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The evolution of the horror genre
The evolution of the horror genre
Horror genre abstract
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Is Jaws a Horror Movie? First I will highlight the brief journey through the horror genre and the conventions that have developed. Second, I will then show how these conventions are used in the film Jaws. Let’s start with the silent era, an era based on monsters, Frakingstien 1910, Dracula 1912, The Phantom Of The Opera 1925. Without sound, there was a heavy emphasis on make – up, adding to the horror and preparing the first convention, which is the reveal of the monster. Facial expressions and body language played big part in early horror movies as it provided the tension. A second convention was the ‘dark property in the middle of nowhere,’ using isolation as a way to build up tension. Through the talkies in the 30’s little changed (except sound). The 1950’s and 60’s focused on sci-fi, B movies and Hammer horror, often known as the ‘Atomic Phase.’ Creature from the Black Lagoon (1954), Alien at the Arctic Circle and The Thing (1951) are good examples. Horror then switched to witchcraft and zombie films such as Night Of The Living Dead (1968) and Day Of The Dead (1985). Conventions changed, we now had more suspense, people being trapped and spiritual terror. Towards the end of the era we also saw an increase in the amount of violence and gore but this was nothing compared to what came next. Finally, horror became ‘Slasher.’ The 1970’s became obsessed with realistic news stories and characters and films became more stylize and followed similar storyline conventions. Texas Chainsaw Massacre (1974), Halloween (1978) and Night Mare On Elm Street (1984) where full of psycho villains, teens in danger and the sole survivor leading to plenty of sequels. The only other horror genre or thriller genre focused on suspense, movie... ... middle of paper ... ...th the yellow top looses his dog, the lady with the yellow hat looses her son and the little boy with the yellow lilo looses his life. The colour yellow is also a hazard warning sign this makes the audience expect something bad to happen. The tension is constant, there are thrills, there are terrifying scenes, there is humour, there's even a cover-up. There are few horror films in which you'll so identify with potential victims. Jaws had all the conventions, the killer, the hero and the death sequences, the only convention it lacked was blood and gore, certainly when compared to modern day horrors. If you compare Saw (2004) to Jaws, Saw uses a multitude of special effects not available to Spielberg. As a result I think Saw is more intense and scary. I find Saw horrific and appauling, whereas I found Jaws tense and gory and still classed as horror genre.
Analysis of the Ways the Director Builds Suspense in the Opening to the Film Jaws
These have been adapted from the early twentieth century, and have developed a whole series of genre conventions into a familiar variety of scary settings, iconography, and stereotyped characterisation. Audiences have a clear understanding of this, and they use it to their advantage. They can keep putting the audience through the jolts that horror conventions continue to give. An effective way of keeping the horror fresh would be to break the cycle, by breaking certain conventions. The isolated setting in the two films is a key device used to establish a threatening atmosphere.
The 1960s brought about what some have argued is the first slasher film Alfred Hitchcock’s Psycho. Hitchcock was able to cast major Hollywood stars to actor in his thriller. He cast a young, handsome Anthony Perkins in the lead and a major star in Janet Leigh, whom Hitchcock kills in the beginning of the movie. In that day it was unheard of now it’s done in movies such as Wes Cravens 1996 movie Scream killing off a major star such as Drew Barrymore. According to FilmmakerIQ.com Psycho “shocked audiences into believing horror could be more than B-Film Fare (14)”.
For centuries, authors have placed human features on their fears allowing their public to confront a concrete creature rather than an abstract idea. The fear of death resulted in stories regarding vampires and mummies, fears of the unknown resulted in stories about creatures invading the Earth, fears of reincarnation resulted in stories of mad scientists creating life from death. With the invention of the motion picture in the late nineteenth century, these fears were able to be seen using human actors and actual “monsters” making both the fears and the fulfillment greater. As more of these films were created, audiences grew more tolerant of the once frightening monsters forcing directors to go even farther. To continue this trend, filmmakers soon were creating more fear than they were relieving creating another psychological void that needed to be filled. Sensing that the realm of horror films and many other genres of film were saturating the film industry, Mel Brooks wrote and directed two films in 1974: Blazing Saddles and Young Frankenstein. Th...
The fifties was a learning year and the 60's became the time to express everything that they learned. The 60's was a time for new and innovative ways to entertain the people. Since the blacklisting continued in Hollywood, the making or films became very difficult to express. The restrictions, such as the production codes, kept the big corporations to produce films that had no interesting subjects. These films also had to be films that show no signs of communistic values. The film industry was failing to bring in the audience to the theaters. With the TV making a big wave all over, the U.S. the film industry was losing it is money. Then in 1961 something big happened, 20th Century Fox took apart its lot. This act was one that led to a chain reaction. Studios were assuming the role of distributors. This would allow the independent companies to come in and add a new flavor to the silver screen. During this time films changed it's traditional film making ideas. Things started to get graphic, more violent, sexual and more expressive. Movies had found a new look and with the production codes now gone and the blacklisting ending, there was an explosion of ideas that would be presented to the United States.
Steven Spielberg’s Jaws (1975) and his other film Jurassic Park (1993) both contain a major theme of what makes a successful hero in society. In Jaws, police chief Martin Brody must successfully eliminate the threat of a Great White Shark from attacking Amity Island. In Jurassic Park, billionaire John Hammond creates a theme park where cloned dinosaurs come alive, hoping that his ideal resort becomes a major success. Through the use of film style elements, such as editing and mise-en scene, Spielberg develops Brody’s character as a person who must learn from his past mistakes in order to become a successful hero while Spielberg creates Hammond’s character as a man who only sees himself as a hero of science and technology without realizing his attempted control over nature is what leads him to his ultimate failure.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
A Film Review on Jaws [IMAGE]"Jaws (Style A)" Movie PosterBased on the novel by Peter Benchley, the film sees New York cop, Martin Brody (played by Schneider is investigating a series of deaths that bear all the blame. evidence of a shark attack. This was originally rated as a PG but when? re-released in a 12. A great opening scene showing Chrissy ‘the stereotypical blonde’. being devoured by the unknown killer, puzzles most reviewers in the question.
How the Opening Sequence of Halloween Captures the Attention of the Audience ' 'Halloween' was made in 1978 and is a good example of the 'Slasher' movies from that time and this is an interesting piece of cinema as it can be related to the German expressionism of the late 1920's which used jerky camera shots and high contrast lighting to enthrall the viewer .In this essay I will discuss how the opening to Halloween captures the audiences attention and how codes and conventions create suspense and tension for the audience.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
The Horror Movie in Late Modern Society’ that labelling films such as these as postmodern may be an overreach. He argues that the hybridity of the genre as seen in horror-comedies such as ‘The Cabin in the Woods’ and ‘Scream’ are nothing ‘new’ and that comedy has always played a prevalent role in the horror genre. He goes on to state that, “much of the comic fun to be had (in contemporary horror-comedies) derives from the excess of gory detail. The other aspect, in this case more a development characteristic of the 1990s than the 1980s, is the tendency to reflexively generate humour by openly appealing to a knowing audience’s familiarity with the genre conventions.” This view suggests that Tudor views the emergence of a more comedic element to horror movies as more of an evolutionary step in horror, than a deliberately postmodern outlook. He cements this as his view as he uses the example of ‘Scream’ and the films made in its wake (such as ‘Scary Movie’ (2000)), Tudor claims “It is films such as these that have so often attracted the designation ‘postmodern’, if only superficially, because of their studied self-consciousness and their use of pastiche.” (Tudor, p.107) Tudor’s view is that films such as these bear only surface-level post-modernism that the term is used too liberally and the films would be better suited towards the term parody than a post-modernism. Tudor argues that their “studied self-consciousness” disqualifies them from being labelled as postmodern, however it can be argued that parody and self-consciousness elements of these films are what make them postmodern at
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
Many of the major studio horror films are marketed towards a PG-13 through R audience. The genre has evolved over time where it is at a point that the blockbusters seem to follow a basic formula that is easily replicated. Jump scares and loud noises are common throughout many of these films, which tend to be released in mass as the years start to reach the autumn season. Sequels and reboots to the major horror franchises are also commonplace for studios, one such example is the Saw franchise. Independent horror films differ from this strategy. Typically they rely on either a unique character or focus on building elements of suspense. They don’t often rely on jump scares, rather opting for an emphasis on acting, direction, editing, and a cohesive script. One such example of a successful independent horror film would be El Orfanato, which New Line Cinema eventually purchased the rights of the film after its release in American