It's Raining in Mango Thea Astley’s It’s Raining in Mango (1987) is a story of Australian history told through five generations of the Laffey family. Astley introduces several issues to the reader that were and still are part of Australian society. Through the use of narrative techniques including characterisation, narrative point of view and naming, Astley is able to position the reader to challenge such societal ideologies, and instead support the thoughts and ideas expressed by the strong and dominant characters in the text. Two issues developed in the text are race and gender. Throughout the text, the white colonists are very racist towards the Aboriginals. Even cattle, horses and white women are placed hierarchically higher in society than the black people. In response to this, Astley constructs all narrations to be written through the eyes of the Laffey family, who are respectful towards Aboriginals, hence not racist, and despise societal ideologies. By making the narration of the text show a biased point of view, readers are provoked to think and feel the same way, foregrounding racism shown in the ideologies of early Australian society, and showing that Aboriginals are real people and should receive the same treatment to that given to white people. “They looked human, they had all your features.” (pg 27) There was, however, one section in the text whose narrative point of view was not given by a character in the Laffey family. This instead was given by a voice of an Aboriginal woman, when the Aboriginal children were being taken away from their families. By giving voice to the Aboriginal society, the reader is able to get a glimpse of their point of view on the matter, which once again shows that society was racist, and Aboriginals were treated harshly. Another narrative technique used to bring forward the issue of race is naming. By using harsh names to describe racist white people, it made Aboriginals seem a far ‘softer’ race. An example of this is Block, the white concreter who began a brawl in a pub in Mango. By using a name such as this, Thea Astley positions the reader to see Block as a hard, cold, strong male, and is also seen as an object instead of a person. Also by showing that Block is a concreter, this reinforces the thought of him being a ‘bad’ person, as he is ‘cold and hard as concrete’.
The compassionate novel Deadly Unna?, written by Phillip Gwynne, creates vivid characters and depicts race discourses experienced by Gary Black (also known as Blacky) in a fictitious South Australian coastal community. The novel portrays a typical coastal town of the 1970s and is set mainly in the Port: the local Pub, the Black family home and the jetty, where the local children play. The story explores the racism between the Nungas (the indigenous population who live at the Point) and the Gooynas (the white population who live at the Port). As Blacky is from the Port, he only begins to develop awareness of the racism around him as a result of his friendship with Dumby Red, a Nunga football player, and consequently stops making racist jokes and comments. Analysis of racist ideas in the town, the marginalisation of the Nunga community, Blacky’s changing beliefs and how it influences and empowers him to respond to the death of Dumby Red, reveals that Gwynne encourages the reader to reject the racist values, attitudes and beliefs of Blacky’s community.
According to the textbook, social diversity is based of differences unrelated to heritage such as, “gender, physical or mental or emotional disabilities, sexual orientation and alternative lifestyles.” One perfect example of this is when Miss Pointy states jokingly in her introduction that her first husband was a pirate. Though this was said in fun, it is an affirmation of the alternative lifestyle that is being divorced and remarried. This affirmation of the non-traditional family is also present in the descriptions of Sahara, Rachel’s and Darrell’s families, all of which are single-parent matriarchs. Miss Pointy captured the essence of accepting social diversity when speaking to Sahara’s mother: “You’re a class act, Ms. Jones, and you have nothing to feel bad about.” Beyond that, Sahara Special successfully asserts the existence of capable children with mental and emotional disabilities in this world, with its strong portraits of Sahara and Darrell who were selected for pull-out services and finally held back. For young readers in comparable situations, these character profiles can provide a necessary point of reference, if not positive role models, for them as they find their place in humanity. Also, for majority students, reflecting socially diverse characters in a positive way can disprove stereotypes and clarify misunderstandings held about such groups (Russell,
...eir lifehave felt and seen themselves as just that. That’s why as the author grew up in his southerncommunity, which use to in slave the Black’s “Separate Pasts” helps you see a different waywithout using the sense I violence but using words to promote change in one’s mind set. Hedescribed the tension between both communities very well. The way the book was writing in firstperson really helped readers see that these thoughts , and worries and compassion was really felttowards this situation that was going on at the time with different societies. The fact that theMcLaurin was a white person changed the views, that yeah he was considered a superior beingbut to him he saw it different he used words to try to change his peers views and traditionalways. McLaurin try to remove the concept of fear so that both communities could see them selfas people and as equal races.
Monique and the Mango Rains describes a companionship that progresses between the writer, Kris Holloway, and a local health care worker or midwife in the Nampossela village, Mali, for the period of the writer’s Peace Corps assignment there, from 1989 to 1991.
...sed in the first scene; the white family appear more superior over the aboriginal family, music, such as the Celtic music used in early scenes to foreground the idea of white settlement and the reluctantcy to incorporate any values or ways of life that the original inhabitants had. Her powerful dialogue seen in ‘this land is mine’ scene, which significantly empowers to audience to question whether the white settlers have failed to incorporate any of the ways of life and values of the Indigenous people. Finally, Perkins’ fine editing skills allows audiences to physically see the contrasts of the two families and their beliefs, values and ways of life. From the film, audiences can learn, and also forces them to question whether they have failed to learn from the original habitants of the land they live in today.
This traumatising experience ultimately shape her future view on the white community and develop a strong sense of Aboriginal identity. The conjunction of ‘but’ in ‘They might be drinkers, but they’re still our people’ represent her connection to the Aboriginal culture and reveals her pride in her Aboriginal identity. However, Nan Dear is provoked by Dolly boyfriend, Errol Fisher which leads her to reflect on her past experience of rape by who may be related to Errol, ’The lad- he took advantage of me.. his name was Clem Fisher’. During the petition, Nan Dear discovers the truth ‘my (Errol) dad changed our surnames..
Though the stereotyping and alienation is strong in Dougy and Gracey’s community they manage to break away from it. The whites feel that the Aborigines get everything free from the government and never do any work of their own, and according to the book, most of them do just this.
Throughout the story’s progression, Blackwood secretively becomes involved in a friendship and agreement with the Aboriginals who migrated to stay nearby ‘his’ home. Blackwood explains how they came to the agreement: “They come down, see… tell me to bugger off… [They] had their bloody spears up ready…give them some victuals. But they wasn’t having none… they let me stay. Made it real clear- stay on the beach,” (pg.215). Soon after Blackwood explains his confrontation with the Aboriginals, a voice called out from the lagoon. “[It was an Aboriginal woman, and] Blackwood was speaking in her own tongue. [Blackwood’s] words were slow and clumsy, but Thornhill could see the woman listening and understanding… I find them quiet and peaceable folk, Blackwood said,” (pp.216-7). This acceptance and hospitable relationship between Blackwood and the Aboriginals, shows the audience that Blackwood made the decision to make a comfortable relationship with the land owners. It is evident that Blackwood has changed his perspective on the Aboriginals through the contradiction of his confrontation, in which he uses words such as “bloody [and] bugger” to show that he did not feel welcome near or around them; and his agreement and “understanding” friendship in which words such as “peaceable” are used to show that they have a quiet, enjoyable relationship. This contradiction shows that Blackwood came to change his
But unlike Gregory’s tale, Wilkins’s story lacks figurative language. Though he does use descriptive language, like when he described what his white neighbors thought about him and his African American family moving in: “The prevailing wisdom in the neighborhood was that we were spoiling it and that we ought to go back where we belonged (or, alternatively ought not intrude where we not wanted.)” (Wilkins). The main problem is that there are no metaphors, similes, symbols, alliterations, and so on. But a strong point of this piece is that it is to the point. All the details he put in his story made sense and helped make his point of equality clear. One such example of this is when he describes his teacher Dorothy Bean, “I later came to know that in Grand Rapids, she was viewed as a very liberal person who believed, among other things, that Negroes were equal.” (Wilkins). This detail helps to establish her as a guiding force to help the other students see Wilkins as an equal. Another great strength in this story was its clear organization of the events that took place. It began with an explanation of the setting, how he was treated, how the teacher treated him, and ended with him being accepted by the other students. Everything was chronologically ordered and easy to follow, which also made it a more enjoyable
The main character is completely alienated from the world around him. He is a black man living in a white world, a man who was born in the South but is now living in the North, and his only form of companionship is his dying wife, Laura, whom he is desperate to save. He is unable to work since he has no birth certificate—no official identity. Without a job he is unable to make his mark in the world, and if his wife dies, not only would he lose his lover but also any evidence that he ever existed. As the story progresses he loses his own awareness of his identity—“somehow he had forgotten his own name.” The author emphasizes the main character’s mistreatment in life by white society during a vivid recollection of an event in his childhood when he was chased by a train filled with “white people laughing as he ran screaming,” a hallucination which was triggered by his exploration of the “old scars” on his body. This connection between alienation and oppression highlight Ellison’s central idea.
Specific elements of the storyline that display the theme racism include: the display of animalistic treatment, enforced religious practices, and historical comparisons. The film reveals the overarching government belief that the white race is smarter and purer, to the inferior, uncivilized and misguided, darker-skinned, Aboriginals. This belief is demonstrated throughout the film and signifies the government’s attitudes toward the half-caste race as: uncivilized animals that need a trainer to discipline them. For example, the film shows the girls being transported like livestock to th...
The author distinguishes white people as privileged and respectful compared to mulattos and blacks. In the racial society, white people have the right to get any high-class position in a job or live in any place. In the story, all white characters are noble such as Judge Straight lawyer, Doctor Green, business-man George, and former slaveholder Mrs. Tryon. Moreover, the author also states the racial distinction of whites on mulattos. For example, when Dr. Green talks to Tryon, “‘The niggers,’., ‘are getting mighty trifling since they’ve been freed.
The assimilation policy was a policy that existed between the 1940’s and the 1970’s, and replaced that of protectionism. Its purpose was to have all persons of aboriginal blood and mixed blood living like ‘white’ Australians, this established practice of removing Aboriginal children (generally half-bloods) from their homes was to bring them up without their culture, and they were encouraged to forget their aboriginal heritage. Children were placed in institutions where they could be 'trained' to take their place in white society. During the time of assimilation Aboriginal people were to be educated for full citizenship, and have access to public education, housing and services. However, most commonly aboriginal people did not receive equal rights and opportunities, for example, their wages were usually less than that paid to the white workers and they often did not receive recognition for the roles they played in the defence of Australia and their contribution to the cattle industry. It wasn’t until the early 1960’s that expendi...
Within Australia, beginning from approximately the time of European settlement to late 1969, the Aboriginal population of Australia experienced the detrimental effects of the stolen generation. A majority of the abducted children were ’half-castes’, in which they had one white parent and the other of Aboriginal or Torres Strait Islander descent. Following the government policies, the European police and government continued the assimilation of Aboriginal children into ‘white’ society. Oblivious to the destruction and devastation they were causing, the British had believed that they were doing this for “their [Aborigines] own good”, that they were “protecting” them as their families and culture were deemed unfit to raise them. These beliefs caused ...
The language is also used to emphasize the feelings and emotions of Callum and Sephy. The use of descriptive writing is employed by Blackman to give the reader insight into the effects and emotions of racism. “I was talking like my mouth was full of stones – and sharp jagged ones at that.” The book is full of descriptive writing and figurative language with use of similes and metaphors to explore the feelings of Callum and Sephy. The way in which Blackman uses these language techniques influences the reader to especially pity the white race and the way they are treated in the book. Blackman has created her own world to resemble our own op...