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Essay about japanese literature
Essay about japanese literature
Literature in Japan during the medieval period
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Literature, whether oral or written, reflects the society in which it is produced. The history of literature in Japan, in particular of poetry is quite extensive. If we begin with Manyoushuu, compiled in 770, until the present day, the history of waka is over one thousand two hundred years long. Such a vast collection of literature enables us to take a look Japanese history through its poetry and prose. The development of waka and the changes it underwent over time are not solely the reflection of an art form, but also of its authors. Their social status, values, subject choices, and spiritual beliefs all reflect upon the greater society of Japan at that time. The time from the beginning of the Heian period to the end of Edo Japan is approximately one thousand seventy years long and makes up the majority of recorded Japanese history. Within such an expanse of history and of literature, parallels between works are bound to occur as authors build upon one another. Ki no Tsurayuki’s Tosa Nikki and Matsuo Bashou’s Oku no Hosomichi are one such example. Tosa Nikki, written in 936, and Oku no Hosomichi, finished in 1694 are both examples of kikou, or travel diaries. (Keene p.82) (Encyclopedia of Japan)
Known more formally as kikou bungaku, or travel diary literature, kikou are compositions recording and describing a journey. The length of kikou vary considerably and can be episodic, but go nowhere near the length of a work like Genji Monogatari. The diary ‘entries’ also vary in form and can be organized by date, by event, or may simply be free flowing with no formatted division in the prose. The true stars of kikou such as Tosa Nikki and Oku no Hosomichi are the poems. The prose exists mainly to support the poetry and ...
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Works Cited
Ebery, Patricia – Walthall, Anne – Palais, James. East Asia, a Cultural, Social, and Political History. Second Edition. Houghton Mifflin Company. Boston. 2009.
Donald Keene, Anthology of Japanese Literature from the earliest era to the mid-nineteenth century, Grove Press, 1955.
Oku no Hosomichi. Available through Laulima. EALL 271 UH Manoa. Spring 2011.
Matsuo Bashou, Encyclopedia of Japan. Kodansha. Available through Japan Knowledge.
Tosa Nikki, Encyclopedia of Japan. Kodansha. Available through Japan Knowledge.
Uta Makura, Encyclopedia of Japan. Kodansha. Available through Japan Knowledge.
Travel Diaries, Encyclopedia of Japan. Kodansha. Available through Japan Knowledge.
Waka, Encyclopedia of Japan. Kodansha. Available through Japan Knowledge.
“Google Maps”, available online @ www.google.com/maps
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
Riichi, Yokomitsu. Shanghai. Michigan: The Center for Japanese Studies, The University of Michigan , 2001.
Since its publication in 1981, Joy Kogawa's Obasan has assumed an important place in Canadian literature and in the broadly-defined, Asian-American literary canon. Reviewers immediately heralded the novel for its poetic force and its moving portrayal of an often-ignored aspect of Canadian and American history. Since then, critics have expanded upon this initial commentary to examine more closely the themes and images in Kogawa's work. Critical attention has focused on the difficulties and ambiguities of what is, in more ways than one, a challenging novel. The complexity of Obasan's plot, the intensity of its imagery, and the quiet bitterness of its protest challenge readers to wrestle with language and meaning in much the same way that Naomi must struggle to understand her past and that of the larger Japanese-Canadian community. In this sense, the attention that Obasan has received from readers and critics parallels the challenges of the text: Kogawa's novel, one might say, demands to be reckoned with, intellectually as well as emotionally.
Ogawa, D. (1993) The Japanese of Los Angeles. Journal of Asian and African Studies, v19, pp.142-3.
The indigenous Japanese culture, arts and literature have flourished in the Heian period of Japan. One can tell that exchanging short poems and messages between each other was the most prominent device of communication for both men and women at the time. Composing and exchanging love poems and messages were mostly us...
21 Pitts, Forrest R., Japan. p. 113. -. 22. Davidson, Judith. Japan- Where East Meets West, p. 107.
Short stories like Hisaye Yamamoto’s Seventeen Syllables, reveals something about the time period and how the author lived; we recognize these connotations in her essay “Seventeen Syllables” -- A Symbolic Haiku, through her logical outlook of everything. Yamamoto wants to educate American readers of the multicultural struggles that are brought upon by the immigrated, (mostly women), to America for freedom. She shows her purpose of everything through her special attention, the roles in woman, both Japanese and American, the metaphorical meaning of haikus, the seasons figurative meanings, the number three and seventeen and finally, the social obstacles between both the West and eastern hemispheres.
"Major Manga Artists in Japan." Gale Student Resources in Context. Detroit: Gale, 2007. Student Resources in Context. Web. 5 Mar. 2014
Brazell, Karen. Traditional Japanese Theater: An Anthology of Plays. New York: Columbia UP, 1998. Print.
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.
The Tale of Murasaki, by Liza Dalby, is about Murasaki, a young woman who lived in the Heian period (794-1185) of Japan. She writes a story called The Tale of Genji, and earns so much recognition for it that she is invited to court to attend the empress. Not only was she known for her writing, but she drew attention by learning Chinese. In the story, a Chinese education is essential for a man hoping to be a high-ranked member of society. Because the Japanese considered Chinese culture as superior, waka, a popular form of Japanese poetry, carries less cultural value in the novel. Therefore, both high-class women and men have to learn about wakas and use them daily. A woman who can compose good wakas and is beautiful would have the best chances of going to court, which is the best way to guarantee a comfortable life. Liza Dalby’s The Tale of Murasaki accurately portrays the abilities of each sex, the importance of Chinese learning, and the role of Japanese poetry in the Heian period of Japan.
The Age of Western Imperialism. Modern East Asia From 1600. Second Edition. Boston: Houghton Mifflin Company, 2009. 295-367.
One strength found in Gordon’s book is the fact that these are the personal memoirs of these travelers and therefore allows the readers to connect on a more personal level. This personal connection causes the reader to be more invested in the story and therefore truly strive to understand the world portrayed instead of just shallowly absorbing the setting. This is a strength because it gave the reader unique outlook on the Asian cultures because the audience feels personally involved in these situations. There are a few weaknesses in the book.
Shirane Haruo. et al. Early Modern Japanese Literature: An Anthology 1600-1900. New York: Colombia University Press, 2002. Print.
From covering Japan’s perilous imperial rule to analyzing Korea’s ambivalent adoption of democratic governance, Modern East Asia explored a broad range of subjects important for one who aspires to understand Asia holistically. Much time was even spent examining China’s horrid history at the hands of foreign meddling, giving insight into a nation feared as the future #1 economic power of the world. Although we covered a broad range of topics, each was given particular attention, never skipping major events or characters which shaped Asia’s history over the last several hundred years. Essentially, this class provided an open atmosphere for students to learn the intricate history of major Asian countries in addition to sharing ideas on the effectiveness of their pre-modern governance.