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How religion affects literature
How religion affects literature
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Joan of Arc: an Innocent Victim According to Dreyer’s Eyes Since the beginning of film history, directors and writers have used historical events and true stories to create their films. Carl Theodor Dreyer directed one of these films, The Passion of Joan of Arc in 1928. Joan was beatified and canonized many years before the shoot. By then, the society considered Joan of Arc as an innocent martyr and a hero. Just like most people in his society, Dreyer was convinced that Joan of Arc was an innocent victim and that can be seen in the acting, his choice of shots, lighting and editing. In The Passion of Joan of Arc, Joan of Arc is accused and killed for saying that she is on a mission from God. In the first five minutes of the film, Joan puts …show more content…
The type of shots has an important role in the understanding of Joan’s victimization. Medium close-ups and close-ups are used through out the film, creating a scary intimacy between Joan and the judges. In The Passion of Joan of Arc, Dreyer uses close-ups to show that Joan is struggling against forces much larger than herself. “Dreyer uses strange and distorted medium shots, emphasizing the aesthetic tension between a frightened and disoriented Joan, and of her cruel and mocking tormentors. ” This distortion creates pity and fear in the viewer. Also, the close-ups make us fully focus on the story and Joan’s emotion since the set, props or anything else that could appear in a long shot cannot distract the viewer. In addition, Dreyer shot torture instruments with a close-up. By giving us the chance to see the instruments closely, we become fearful and feel sympathy for Joan. Again, this emphasise, the clergy’s …show more content…
Another extreme close-up of a judge is used closer to the beginning of the film. The judge seems disgusting, hideous and atrocious. We can see warts and lumps in his face. Looking at this shot, it is impossible to like this character. To make him look physically ugly in this shot was definitely a decision of the filmmaker. He wanted us to agree with him on his perception of the man: he is an ugly man, inside and out. Joan is the
It is 1957 and the Algerian war is at its prime as the FLN fight against an elite troop of ruthless French paratroopers. The Battle of Algiers is a portion of the Algerian war which was fought in order for Algeria to gain independence from France. The film starts off with the torturing of an old man to gain information on where the last of the freedom fighters, Ali Pointe is hiding. A large segment of the film is shot in flashbacks focusing on the past of Ali Pointe. Pointe was a ruffian with theft and drugs on his record; he joined the militants to assist in getting rid of the problems in Algeria associated with the French. With the flashbacks the film tells the struggles of the insurgents and the persistence of the French to end the war. It shows the transformation of the insurgency into a full out revolution. When the flashbacks ends and it is now present time Ali Pointe, along with the rest of the FLN leaders captured are beheaded. Through this, the FLN reciprocate and the insurgency becomes a full on national revolution with growth in numbers and support. The film ends with Algeria gaining the independence it strived for in 1962. The film is important in understanding asymmetric conflicts because despite being the weaker side, Algeria had proved itself to be much stronger than the French and had its newfound independence to show for it.
Jeunet’s Amelie and Ham’s Tilly enter as outcasts; who long for acceptance and normalcy from the members of their societies. The use of settings in the novel and film are used as a visual representation of Tilly and Amelie’s isolation. Tilly is “detached” at the top of the hill but able to “[see] everything”, just as Amelie is in her high positioned apartment that overlooks the unfairness in Raymond Dufayel and Lucien’s lives. They experience detachment in different ways, with Amelie growing up “deprived of playmates”, never learning the social skills necessary to enter society, and Tilly being isolated, for being “the dangerous one” and sent away from the society at a young age. They are after the approval of everyone around them as the women
The book, Beyond The Myth: The Story of Joan of Arc, by Polly Schoyer Brooks, is a biography.
B. Joan of Arc women, but have you ever read about a female general who led her troops against the enem and won? There are not many of them, and in medieval Europe there was only one loan of Arc, who was she? And how did it happen that a young girl who never learned to read and write became a general? At that time there were many wars between England and France to decide who should rule France. In i428 the English had almost won and there seemed to be no hope for the French. Then something strange happened. A 17-year-old girl came to the French King Charles VII and told him that she had been sent by God to drive the English out of France and to see him crowned. The girl was loan of Arc Joan of Arc is one of the most romantic figures
( Legends): Based on history (Myths): Based on religions, and (Fairy Tales): Fiction/ false/unreal Each of them have been passed down through the years and have had changes made to them to make them more interesting.
The star system was an important part of the Studio System in classical Hollywood cinema. From the 1910s, stars were born. Studios create new personas, new names and new backgrounds for the stars. A new image, whether or not it had anything to do with how the person really was in real life, would be invented for the new stars. The stars would be distinctively different and moviegoers would be able to recognise them individually. The Hollywood studios, that the stars are under contract with, managed their publicity, roles, lifestyles and even fan clubs. During the classical Hollywood period, the stars themselves did not have much say in the films that they appear in. The companies would choose the role they deem most suited to boost their popularity.
Jehanne d’Arc or more commonly known as Joan of Arc nicknamed the Maid of Orleans is a brave heroine who is known for her work during the Hundred Years War. With her defeat at her last battle, Joan ends the Hundred Years War and years later gets declared a saint for her bravery and sacrifice. Throughout her life, she struggled with an education and growing up on a farm. Later in those years she beings to hears voices and sees visions believing it to be from the Heavens and joins the French war because of it. Only being a teenager through all this, at the age of 19 she’s gets betrayed by who she thinks is an ally and burnt at the stake for charges.
In 1455 Joan’s family asked for another trial to reconsider Joan’s charges and a year later she was announced innocent (Schmalz). In 1920, Joan was canonized as a saint (“Joan of Arc”). Joan’s many contributions have made a huge impact on our history. It is impossible to know what the western world would be like today without Joan’s immense influence during the Hundred Years’ War. Even though she was a woman and acted in a different position than tradition dictated, Joan of Arc impacted the Hundred Years’ War immensely, influencing significant strategic wins more than any other warrior, and turning the tide of the war from an English victory to a French triumph.
Joan of Arc, a well-known Catholic saint and French national heroine, is a figure worthy of historical attention. Born in Domremy, France, sometime around 1412, Joan lived as a peasant with her family on fifty acres of land. At the end of her short life of nineteen years, Joan revealed in a trial that her rise to power in the Anglo-French conflict was due to a series of visions she had as a young girl. These visions, which were religious in nature, helped Joan to turn the Hundred Years War into a religious conflict. Despite her efforts to turn the tide of the war and helping to win a pivotal battle in Orleans, Joan was captured and put on trial for heresy. After a trial that lasted for months, Joan was officially labeled a heretic and burned at the stake in 1431. It would only be centuries later that Joan would gain sainthood in the Catholic church and become formally recognized as a woman of power, even centuries after her death. Joan of Arc’s life can be examined in three distinct parts: her early life’s revelations of religious visions, her entrance into the Hundred Years War as a leader of the French army, and her death as a heretic and eventual entrance to sainthood. The combination of these events convinces observers that Joan was a woman of power ahead of her time, and in each part of her life, Joan took on a role normally expected of men. Joan of Arc thus was a major contributing catalyst for feminist action, serving as a visionary, military hero, and eventual martyr.
El Tango De Roxanne is a climactic scene towards the end of the film, Moulin Rouge. Moulin Rouge, is a love story between a penniless writer, Christian, and a courtesan from the Moulin Rouge, Satine. They must keep their relationship a secret, because The Rich Duke promises money to The Moulin Rouge in return for Satine’s “love.” This scene serves as a catalyst, fueling The Duke’s anger and Christian’s jealousy as the truth unfolds through song and dance. I think El Tango De Roxanne furthers the narrative of the movie, by presenting the bohemian ideals of beauty, freedom, truth, and love through creative cinematic choices.
During the Middle Ages of Europe there was a great war between France and England known as the 100 year War. Throughout this war there were many historic battles and many warriors that have had stories told about them over the years. None more famous than a young girl from a small village named Joan of Arc. Joan of Arc lived a short life, but did so much that she has many songs, stories, and even today movies made about her. If there was one person that deserved to have stories told about them, Joan of Arc is that person deserving.
The fifteenth century was a gruesome era in world history. Church and state were not separated which caused many problems because the Church officials were often corrupt. The story of Joan of Arc, portrayed by George Bernard Shaw, impeccably reflects the Church of the 1400’s. Joan, a French native, fought for her country and won many battles against England. But Joan’s imminent demise came knocking at her door when she was captured by the English. She was charged with heresy because the armor she wore was deemed for men only but she justified her actions by stating that God told her to do it. Today, Joan of Arc would be diagnosed schizophrenic because of the voices in her head but she would still be respected for serving in the military. But in the fifteenth century, she was labeled as nothing more than a deviant. She was tried and the Inquisitor characterized her as a beast that will harm society. Through his sophistic reasoning, loaded diction, and appeals to pathos and ethos, the Inquisitor coaxed the court into believing Joan was a threat to society and she had to pay the ultimate price.
In our exploration of Oh What A Lovely War, devised by Theatre Workshop and directed by Joan Littlewood. I, as well as my group, came across many challenges and opportunities throughout the extract. It was produced in 1963 and is an anti-war piece which was based on World War I. We wanted to remain true to the political message/gest of the play by mocking the senior command, represented by Haig. We wanted to show their incompetence when they needlessly sacrificed the soldiers’ lives. The genre is political theatre with elements of documentary and musical theatre; however, it doesn’t have a particular style so therefor utilises a mixture of styles including musical elements, Brechtian techniques such as the MC breaking the fourth wall, naturalistic
The Passion of Joan of Arc tells a very structured story using the title cards, and uses visuals to complement every aspect of the film. One of the most curious aspects of the film is that most of the shots are close-ups. Compared to many films before it, and the many films to come afterward, the amount of close-up shots is off the charts. By using mostly close-ups, the audience is able to see a very high level of detail in the actors’ expressions. In addition to close-ups, the film makes use of high and low angles to visually tell the story of power. The judges are always shot from below, making them large and powerful in the frame. In contrast, Joan is always shot from a slightly higher angle, which makes her feel smaller and helpless. The camera also does a lot of tracking in the film, but mainly on the judges. The first shot tracks Joan as she walks by the many guards to the judges. This immediately sends an image of the long road Joan faces, as well as tells the audience that they need to side with
Analysis of Movie Moulin Rouge In this essay I will be analyzing in depth four scenes from Baz Luhrmann's critically acclaimed Moulin Rouge that was released in 2000. I will be analyzing the opening sequence, the sequence in the Moulin Rouge itself, the two dancing sequences 'Like a Virgin' and 'Tango Roxanne' and the final scenes of the film. Throughout this essay I will be commenting on the filming techniques that Luhrmann uses and what affects these have on the audience, also I will be analyzing how the film is similar and different to typical Hollywood Musicals.