks the barriers of Petrarchan poetry when using metaphysical wit and conceit to portray his feelings making metaphysical poetry much more interesting and challenging.
Granted that Donne's personification of God reduces the deity from an almighty force to a human archetype, divinity is not undermined. The metaphoric figures of inventor, ruler, and lover, each retain specific skills and purpose, but can not compare to the Christian suggestion of God's role and strength. However, the presentation of striking, violent imagery charges the poem with a sense of power and complete domination, and allows the image of God to transcend his designated human forms. Through the projection of life's frailty, powerlessness in captivity, and sexual