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Five relevance of intercultural communication
Difficulties faced by immigrants
Five relevance of intercultural communication
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Moving to a new town can be hard, adjusting to a new house and meeting new people. Moving to a new country, however, can be far more difficult. Not only are there new people to meet, immigrants must adjust to an entirely different culture and language. Many find it hard to assimulate into the new culture, while still maintaining they customs and traditions of their old country. One author who writes about immigrants' struggles is Jhumpa Lahiri. She heard stories first hand of the struggle to adjust from her parents, immigrants from India. Some of her short stories are based on her parents' experiences. In the stories "This Blessed House," "The Third and Final Continent," and "Mrs. Sen's," Lahiri shows how the struggle of immigrants to adjust to an unfamiliar culture can lead to misunderstandings and identity crises. "This Blessed House" is the story of a newly married couple, both second generation Americans. Although both Twinkle and Sanjeev are educated and Westernized, their marriage was arranged in an Indian manner. Their parents, old friends, had arranged the initial meeting. They had a two month long distance relationship before they were married, in India at their parents' insistence (Lahiri, "Blessed," 142). Before their wedding, Sanjeev purchases a house for them in Connecticut. Throughout the house is a "sizeable collection of Christian paraphernalia" (Lahiri, "Blessed," 137). There is a paint - by - number picture of the three wise men, a Jesus trivet, a Nativity scene snow globe, and switch plates in the bedrooms with biblical scenes on them. "Twinkle is delighted by the array of Christian artifacts she finds in the couple's new home, not because she is particularly religious, but because they amuse her" (Brians).... ... middle of paper ... ...2010. . Karim, Rezaul. “Jhumpa Lahiri.” South Asian Writers in English. N.p.: n.p., 2006. N. pag. Literature Resource Center. Web. 26 Feb. 2010. . Lahiri, Jhumpa. “Mrs. Sen’s.” Interpreter of Maladies. Boston: Houghton, 1999. 111-135. Print. - - -. “The Third and Final Continent.” Interpreter of Maladies. Boston: Houghton, 1999. 173-198. Print. - - -. “This Blessed House.” Interpreter of Maladies. Boston: Houghton, 1999. 135-157. Print. Mitra, Madhuparna. “Lahiri’s Mrs. Sen’s.” The Explicator Spring 2006: 185. Literature Resource Center. Web. 2 Mar. 2010. . Reisman, Rosemary M. Canfield. “The Third and Final Continent.” Masterplots II: Short Story Series, Revised Edition. N.p.: Salem Press, Inc, 2004. N. pag. Literary Reference Center. Web. 22 Feb. 2010. .
“Soil butchery” by excessive tobacco growing drove settlers westward, and the long, lazy rivers invited penetration of the continent-and continuing confrontation with Native
I am not a child of immigrants, but maintaining one’s culture is a universal struggle in a land far from one’s ethnic origins. Lahiri suggests that without cultural connections such as family and friends, one’s culture can simply vanish if they are not in the land of ethnic origin. I have found this to be true within my own
Elisabeth Gaynor, Ellis, and Anthony Esler. "The First Global Age: Europe, the Americas and Africa ." In World history connections to today. Upper Saddle River, N.J.: Prentice Hall, 2003.
Moving from the unpleasant life in the old country to America is a glorious moment for an immigrant family that is highlighted and told by many personal accounts over the course of history. Many people write about the long boat ride, seeing The Statue of Liberty and the “golden” lined streets of New York City and how it brought them hope and comfort that they too could be successful in American and make it their home. Few authors tend to highlight the social and political developments that they encountered in the new world and how it affected people’s identity and the community that they lived in. Authors from the literature that we read in class highlight these developments in the world around them, more particularly the struggles of assimilating
Although A Land So Strange focuses on 16th century America and Jacksonland focuses on 19th century America, both works feature men who were willing to sacrifice Indigenous lives for the acquisition of land and resources. However, Indigenous peoples did not simply let this occur. In A Land So Strange, multiple Indigenous groups told Narváez embellished tales about prosperous lands in order to prevent him from intruding on their settlements. In Jacksonland, the Cherokee created their own constitution to participate in American politics. These examples are from the many historical events of Indigenous resistance to colonization. This essay analyzes why some of the efforts of Indigenous resistance succeeded while others failed. By looking at
Lahiri, a second-generation immigrant, endures the difficulty of living in the middle of her hyphenated label “Indian-American”, whereas she will never fully feel Indian nor fully American, her identity is the combination of her attributes, everything in between.
Further, as we see in essay II, a complicating factor in the study of the Americas before the arrival of European explorers and settlers is the idea -- widely circulated and discussed during the 500the anniversary of Columbus's arrival in the "New World" -- that the Europeans dispossessed the rightful inhabitants of these continents, and that all later American civilization and history, however notable and estimable its achievements and ideals, is based on a colossal series of acts of expropriation, fraud , and genocide.
Greer, Thomas, and Gavin Lewis. A Brief History of the Western World. 9th. 1. United States: Thomson & Wadsworth, 2005. 400-335. Print.
Damrosch, David and David L. Pike. The Longman Anthology of World Literature. Compact ed. New York: Pearson/Longman, 2008. Print.
If Richard Burton and John Hanning Speke were alive in 1989 to see the release of Bob Rafelson’s Mountains of the Moon, what would their response to the film be? Would they agree with the way Rafelson’s film depicts their remarkable journey into Africa to find the source of the Nile River? Would they agree with the way the film dramatizes their relationship with each other? The answers to these questions would help a great deal in determining whether Rafelson’s film about Burton and Speke’s expedition was accurate, or whether his film was an attempt to sensationalize their story to increase its reception. Unfortunately, Burton and Speke are not around to answer these questions, which makes an analysis of these issues difficult. Therefore, rather than analyzing this film from a historical perspective, this critique is concerned with what story Rafelson’s film tells. How does Rafelson’s movie shape audience’s opinions about Burton and Speke as characters? Does his story, through visual rhetoric, retell or reinterpret Burton and Speke’s story? What role does Africa play in Rafelson’s film? The answers to these questions should help determine whether Rafelson’s film is a re-inscription of the colonial master narrative, or whether it is a post-colonial critique of European colonization.
It was the year 1868. A young boy of about nine years of age stood looking at a map of Africa. The boy raised up his hand and stuck his finger directly into the middle of the “dark continent.” “When I grow up I shall go there,” said this boy with great enthusiasm (Conrad 13). Little did he know that some years later his childhood wish would come true.
Anthony C. Yu, translated and edited, The Journey to the West Volume I (Chicago: University of Chicago Press, 1977), p. 16, 21.
Cunningham, P. (2004). A Particularly Painful Rite of Passage. Geographical. April, 2004, Vol. 76 Issue 4, pg50.
The novel aims at projecting the ethical aspect of Indian immigrants in Jhumpa Lahiri’s debut novel The “Namesake”. In the nineteenth century the immigrants were migrating to the west as indentured labourers but now they migrate for the prospect of career building and profit making. But in both the cases culture plays a very important role in their life. In their socio-political liminality and marginal statues, the immigrants enjoy life in economic subjugation but have an emotional emancipation in their contra acculturation. In the super structure of America’s multicultural society they have cross-cultural experiences. This helps them to reconcile between their inherited and acquired selves for consolation. The immigrant Indians in a dilemma romanticise the dazzles of American civilization and retain their faith in tradition, custom, culture, history, myth, legend and folklore for emotional satisfaction. In the liberal and secular social environment of America, they are occupied in economic professionalism being pre-occupied with the dilemma of cultural past they familiarize their consciousness in the cultural practices. In cross-cultural experiences they discover their marginality in a fix and hybridity in flux. As an “imagined community” they bridge the polarities through the cultural ethics and try their best not to be contaminated by the materialistic temptations. Their identity is restrained as ‘luminal personae’ and ‘transitional being’ and it becomes culturally impregnable in the thought of ‘home’ and ‘abroad’. They realize that the cultural available of India cannot be substituted with the material plenitude of America. The socio-cultural sensibility of the immigrants cannot be modified in American milieu since the inherit...
This Blessed House by Jhumpa Lahiri is a short story that follows a small period of time in the two characters’ lives. Having known one another for only four months, newlyweds Sanjeev and Tanima, called Twinkle, are finding it difficult to adjust to married life. Both have very different personalities, a theme that Lahiri continuously points to throughout the story,. Their conflict comes to a head when Twinkle begins finding Christian relics all over the house. Sanjeev wants to throw the relics away, but Twinkle collects them on the mantle and shows them off at every opportunity. As a character, Sanjeev is unadventurous and exacting, while Twinkle is free-spirited and does not care for the fine details. The root of the conflict between Jhumpa Lahiri’s characters Sanjeev and Twinkle in “This Blessed House” is the clashing of their two very different personalities in a situation that forces them together.