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Themes of existentialism in the stranger
Characteristics of meursault from the stranger
Themes of existentialism in the stranger
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The Stranger, by Alfred Camus is an existentialist work set in Camus’s native city of Algiers during the 1940s. Divided into two parts, The Stranger forms a poignant argument for the absurdity of human life. Between parts one and two, Camus steers our perspective from that of society to that of Meursault, effectively steering the reader to identify with precisely the mentality they abhorred in part one. In The Stranger, Camus argues that humans irrationally seek to apply meaning based on arbitrary constructs to a universe where none exists. As we are all constituents in this meaningless universe, our notions of justice are rendered absurd and our relationships insignificant. By the end of the novel, Camus argues that we are all like Meursault; …show more content…
The jurors, judge, and lawyers devote more time to discussing Meursault’s lack of empathy and emotionality than his actual crime. Additionally, he exhibits an individuality that is an intrinsic threat to the order of a functional society. On page 77, he remarks that he would be just as content to live completely alone “penned in a hollow tree trunk”. Since he values only himself, authority figures cannot exert power over him, because he does not share their sense of hierarchy, values, fears, or desire to exist cohesively in society. He is sentenced to death largely because he is a threat to a social order sustained by a shared set of values, which are founded in a belief in meaning. As his punishment doesn’t correlate directly to his crime, Camus illustrates that human execution of justice is intrinsically flawed. The reader begins to sympathize with Meursault because he faces an unjust conviction, and becomes more receptive to Camus’s ultimate argument that the very notion of justice evoked in part one is an absurd concept. On page 121, Meursault remarks “the little robot woman was just as guilty as the Parisian woman Masson married, or as Marie”. In this passage, Camus argues that we are all equally guilty because we are all part of the same universe, a universe Meursault labels as “tenderly indifferent”. If the universe is indifferent and meaningless, we, as its products, are meaningless and our attempts to assign meaning to the world are ultimately
Albert Camus’ The Stranger featured a misunderstood man who saw through his gilded society who was condemned to death for not crying at his mother’s funeral. Ernest Gaines’ A Lesson Before Dying found a man sentenced to death because of his race.The ignorance of society killed both of these men, but their strength in defying the oppressive system makes them immortal. The strength of defiance is not an escape attempt or freedom, but the ability to remain human even while condemned to death. The human spirit triumphs when faced with injustice by taking dignity from the strength provided by a community or finding strength internally to create dignity even in death.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The trial is used to portray the jury’s attempt to place a proper verdict on Meursault as mankind’s attempt to find order in an irrational universe. Camus believed these attempts were absurd, because there is no real truth in the world. The entire trial is then just an example of absurdity.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The jury’s attempt to place a proper verdict on Meursault is compared to mankind’s futile attempt to find order in an irrational universe. Because there is no real truth in the trial, the verdict was unfair and illogical. Camus uses his beliefs of truth not existing and life being precious to point out the absurdity of the judicial system, and suggest the abolishment of the death penalty.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
In Albert Camus' The Stranger, society only affects the main character, Meursault, after he comes to a mid-story crisis. For all practical purposes, Meursault was living in a French society of the 30's, whereas Al...
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.