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Analysis Camus's The Stranger
The stranger albert camus ib essays
Analysis of Albert Camus' the stranger
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Recommended: Analysis Camus's The Stranger
It is a lesson that we all must learn at some point in life, one stated perhaps most eloquently by Spider-Man shortly after gaining his powers: “With great power there must also come—great responsibility!” Although he may have appeared to be a normal human without any great power to speak of, Meursault held a great power in Albert Camus’ The Stranger: the power of choice. As the comic book axiom states, this great power could not come without an equally great responsibility; Meursault had to have a strong individual moral code and be willing to deal with the consequences of his choices. By characterizing Meursault as a heroic figure who tells the truth even when it will bring certain death, Albert Camus demonstrates the importance of having strong individual morals and atoning for the consequences of one’s actions. From the moment Meursault is introduced, it is clear that something about him is not normal. When his mother dies, Meursault shows no emotion. When Meursault kills a man is a way that has the potential to be seen as justified by the courts, he admits the killing as a murder in cold blood and accepts the punishment of death without major protest. When he is first questioned regarding the murder of the Arab, Meursault tells the complete truth, even going so far as to explain “that at first [he] had fired a single shot and then, a few seconds later, the other four” (Camus 67; pt. 2). Any normal person wishing to avoid punishment for murder could have—and almost certainly would have—lied about small details and claimed that all five shots were fired without pause, but Meursault chooses to take the honest route. Instead, Meursault does the honest thing, motivated by his personal moral values. Meursault knows that he has co... ... middle of paper ... ...leaving him a free man in his twilight hour as he accepts his position in life. Meursault holds the ultimate power of choice over his actions, and with the power of choice comes a responsibility to atone for the consequences resulting from said choice. Meursault’s responsibility is motivated by the morals that he develops as an individual, which leads to a conflict with the morally void society. Meursault is shown to be heroic through his acceptance of his responsibilities in spite of the conflicts with society, and using Meursault as an example, Camus demonstrates that it is a heroic action to live up to one’s responsibility in the face of conflict from external sources. Meursault is not a hero because of what he does; he is a hero because of what he does not do: Meursault refuses to compromise on his moral values and responsibilities despite conflict from society.
Has there ever existed a person that has not judged someone else over their lifetime? Judging by reality as well as literature it seems that no person like that has ever existed. It appears that it is human nature to want to pronounce others as either purely good or evil. But does everyone fit into the mold of good or evil? In Albert Camus's The Stranger, Meursault is a morally ambiguous character, and this ethical indistinctness plays a major part in the novel as a whole and the theme that Camus is trying to portray.
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
...according to him, a man who is morally guilty of killing his mother severs himself from society in the same way as a man who raises a murderous hand against the father who begat him.” This quote is telling how society input their feelings and ideas onto Meursault. The persecutor compares Meursault emotionless and lack on remorse for his killing the same as a person killing their own father. Society believes Meursault as an emotionless killer or a stranger to society’s morality, Meursault then can’t explain why he couldn’t feel any emotion, drives, or thoughts of remorse for his murder. Lastly, when the chaplain visits Meursault against his wishes, this scene showed how society expects everyone to ask for forgiveness from god when near death. Meursault then thinks it is absurd and refused to believe in him because he says it’s ridiculous and there’s no time at all.
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
... his mother and the idea of God which is again supported by his close relationships. Those relationships are with people who don’t believe in a higher being or who show no true morals. Camus accommodates white with many objects and people, yet purposely excludes Meursault and refers to him as dark. All of these techniques show Meursault as a nonreligious man with potential to harm without remorse. This leads up to his interaction with light where he feels uncomfortable just as he does with God. Meursault’s history and personality lead up to the murder of the Arab, the distraction of the light, and in the end, accusing God, “the light”, for his criminal behavior. Human nature needs moral standards or the world would be as corrupt as Meursault’s life.
Firstly, Camus juxtaposes the stories of Meursault and the Czechoslovakian man to create a presage of the denouement of Meursault. The Czechoslovakian man undergoes major life changes, and this ultimately leads to his demise. He goes to make a better life for himself, and he returns to his village with riches in wealth and in family. Unrecognizable to them, the Czechoslovakian man returns to his mother and sister, and he decides to play a simple joke “of taking a room” and “he had shown off his money” (80). This trick ends when “during the night his mother and sister had beaten him to death…in order to rob him” (80). The Czechoslovakian man’s newfound courage results in obstinacy. Contrastingly, until Meursault commits his crime of murder, his life appears nearly painfully simple. ...
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The jury’s attempt to place a proper verdict on Meursault is compared to mankind’s futile attempt to find order in an irrational universe. Because there is no real truth in the trial, the verdict was unfair and illogical. Camus uses his beliefs of truth not existing and life being precious to point out the absurdity of the judicial system, and suggest the abolishment of the death penalty.
The conflict is established at the end of Part I, when Meursault kills an Arab; an action not uncommon in Algiers during this period of social unrest (the 1930’s). He does not do it intentionally, but rather because of the intensity of the moment and the blinding sunlight reflecting off of the Arab’s blade. The fact that Meursault kills an Arab is of little importance in this novel. The jury and the general population despise him because he is different, not because of the murder. Even Meursault’s lawyer predicts that the punishment will be minimal. Throughout the entire trial, the prosecution stresses Meursault’s lifestyle and his indifference to everything. They bring up his mother’s funeral and say that he showed no signs of emotion. To make things worse, he went to a Fernandel comedy and had sex with Marie on the very next day. The prosecutor once states, “...all I see is a monster.”
Life is often interpreted as having meaning or purpose. For people like Meursault, the anti-hero protagonist of Albert Camus' The Stranger, the world is completely without either. Camus' story explores the world through the eyes of Meursault, who is quite literally a stranger to society in his indifference to meaning, values, and morals. In this novel, the protagonist lives on with this indifference and is prosecuted and sentenced to die for it. Through Meursault and his ventures in The Stranger, Camus expresses to the reader the idea that the world is fundamentally absurd, but people will react to absurdity by attaching meaning to it in vain, despite the fact that the world, like Meursault, is indifferent to everything.
“Meursault is punished, not for his crime of killing another human being but for refusing to play the game.” This statement is of great relevance to the novel The Outsider, by Albert Camus. Society as a whole enforces its ideas and values, upon all individuals, but particularly on those who differ from the “norm”. Through Meursault’s view of the world, contrasted with that of both the religious and judicial system this notion is foregrounded.
The jurors, judge, and lawyers devote more time to discussing Meursault’s lack of empathy and emotionality than his actual crime. Additionally, he exhibits an individuality that is an intrinsic threat to the order of a functional society. On page 77, he remarks that he would be just as content to live completely alone “penned in a hollow tree trunk”. Since he values only himself, authority figures cannot exert power over him, because he does not share their sense of hierarchy, values, fears, or desire to exist cohesively in society. He is sentenced to death largely because he is a threat to a social order sustained by a shared set of values, which are founded in a belief in meaning. As his punishment doesn’t correlate directly to his crime, Camus illustrates that human execution of justice is intrinsically flawed. The reader begins to sympathize with Meursault because he faces an unjust conviction, and becomes more receptive to Camus’s ultimate argument that the very notion of justice evoked in part one is an absurd concept. On page 121, Meursault remarks “the little robot woman was just as guilty as the Parisian woman Masson married, or as Marie”. In this passage, Camus argues that we are all equally guilty because we are all part of the same universe, a universe Meursault labels as “tenderly indifferent”. If the universe is indifferent and meaningless, we, as its products, are meaningless and our attempts to assign meaning to the world are ultimately
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.